Thursday, March 8, 2012

Case Study No. 0284: Bill Garrett, George Earle, and Peters (library aides)

Lights Out - The Lost Will Of Dr. Rant (Pt. 1/2) OTR (Old Time Radio)
10:59
From Radio To TV

Lights Out - On Television:

In 1946, NBC brought Lights Out to TV in a series of four specials, broadcast live and produced by Fred Coe, who also contributed three of the scripts. NBC asked Cooper to write the script for the premiere, "First Person Singular", which is told entirely from the point-of-view of an unseen murderer who kills his obnoxious wife and winds up being executed. Variety gave this first episode a rave review ("undoubtedly one of the best dramatic shows yet seen on a television screen"), but Lights Out did not become a regular NBC TV series until 1949.

Coe initially produced this second series but, for much of its run, the live 1949-1952 Lights Out TV series was sponsored by Admiral (makers of television sets and refrigerators), produced by Herbert Bayard Swope, Jr., directed by Laurence Schwab, Jr., and hosted by Frank Gallop. Critical response was mixed but the program was successful for several seasons (sometimes appearing in the weekly lists of the ten most watched network shows) until competition from the massively popular sitcom I Love Lucy helped to kill it off.

The 1949-1952 series featured 'Dead Man's Coat,' an episode starring Basil Rathbone, adapted from the radio script 'Wear the Dead Man's Coat' from the program 'Quiet, Please.' Arch Oboler's 'And Adam Begot' was also adapted from the radio script for the television series, with Kent Smith in the lead. Leslie Nielson starred in 'The Last Will of Dr. Rant' where he played a young librarian haunted by a repentant ghost. The latter and many others are available on DVD.

In 1972, NBC aired yet another TV incarnation of Lights Out, a TV movie pilot which was not well received. In fact, Oboler (who was then syndicating his The Devil and Mr. O radio show) made a point of announcing publicly that he had nothing to do with it.

In 1995, the network announced it was developing a TV movie and "potential miniseries" called "Lights Out" which, it was stressed, was "not being adapted from the radio series ..." Although Oboler managed to retain the rights to his radio scripts, NBC apparently still owns the rights to the series' title.

Despite its modest television success, radio historian John Dunning is probably right to suggest that the legend of Lights Out is firmly rooted in radio.
Tags: Lights Out The Lost Will Of Dr. Rant (Pt. 1/2) OTR (Old Time Radio)
Added: 2 years ago
From: dspstuff2
Views: 6,500

THE LOST WILL OF DR RANT by Doris Halman
Based Upon THE TRACTATE MIDDOTH by M.R. James
Directed by Laurence Schwab Jr.

[scene opens inside a library, as John Eldred (an elderly man) walks up to Bill Garrett (a young male library assistant) at the front desk]
ELDRED: Is it too late to take a book from the library?
BILL: Why no, sir. We won't be closing for another half hour.
ELDRED: Hmm, so you won't. I thought it was later.
BILL: Well, it's these late fall afternoons, sir. Are you a member of the library?
ELDRED: Yes, for many years. My name's John Eldred.
BILL: Oh, I'll just have to check the register, if you don't mind.
ELDRED: Not at all ... You're new here, aren't you?
BILL: Why, no sir. I've been here five years.
ELDRED: I see. Well, I don't get up to Boston very often, but I think the other attendant would've remembered me.
BILL: Yes, I'm sure he would, sir ...
[he pulls a card out of the drawer]
BILL: Yes, it's alright, Mister Eldred. You can go upstairs and get your book.
ELDRED: I wonder if someone would be good enough to find it for me. I developed a heart condition since I was here last, and my doctor's forbidden stairs, and I have the name of the book all written out.
[he takes a piece of paper out of his pocket]
BILL: Oh, of course. I'll go myself, I'll just be a minute.
[he rings a bell on the desk]
BILL: I think I remember seeing you before, Mister Eldred, but not quite recently.
ELDRED: Uh, I live in Bretfield, in the Berkeshires. It's a year since I've visited Boston.
BILL: A year, now that's right. Let's see, it was just getting dark, I was going around turning all the lights on and we nearly collided. Do you remember?
ELDRED: Uh, I'm afraid not.
BILL: It was on the stairs, halfway to the top floor. I was going up, and you were coming down suddenly, running--
ELDRED: Uh, I was probably running to catch my train.
BILL: Oh, yes. And what book was that, Mr. Eldred?
ELDRED: [hands him the paper] The information's all there.
BILL: "Tractate Middoth, with the commentary of Nachmanidies. Amsterdam. 1717 11-3-34." Is that our catalog listing, sir, 11-3-34?
ELDRED: Yes, why?
BILL: Well, it's unfamiliar to me. No one's ever asked me for it in the five years I've been here.
ELDRED: Not everyone is a scholar of Hebrew, young man.
BILL: No sir, I imagine not. Well, I'll get it for you, sir ... Oh, uh, if this should be out, will you take another edition of the Talmud?
ELDRED: No.
[another clerk walks up to the desk]
BILL: Yes sir. Take care of the desk, will you Peters?
PETERS: [sits down] Mister Garrett will be as fast as possible, but the Hebrew collection is in the stacks on the top floor ...
ELDRED: Mmm ...
[he nervously taps his cane on the ground, then cut to the top floor, where Bill nearly runs into another person while looking through the stacks]
GEORGE: Hi Bill.
BILL: Oh, hello George.
GEORGE: How are you?
BILL: Oh, a member downstairs wants The Tractate Middoth.
GEORGE: The what?
BILL: Yes, I don't know it either, but it's in our catalog so we've got it. The rare edition of the Talmud, donated to us in 1934 by Doctor John Rant ... whoever he is. What've you been doing up here?
GEORGE: Oh, checking the Greek collection for any volumes that need rebinding. Why?
BILL: Well, you've raised an awful lot of dust.
GEORGE: Well, I didn't do it ...
BILL: Who else is up here?
GEORGE: Nobody ...
[he checks his watch]
GEORGE: I'll see you later.
[as George leaves, Bill starts humming while looking for the book, then notices a man dressed in black with his back turned to him]
BILL: Oh, I'm sorry, sir. I never knew anyone was here.
[the man doesn't turn around]
BILL: Excuse me, sir?
[he still doesn't respond, so Bill continues looking for the book, when he notices that the particular volume is missing from the shelf, so he leaves]
[cut to Bill returning to the front desk]
BILL: I'm sorry to disappoint you, Mister Eldred, but one of our members got their ahead of you.
ELDRED: You mean the book's out?
BILL: Well, yes. Uh, well no, it's still there, but an old gentleman was reading it, so--
ELDRED: What old gentleman?
BILL: A shortish old man, the retired schoomaster type, you know.
ELDRED: Yes, I know ...
BILL: If you wait ten minutes until the library closes, I'll--
ELDRED: I can't wait.
BILL: Well, Mr. Eldred, he'll have to come down then, and if he hasn't got the book, I'll go up and--
ELDRED: No! I'm sorry, but my train. You have my address, please send me the book when it's free. Goodnight.
[he leaves]

[...]

[the three men are gathered at the front desk]
BILL: Closing up, huh?
PETERS: Yep, past five.
BILL: Yeah, well, I can leave too. I'm through. Oh say, did uh, did an old gentleman take out the Tractate Middoth?
PETERS: No one came down.
BILL: I guess he's still up there, I better go up and put him out.
GEORGE: No, there's nobody up there, I just shut off the lights myself. Come on, let's go.
BILL: No no, I better check.
GEORGE: Alright, I'll wait for you then.
[cut to Bill upstairs]
BILL: Anybody here? Hello?
[he turns on the light and sees the same old man with his back turned]
BILL: Oh, excuse me, sir? Excuse me, sir.
[he has no reaction]
BILL: Sir, I'm very sorry, but really ...
[Bill puts his hand on his shoulder and turns him around, then screams and falls down when he sees his mangled face]
GEORGE: [from off camera] Bill? Where are you? Bill? Bill?
[he runs up and tries to revive Bill, who is pinned underneath a ladder that he knocked over while falling]
GEORGE: Bill, are you alright? Bill!
[the camera pans up to reveal that the man is no longer there]

[...]

[Bill is under doctor's orders to spend time in New Hampshire in order to recover from his "hallucinations", but - after another encounter with the little old man at the train station - has instead found himself in a boarding house in Vermont run by Mary Simpson and her mother]
MRS. SIMPSON: Now Mary, stop teasing Bill, or he'll be sorry that he ever met us on the train!
BILL: I'll never be sorry for that, Mrs. Simpson! You've been so kind since--
MRS. SIMPSON: Nonsense!
BILL: Well, you took me into your house.
MARY: Oh, that was a terrible sacrifice for us, Mister Garrett! What with the boarding house going begging for out-of-season boarders, we'd have taken in anybody at all! Wouldn't we, Mother?
MRS. SIMPSON: Oh Mary! Now, don't pay any attention to her, you know how girls are!
BILL: Well, I'm beginning to learn now, Misses Simpson. All my life I've been sort of quiet, and women have always known that the minute they laid eyes on me.
MARY: No interest in you, huh? Well, of course, if they'd met you the way I did first, dashing into a train all white and shaking as if the police were after you, and then collapsing against a seat. And this, mind you, at the last minte as the train was pulling out. They would've thought you were an escaped convict too.
MRS. SIMPSON: Mary ...
MARY: And of course, that would interest anyone in a romantic kind of way. And then you turn out to be a poor nervous individual who's just getting over a frightful illness. And that would interest anyone in a, well, in a maternal kind of way.
[she laughs]
MRS. SIMPSON: Mary, stop that this minute!
MARY: Aw Mother, he likes it! Besides, it does him good to be teased ... Well, just look at him, Mother!
BILL: [laughs]
MARY: He's not the same man who came here a week ago!
MRS. SIMPSON: That's my cooking, not your teasing!
MARY: Oh, it's both, isn't it Bill?
BILL: Yes, it's both.
MARY: There, you see Mother?
BILL: And it'll be all over in a week, I'll have to go back to Boston ... and that library.
MARY: Library? Oh, you mean you work in a public library?
BILL: Well, no. It's a bookman's library.
MARY: Oh.
BILL: Very academic, stuffy ... I never told you before because I thought you'd think I was stuffy!
MARY: [laughing] Aw, poor old Bill. Do you hate it?
BILL: No, as a matter of fact, I'm proud of it. To work in a bookman's, you have to be something of a scholar, you see. And all my life I've loved books, so--
MRS. SIMPSON: Well, I haven't! A book cheated me out of my inheritance twenty years ago ...
MARY: Tell him about it, Mother.
MRS. SIMPSON: Oh, no dear. It's too long a story.
MARY: Yes, but Bill might be able to help us. Bill, how could something be written in English, but my mother if she saw it wouldn't know it was in English?
BILL: You mean if they were deliberately trying to disguise the fact?
MARY: Yes.
BILL: Well, you could, um ... you could write English words in another alphabet. Hebrew, Arabic. As long as a fellow was a scholar, and--
MARY: Well, he was a scholar.
MRS. SIMPSON: Mm hmm.
MARY: He used to have his own school for boys up at Bretfield, Mass.
BILL: Who?
MARY: Well, this uncle of Mother's, a Doctor John Rant. He was a horrible nasty--
BILL: Wait a minute. Wait a minute, Mary. John Rant ... I know that name. It means something. Let's see, it's connected with a book. Uh, schoomaster. Oh, if only I could remember it!
MRS. SIMPSON: Now look what you've done, Bill's all upset!
BILL: Really, I must remember it, I've got to remember it! I feel that I've met your uncle quite recently.
MARY: [laughs] Well, that you couldn't have done, Bill. He's awfully dead!
BILL: Dead?
MARY: Uh huh.
MRS. SIMPSON: Twenty years ago, in October 1931.
BILL: 1931! 1931, that's it! Uh, the Tractate Middoth was donated to the bookman's library in 1931 by Doctor John Rant!
MARY: The what was donated, Bill?
BILL: The Tractate Middoth, it's a very rare edition of the Talmud.
MARY: Well, that's Hebrew! The Talmud's in Hebrew, isn't it?
BILL: Yes.
MARY: Well Bill, for heaven's sake, was anything written in that book?
BILL: Well, I don't know, I never got my hands on it ... Schoolmaster?
[he puts his hand to his head]
BILL: No, no that's crazy.
MARY: What?
BILL: But if it wasn't ... if it was true! What was written in that book, Mary?
MARY: A will.
BILL: In favor of your mother?
MARY: Yes.
BILL: A lot of money?
MARY: Why, a fortune!
BILL: Twenty years ago, but your mother didn't inherit it. Who did?
MARY: Well, a cousin of hers, an heir by a previous will.
BILL: What was his name, Mary? Was it John Eldred?
MRS. SIMPSON: Oh!
MARY: [stunned] Yes.
BILL: I see! So John Eldred has been spending a fortune these last twenty years that rightfully belongs to your mother!
MARY: Yes.
BILL: And he knows that, doesn't he?
MARY: Yes!
BILL: And he also knows about a will in a book ... Who told him, you Misses Simpson?
MRS. SIMPSON: I had to. When my uncle died, my cousin came at once to claim the house at Bretfield, so I had to ask him to let me search through the books.
MARY: Instead of which, he locked up all the books and ordered Mother out the house!
MRS. SIMPSON: And that was the end of that, because he must have discovered the book with the will and destroyed it!
BILL: No ...
MARY: Oh, but he must have ...
BILL: Then why is he trying so hard to find a book in a Boston library?
MARY: What, you mean that Hebrew one? That "Tractate Something?"
BILL: Yes Mary, the one that was donated to us twenty years ago ... Only I don't know why it took Eldred so long to locate it.
MARY: I do! He didn't know any more than Mother which book the will was written in, so he had to search every book at Bretfield page by page, and Mother said there were thousands of them.
MRS. SIMPSON: I never saw so many in all my life! Why, the catalog was as thick as--
BILL: The catalog! The catalog, that's it! He found out what books were missing after his search failed, through the catalog. Then he went to all the dealers, the libraries, until at last a year ago he finally found out what book it was and where it was!
MARY: And he came for it a year ago?
BILL: Yes, that's why I saw him running down the stairs ...
MARY: Well, then he did find the will, he did destroy it ...
BILL: No, Mary. Not then and not two weeks ago either, when he tried again. Both times he was driven away by a little old man ... oh, looked like a schoolmaster.
MRS. SIMPSON: [gasps]
MARY: Oh no, Bill.
BILL: Yes Mary! And it's the same man that stopped me from getting on the New Hampshire train, so that I could come here to you to hear this story! Mrs. Simpson, I think your uncle John Rant does want you to have that fortune, and I think he wants me to help you to get it.
[cut to Bill as he walks into the library wearing a trenchcoat]
GEORGE: Can I help you?
[he suddenly recognizes his co-worker]
GEORGE: Bill! We weren't expecting you back for another week!
BILL: Yes, well I'm not really back, I'm here on an errand. I wanna borrow a book.
GEORGE: New Hampshire that dull?
BILL: Well, matter of fact, I never got to New Hampshire. But that's a long story, I'll tell you, I'll tell you later! I'll go upstairs now and get the book.
GEORGE: Hey, wait a minute! You're still an invalid now, let me get the book. Tell me the name of it and I'll get it for you.
BILL: Well ...
GEORGE: Oh, come on, tell me!
BILL: Well, I suppose there'll be no trouble. It's the Tractate Middoth. It's for Misses--
PETERS: [from the front desk] It's out.
BILL: Out? Well, it can't be!
GEORGE: Oh yeah, we sent it out by parcel post.
BILL: When?
GEORGE: Yesterday. A member wrote in and asked for it, so we--
BILL: Who?
GEORGE: Who was it, Peters?
PETERS: Uh, John Eldred, lives in Bretfield.
GEORGE: That's it.
BILL: You mean you went upstairs and go the Tractate Middoth for Eldred, and no one stopped you?
GEORGE: Well, who'd stop me?
BILL: Well, I ... I don't know. I, I guess I'm wrong. Guess I'll have to go to Bretfield.

[...]

[Bill finds Mister Eldred unconscious at the Bretfield post office - having encountered the ghost of Doctor Rant - so he takes the package from him and brings the book back to Mary]
BILL: [holding the book] You see, here it is. In the flyleaf of the book. Writing. Hebrew words, but they aren't really Hebrew words, they're English words. When I got back to Boston last night, I took it to an expert in the language and he read it to me last night in the presence of a lawyer, and it's a perfectly valid will leaving everything to your mother!
MARY: Oh, wait'll Mother hears this, she's rich!

[...]

Starred
Leslie Nielsen as Bill
Russell Collins as John Eldred
Pat Englund as Mary
Eva Condon as Mrs. Simpson
John Gerstad as George Earle
Marvin Paige as Peters

---

From ebay.co.uk:

"Lights Out" (Season 3, Episode 37) - Original Air Date 7 May 1951

SUMMARY: The impatient and anxious Mr. John Eldred (Russell Collins) visits a Boston Library asking to borrow an obscure copy of the Talmud titled 'THE TRACTATE MIDDOTH'. The young library assistant Bill Garrett (Leslie Nielsen) is given the task of retrieving the book but when he looks for it, it is missing. Has the mysterious gentleman that was reading in the library got it? But nobody can say where he came from or where he has disappeared to and has this same strange spectre also started to 'haunt' Bill Garrett, and what does all this have to do with the lost will of Dr. Rant?

---

From episodeguide.us:

A curt old man, John Eldred, approaches Bill, a clerk at a Boston libary. Eldred says he's visited the library a year earlier and has come back for a book. He asks Bill to get a book for him and hands him a note with its title: "Talmud: Tractate MIddoth with the comentary of Machmanidies, Amsterdam, 1717 11/3/34". Bill goes upstairs to get the book, donated in 1931 by someone named Dr. John Rant. Searching the stacks, he sees it's being read by a mysterious man dressed in black with his back turned. The old man doesn't responds to Bill's greetings.

Bill goes down and tells Eldred that a man who looks like an old school teacher is currently reading the book. Eldred is horrified, and asks that the book be sent to him when it's available.

Bill goes back upstairs to check and finds the old man still there reading and unresponsive. Bill approaches the figure, takes one look at his face and screams and faints. Fellow clerk George runs upstairs, finds Bill on the floor, but no one else there.

At the train station, Mary and her mother, Mrs. Simpson, are lamenting their fruitless trip to Boston. Mother philosophically says that if she was meant to have Uncle John Rant's fortune, she would have found his will. Mom tells how on his death bed, Rant told here that he wanted her to have his fortune. However, she'd have to find his will and and probably wouldn't recognize it when she did. The two run to catch their train. Bill walks up with George, who's come to see him off. Bill is going to the New Hampsire mountains for two weeks of rest per his doctor's orders. Bill ties to convince his friend George that he really did see a horrible old man who had no eyeballs, just sockets filled with cobwebs. As Bill goes to get on his train, he encounters the frightening old man again. Horrified, he run the other way and onto another train.

At the Simpsons' home, Bill thanks Mary and her mother for allowing him to stay with them for past week. Bill and Mary also do some flirting. He tells the pair that he works at an academic libary which causes Mrs. Simpson to say how she was cheated out of a fortune by a book. The ladies ask him how a book written in English could be hidden and unrecognizable, promting Bill to suggest it could be written in Hebrew. Uncle John Rant was a school master, so perhaps that's what he did with his will. Recognizing the name John Rant, Bill suddenly becomes frightened. Asking questions, he learns that the inheritance ended up going to a cousin, who Bill correctly guesses to be John Eldred. The group figures out that Eldred has been searching though Dr. Rant's thousands of books for all these years, looking for the will to destroy it. Not finding it in Dr. Rant's library, Eldred had tracked it down to the Boston library. On both occasions that he's tried to retrieve it, the ghost of Rant has scared him off. Bill realizes that none of these strange events is coincidental and that the late doctor wants him to help Mrs. Simpson get her rightful money. Racing back to Boston, Bill finds that the book has been mailed to Eldred.

At the local post office in the Berkshires, old man Eldred picks up his package from the clerk. As he walks away from the counter, he encounters the ghost of Dr. Rant and falls dead to the floor. Bill is just walking in and instructs the clerk to quickly get a doctor. While she does, Bill takes the package containing the book and leaves.

Back at the Simpsons' home, Bill explains to the ladies how the book contains a completely legal will and that both will soon be wealthy. After a little more flirting, Bill asks Mary to marry him. She happily says yes.

Case Study No. 0283: Staff of Unnamed Library (Baltbusters)

The Baltbusters "NO PORN ON LIBRARY COMPUTERS"
3:53
Just don't do it! some audio clips speak for themselves! The Baltbusters used to be a subscription feature of WKTU's website in New York City, they make prank calls to unsuspecting victims.

Terms of Use for message board
1. No Vulgarity
2. No excessive profanity
3. No personal Insults
4. No Anti-Semitism, anti-Catholicism, or racail slurs,
5. Reaganwannabe reserves the right to delete any comments he finds distasteful or rude. He will not delete comments for differing opinions.
Tags: baltbusters no crying embaressed dumb porn on library computers improv pranks spoof
Added: 3 years ago
From: Reaganwannabe
Views: 2,812

BALTAZAR: Hey, you're about to listen to the Baltbuster, exclusively on KTU dot com. Don't forget, listen for the new Baltbusters weekdays at 6:05, 7:05, and 8:05 with Baltazar and Goomba Johnny on KTU.
[phone rings]
BOB: Hello?
BALTAZAR: Hi, may I speak with Bob [beep], please?
BOB: Speaking.
BALTAZAR: Mr. [beep]?
BOB: Yeah.
BALTAZAR: Mark Geragos, calling from the administrations office, [beep].
BOB: Yeah?
BALTAZAR: Just got a, uh, disturbing email from the IS department about your computer usage at the library.
BOB: Okay, um ...
BALTAZAR: Can you, um, explain to me what your ... use of the computers for?
BOB: Um, uh, for research ... Uh, is this for recent stuff, or is it for--
BALTAZAR: What exactly is "MILF[beep] dot com"?
BOB: Uhhh, that, I think it was, uh ... It was a site, um, for disadvantaged children?
BALTAZAR: "MILF[beep] dot com"?
BOB: Yeah, uh, yeah. It's an acronym, I think, for "Members of the International Labor Federation"? Um, it's just looking for violations of, like--
BALTAZAR: Okay, because I'm logged on right now to this website, and ...
BOB: Yeah. I, uh, what may have happened was, I actually, it's MILF at ... Wh-what was the website again?
BALTAZAR: "MILF[beep]er" ...
BOB: Okay. Uh, yeah. It was an accident. Actually, that site, I mistyped it. Um, and I forgot to add ... Actually, I meant "MILF[beep], like at Hunter College. Um, and I just put "MILF[beep] dot com" and I should've put "dot edu."
BALTAZAR: So this was an accident?
BOB: Uh, it was an accident, and uh--
BALTAZAR: And it was for research?
BOB: Yes. It was for research. And I just, I just--
BALTAZAR: Okay, because ... according to the IS department, you logged onto that website over twenty two times.
BOB: Oh my god. Um ... Listen, um, I can, I can, I'll do, I can do--
BALTAZAR: I'm gonna be very honest with you right now. Your future at [beep] University is in jeopardy.
BOB: Like, a lot of people do this in the library, I'm not the only one that--
BALTAZAR: I have to call Andrew and Lynn.
BOB: Please, you can't ... my parents can't find out about this.
BALTAZAR: I think they deserve to know about their son's act of perversion.
BOB: Please, please don't do, please don't do that, okay? I'm really, please, I'm asking you--
BALTAZAR: It is school policy to inform the parents if--
BOB: I can't, I'm begging you! I am begging you, please don't do that, okay? Please don't do that! You don't understand how much trouble I'm gonna get into! Please don't, I'm really sorry! I won't do it again! I'm asking you not ... please, please!
BALTAZAR: What're your parents gonna say when I show them the website "MILF[beep] dot com?"
BOB: Oh my god, oh my god, oh my god ... I'm [beep], I am so [beep] if you do this. Please--
BALTAZAR: You could end up getting expelled.
[he begins to break down and start crying]
BOB: Oh my god, please, I ... I'm, I'm so sorry, please. I'm begging you, please don't tell them.
BALTAZAR: Who is Stu?
BOB: [pause] What? Stu who?
BALTAZAR: You're up in Ithaca, right? Uh, this is Baltazar calling from New York City, the radio station KTU?
BOB: [pause] What?
BALTAZAR: And your boy Stu told me to get you on the Baltbusters, it's a prank phone call.
BOB: This is a ... Oh my [beep]!
[Baltazar begins laughing hysterically]
BOB: Oh my god, that was not funny!
BALTAZAR: Bro, you are crying on the phone!
BOB: You [beep] ass[beep], I can't believe this ...
[he begins laughing again]

---

From ktu.com:

103.5 KTU - THE BEAT OF NEW YORK

09 Aug 2005 17:22:21 - Bob gets Baltbusted into thinking that he's viewing porn on the library computers! Doesn't he know that you only surf porn on your home computer and not on public library's!

Wednesday, March 7, 2012

Case Study No. 0282: Lirael

Lirael Trailer
0:23
I did this for my FMP in my second year of 6th form. The theme was Narrative, so i decided to try and come up with ways to make a book trailer. This is what happened..
Tags: Lirael Sabriel trailer
Added: 1 year ago
From: LRFabian
Views: 254

From the international best-selling author, Garth Nix

When the future is hidden
Who holds the key to destiny?

October 2003

From the "Old Kingdom" series, Lirael. The sequel to the critically acclaimed Sabriel.

---

From goodreads.com:

"Lirael: Daughter of the Clayr" by Garth Nix
Lirael is one of the few Clayr not to have received her future-seeing Sight before her 14th birthday. She's never fit in with the rest of the Clayr. She's in despair until she's able to get a job as a Third Assistant Librarian in the Great Library. Here Lirael can feed her thirst for knowledge and adventure while avoiding most human contact, until her adventures in the library and insatiable curiosity lead her to an unbelievable destiny that may even be connected with that of the great Sabriel herself.

---

From ilovelibraries.org:

Lirael in the Abhorsen novels by Garth Nix

Lirael is the first of the Clayr not to inherit the gift of the Sight, in hundreds of years. With her raven-colored hair, pale complexion, pointy face and unknown parentage, she looks nothing like the fair-haired, tanned seers around her. She's horribly depressed about being so different, until she gets an appointment to the Clayr's Library on her fourteenth birthday. There, she starts to do research in forgotten corners, uncovering clues to an adventure of immense importance. She discovers a soapstone carving of a dog and accidentally sets free a powerful magic creature in the library, called a Stilken, which she finally vanquishes using the Chief Librarian's sword. She later summons the Disreputable Dog, who helps her on her quest to bind the evil Orannis once again and save the land.

Case Study No. 0281: Unnamed Female Librarian (Artificial)

Any Ladies?
4:40
Ladies and libraries - together at last! Music video clip for Artificial
Tags: Nicole Skeltys Any Ladies Artificial Jackie Ryan Shing Fung Cheung Brides of Frank
Added: 2 years ago
From: jackieryan
Views: 231

Libraries Are Fun
An Artificial Educational Film

[music video opens with a young female librarian (red-head with thick glasses) approaches the library]

Any ladies
Any ladies
Any ladies from outta town

[she touches the "Library Monitor" pin on her lapel, then enters the library]
[cut to the librarian sitting at the front desk, doing various tasks (fixing her date stamp, answering a reference question on the telephone), when several well-dressed ladies enter the library]

Any ladies
Any ladies
Any ladies

[the ladies start browsing the stacks, then begin asking the librarian questions (which seems to leave her a bit flustered)]

Where you from, darling?
Where you from, darling?

[the librarian suddenly stops, as if she hears something unsettling, but she eventually resumes her duties - reshelving books, pushing a bookcart, etc. - as the ladies begin dancing through the stacks]

Any ladies?
Any ladies?

[everyone suddenly stops as two young women (wearing outrageous 80s-style clothes) appear]
GIRLS: We're from Perth!
[the librarian forces a weak smile, obviously nervous about their presence in her library]
GIRLS: We're from Perth!

Where you from, darling?

Written and performed by Nicole Skeltys and Nicole Lowrey
From the album "Librarians Are Fun" by Artificial

Librarian
Nicole Skeltys

Ladies
(In Order of Appearance)
Lisa O'Neill
Neridah Waters
Caroline Dunphy
Leah Shelton
Zelda Boyd
Sofia Woods
Danielle Uhlmann
Christopher Totten

Perth Girls
Danielle Uhlmann
Amanda Pearson

Director/Producer
Jackie Ryan

Co-Producer
Kathryn Kelly

Extreme Thank You
Claire Lagosha
Dianne Reid
Tony Wauchope
Nadine Ireland
Robyn Gerard
Rhianna Robinson
West End Library Staff

And Librarians Everywhere!

(c)2002
www.jackieryan.net

Case Study No. 0280: The Bookworm (Toy Story 3)

TOY STORY 3 - introducing Bookworm from Disney Pixar - On Disney Blu-ray & DVD NOVEMBER 17
0:15
Story time becomes extra special when Bookworm joins the fun! This bedtime reading companion encourages your child's love of reading, while keeping them company with his happy smile. Bookworms sturdy flashlight features an extra-long-lasting light bulb, bright enough to read by without causing eyestrain. Two C batteries included. Ages 4 and up.

On Disney Blu-ray & DVD NOVEMBER 17
Classification: G -- Some scary scenes
Tags: toy story trailer film teaser movie tickets facebook theater cinema movietickets video disney pixar woody buzz lightyear andy randy newman lee unkrich tim allen tom hanks new official HD best version long theatrical exciting clip spanishbuzz pod featurette sunnyside lotso ken mattel michael keaton barbie doll groovin with dreamhouse celebrity interview recluse exclusive dvd blu-ray
Added: 1 year ago
From: WaltDisneyStudiosAU
Views: 35,415

From wikia.com:

The Bookworm is a character in Toy Story 3. He started out as a minor antagonist, but in the end was reformed.

Bookworm is an intelligent worm toy with a built-in flashlight.

He keeps a "library" of sorts in a closet at Sunnyside Daycare Center, which holds instruction manuals for many different toys, including Buzz Lightyear. He gives Lotso a manual to reset Buzz, turning Buzz evil as well.

Later, after Bookworm hands "Spacesuit Ken" (unaware that it's really Barbie in disguise) a Buzz Lightyear manual, he reacts with disgust when he discovers that "Ken" is actually wearing high heels.

After Lotso is removed from Sunnyside, it can be implied that Bookworm has reformed, as with the case of the other Sunnyside toys who has previously worked under Lotso. During the film credits, Bookworm is seen to be happily using his flashlight to light up a disco ball when a disco is being held in the Butterfly Room.

Bookworm appears to have been based on the Glo Worm toys of the 1980s.

Quotes: "Here it is. It was filed under 'Lightyear'." - Bookworm, after finding Buzz's manual, and then throwing it over to Lotso.

Tuesday, March 6, 2012

Case Study No. 0279: DDC Boy and Colon Boy

Night of the living dead librarian
2:51
Copenhagen Institute for Futures Studies (2006) have predict that in year 2021 jobs like librarians don't will be there any more. This small movie is a satire about how two librarians in year 2021 got their revenge over the Copenhagen Institute for Futures Studies with help from a Super Blogger Girl.
Tags: libraries librarians bibliotek biblioteker bibliotekar bibliotekarer
Added: 6 years ago
From: Kingrss
Views: 8,662

E-Klumme Infotainment presents

A movie with
Melvin Dewey as DDC Boy
Shiyali Ramamrita Ranganathan as Colon Boy
Cirkeline Gorman (granddaughter of Michael Gorman) as the Super Blogger Girl

Copenhagen Institute for Futures Studies (2006) - in 2021 there are no librarians left.

[cut to a still image of the exterior of the Library of Congress]

Year 2021 - In the cold basement deep under the building of Library of Congress
DDC Boy & Colon Boy has for 15 years been POBs (prisoner of book)
The evil astroturf company Copenhagen Institute for Futures Studies sent them there back in 2006.

[cut to a still image of a cartoon drawing of a girl]

DDC Boy & Colon Boy are now on the run with help from the Super Blogger Girl
she said to DDC Boy & Colon Boy "Come with me if you want to live."

[cut to several photos of New York City]

In the city of glass - New York

[cut to a stock photo of a FIM-92 Stinger missile]

The Super Blogger Girl help DDC Boy & Colon Boy finding a Stinger missile
Infofacts: The Stinger is a Man-Portable, Fire-and-Forget Missile System.
Length: 5.0 ft (1.5 m)
Weight (Loaded): 38.0 lbs
Range: 4,375 yrds.

[cut to a still image of Ranganathan]

Colon Boy: "Now it's payback time let's go Copenhagen"

[cut to a 1905 Soviet propaganda poster showing the battleship Potemkin]

New York Harbor - they hijack the Battleship Potemkin - and now sailing to Denmark

[cut to several photos of Copenhagen]

Our friends are now in Copenhagen, Denmark
Tivoli at the Ferris Wheel

[cut to a still image of Ranganathan]

Colon Boy: "Let's have some fun with our Stinger"

[cut to a screenshot of the CIFS website]

Target - Copenhagen Institute for Futures Studies
Norre Farimagsgade 65
1364 Copenhagen K

[cut to a screenshot of Google Maps, focusing on "Norre Farimagsgade 65, Kobenhavn"]

GPoint (12.5683578955,55.6854987393)

[cut to a stock photo of soldiers pointing a Stinger missile]

DDC Boy: "Take that!"

[cut to a still image of the atomic bomb explosion]

Mission completed!

[cut to a still image of a cartoon drawing of a girl]

Super Blogger Girl: "DDC Boy, Colon Boy, I think this is the beginning of a beautiful friendship."

Epilogue
The Super Blogger Girl, DDC Boy & Colon Boy now works as AJAX consultants

[cut to a screenshot of the Ajax Bleach website]

This is the end
Beautiful friend, this is the end
My only friend, the end

E-Klumme Credits

Music - Rank 1, "Airwave (Sunset Mix)"
The Copy & Paste feature
All the wonderful Library 2.0 people

---

From cifs.dk:

Zombies - the Living Dead

Futures Studies typically focus on the new things that come. However, an important part of the changes the future brings are the things that disappear. So if you are looking for new opportunities, zombies may be a place to start looking. The Copenhagen Institute for Futures Studies had the living dead on the agenda at a theme meeting for our member companies at the end of 2005.

By Niels Bottger-Rasmussen (Copenhagen Institute for Futures Studies)

No one knows the future, and the last thing we want to know is of course when we are going to leave this world. Hence, the Institute's zombie list is of course just a list of candidates. There are efficient killers in the shape of megatrends like digitalization and globalization, but there also is an immune system that goes into action whenever there's a threat to the values we prize highly or simply have grown used to being foundations of our lives. In many ways that which disappears is thus a more radical change than what comes. We can reject new things, like mobile phones, but we must accept the loss of things that disappear, like phone booths.

At the strategic level, thinking in terms of zombies can be a suitable supplement to looking at changes and trends. In companies and organizations, zombies are sensitive and perhaps even dangerous subjects that we push aside. But perhaps we can close in on them by starting to spot zombies in the surrounding world and then gradually move towards the core of the organization. By looking at zombies and what we risk losing, we may also spot new opportunities that can lead to innovations, which will strengthen disappearing values like romance, the nuclear family and the private sphere.

Zombies - what will be gone in 15 years?

Home, family, personal

* TV channels
* Vacuum tube TV sets
* Antennae / satellite dishes
* Fixed net telephones
* CD
* DVD
* Wallets
* Key bundles
* Senior housing
* Wristwatch
* Sunbathing
* Smoking
* Dialects
* The private sphere
* Romance
* Prostitution (legal)
* The nuclear family
* Sorting garbage (privately)

Communication - paper solutions

* Tickets / punch cards
* Calendars
* Handbooks
* Telephone directories
* Advertisement sections
* Paper money
* School books
* Paperbacks
* Advertisement-financed newspapers
* Daily newspapers
* Business cards

Workplace

* Working hours / office hours
* Assembly line work
* Industrial holiday season
* Branch office meetings
* Wage earners
* Trade unions
* Writing desks
* PC keyboards
* Having finished studying
* Unemployment

Fields / jobs

* Checkout assistants
* Ticket inspectors
* Traffic wardens
* PC service technicians
* Mechanics
* Mailmen
* (Fighter) pilots
* Window cleaners
* Librarians
* Tobacco stores
* Record, TV & radio shops
* Video rentals
* Supermarkets
* Wholesalers
* Record companies
* The National Bank
* The Stock Exchange
* Prisons
* General practitioners

The public sphere

* Mailboxes
* Power lines
* Parking meters
* Hot-dog carts
* Supermarkets
* Video rentals
* Fireworks (private)
* Internal combustion engines
* Free car rides
* Train schedules
* Public spaces

Systems / regulation

* The Shops Act
* Taxi regulation
* Rent control
* Digital copyright
* Pharmacy monopolies
* Danish and Swedish currencies
* Moonlighting
* Retirement Age

Globally

* Dictatorships
* Pandas
* Tigers
* Bushmen
* Iraq
* North Korea
* Indonesia
* China
* Universal human rights
* EU

Organization and management

* Desk work
* Non-developing work
* Hourly wages
* Operating budgets
* Long-term strategic planning
* Middle management
* Top-down management
* Appointed managers
* Corporate culture
* Traditional further training

The list of Zombies; i.e., things that are gone in 10-15 years, is a candidate list and hence isn't all-inclusive.

Case Study No. 0278: Holly and Nicole

Sexy Librarians v2
6:27
Jake and David sedue librarians to get out of paying overdue fees. Contains an alternate scene.
Tags: sex sexy librarian librarians library books
Added: 5 years ago
From: starfishmann
Views: 9,063

[scene opens with two young guys sitting on the couch talking to each other]
DAVID: So Jake, you remember those books that we rented out from the library?
JAKE: Oh yeah, for that ... that like, school project thing?
DAVID: Yeah. The biography.
JAKE: Oh, yeah yeah. What about it?
DAVID: I just got a letter saying that we owe, like, three hundred dollars for them.
JAKE: Seriously, you lost yours? Yeah, I lost mine too.
DAVID: Yeah, so did I.
JAKE: How many did you take out? One?
DAVID: Yeah, one.
JAKE: So if I took out two, that means ...
DAVID: You probably owe a lot.
JAKE: Like, six hundred! So, what do I do?
DAVID: I dunno, we gotta go ... We gotta go see those librarians.
JAKE: Yeah, but we gotta have sex with their asses, dude!
[they both laugh]
DAVID: I know! But, I mean, we gotta do what we gotta do, right?
JAKE: Yeah, I guess ... So what do we do, like, seduce 'em or something?
["If we have sexual intercourse with those physically unattractive librarians ... " appears on screen]
DAVID: Yeah, we gotta try to hit on 'em.
JAKE: Yeah, but they're so ugly!
[" ... our fees will be waived." appears on screen]
DAVID: Yeah, but it's worth getting--
JAKE: Yeah, I guess they don't get laid that often, so it can't be that hard. Probably pretty desperate.
DAVID: Yeah, we gotta get that fee waived.
JAKE: Yeah ...

SEXY LIBRARIANS

[cut to Jake and David spying on two young attractive female librarians from the bookshelves]
DAVID: Hey dude, look at those librarians!
JAKE: I know!
DAVID: Yeah, I know, they're so hot! They're not like those old librarians!
JAKE: Yeah, the digusting ones with the bugs up their asses.
DAVID: That one's got a nice ass!
[a young guy wearing glasses walks up behind them]
NERD: You didn't hear about the old librarians, Betty and Veronica?
DAVID: Wait, what?
NERD: They left because they were sleeping with the customers in exchange for books.
JAKE: No way, that was our plan!
[the nerd laughs]
DAVID: That's what we came here for!
JAKE: So what, are we screwed now?
NERD: Oh no, these librarians here, they're really ... Like, they know their Dewey Decimal System!
JAKE: Oh yeah! Did you, uh, did you do that with the old ones? Did you, uh, sleep with them?
NERD: Uh, no ...
JAKE: No? Oh, that's too bad ...
NERD: I tried.
JAKE: You tried? You asked to?
NERD: Yeah.
JAKE: Oh well. So, what, do we got a chance, you think?
[he gives them two thumbs up]
JAKE: Ehhh!
[cut to David as he walks up to one of the librarians and drops a book]
DAVID: Excuse me, ma'am. You dropped something.
HOLLY: Oh yeah. Your eyes, in my cleavage! Might wanna fix that!
[cut back to Jake and David hiding]
JAKE: Smooth, dude!
DAVID: Do better, buddy!
JAKE: Dude ...
DAVID: Go ahead!
JAKE: Watch and learn.
[cut to Jake talking to the other librarian]
JAKE: Nikki, uh, do you mind if I call you Nikki?
NICOLE: Yes!
[she turns to leave]
JAKE: How about ... Nicole?
[she ignores him]
JAKE: Uh, I have a library card, because I'm definitely checking you out.
NICOLE: Oh please! I've rejected better-looking men than you!
[she leaves, so Jake walks dejectedly back to David]
JAKE: Dude, it didn't work.
DAVID: Oh, was that, was that your good line? About the library card?
JAKE: Well, it usually works, dude!
DAVID: Yeah, I heard that.
JAKE: Dude, they're just like, they're harder than usual.
DAVID: No, dude, that was miserable. I'm sorry, but--
JAKE: Oh, yours was better?
DAVID: Yeah! It was!
JAKE: Oh yeah? Oh yeah?
DAVID: Yeah, she looked at me!
[cut to David walking up to Holly as she types at her computer]
DAVID: Excuse me. Do you have an atlas? Because I'm lost in your eyes.
[she doesn't look up from her computer]
HOLLY: You're not looking at my eyes.
DAVID: Uh, how do you know?
HOLLY: Because I know you're not looking at my eyes.
DAVID: No? Alright, well tell me, what line works on you?
[she takes off her glasses]
HOLLY: What's your name?
DAVID: [pause] David.
HOLLY: David.
DAVID: Yes. What's your name, beautiful?
[she puts her glasses back on]
HOLLY: The name's Holly, but you can call me "Never."
DAVID: Geez! Why are you being so feisty? I, I was just trying to call you beautiful ...
[cut to Jake waiting in the stacks as Nicole walks into the scene]
JAKE: Geez, you took long enough.
NICOLE: You were waiting for me?
JAKE: You're worth waiting for ...
NICOLE: You're not!
JAKE: Well, I can do things to you that you couldn't--
NICOLE: Oh really?
JAKE: Yeah!
[cut to Holly and Nicole talking alone in the stacks]
NICOLE: Did you hear the stuff those boys were saying to me?
HOLLY: Oh my god, yes! That was hilarious!
NICOLE: Well, they seem to have some balls, huh?
HOLLY: Oh yeah ... but then again, don't all high school boys act like that?
NICOLE: Well, until they meet us!
HOLLY: Oh yeah, we whip 'em into shape!
NICOLE: Mm-hmm. Care to have a bit of fun?
HOLLY: Well, you know what they say ... All work and no play makes Nicole and Holly two very dominant vixens!
NICOLE: Mm-hmm!
HOLLY: Mm-hmm. Ready?
NICOLE: Let's go.
HOLLY: Let's go.
[cut to Holly looking at a book on the bottom shelf (bending down in a seductive pose) as David walks in and bends down next to her]
DAVID: Hey, you look busy down here. What're you doing?
HOLLY: Well, I have a lunch break in a couple minutes. You wanna join?
DAVID: I'd love to ...
[cut to Nicole reading a copy of "Are Men Necessary?" by Maureen Dowd, as Jake walks up to her]
JAKE: So, what's your ... uh, favorite book?
NICOLE: C'mere, I'll show you ...
[she grabs him by the collar and drags him to a secluded section of the stacks, then shows him a copy of the "Position of the Day Playbook"]
JAKE: Uhhh ...
NICOLE: See, I like the kinky sexual stuff.
JAKE: Ahhh ...
[she gets real close and puts the book right up into his face]
NICOLE: Like waxing your entire body, and penetrating you with my penis ... How's that sound, my detachable penis?
JAKE: Uhhh ...
NICOLE: How does seven-point-five inches sound? Eh?
JAKE: Uhhh ...
NICOLE: Eh? Do you like the kinky stuff?
[Jake bites down on his notebook and begins whimpering]
JAKE: Uhhh ...
[cut to David and Holly by themselves in the parking garage]
DAVID: So Holly, where's your car?
HOLLY: Well, who said that we needed to get to my car? Why can't we just do it here? Now?
[she pushes him up against wall, as David slowly slides down to the ground]
HOLLY: See, I don't like waiting ...
DAVID: Really? Neither do I.
[she takes off her jacket]
HOLLY: Really?
DAVID: Yeah.
HOLLY: So, uh ...
[she crouches down in front of him]
DAVID: Wait, what're you, what're you doing? I--
HOLLY: No, what do you mean, what am I doing?
DAVID: No, I have a girlfriend.
HOLLY: So? I'm engaged!
DAVID: Yeah, but ... I have a girlfriend.
HOLLY: So, I'm engaged and ...
[she suddenly stops and asks sad]
HOLLY: Oh my god ... You don't think I'm pretty.
DAVID: No no no no, you're pretty.
HOLLY: You don't want me!
DAVID: Look, I have a girlfriend ...
HOLLY: That's what my fiance says, he won't sleep with me because I'm pregnant! I mean ...
DAVID: [pause] You're pregnant?
HOLLY: Yeah! I'm pregant, but I mean--
DAVID: Are you really pregnant?
HOLLY: That doesn't make me unattractive, does it?
DAVID: But ... Wait, you're pregnant?
[cut back to Nicole getting uncomfortable close to Jake]
NICOLE: Ever heard of a Dirty Sanchez?
JAKE: Uhh ...
NICOLE: It's when I stick my finger up your butthole, stick it in your mouth, then stick it into mine. How does that sound? Wanna try it?
[Jake runs away, then cut back to David and Holly]
DAVID: I really don't think I should do this with a pregnant girl.
HOLLY: Why not? What's wrong? What could go wrong?
DAVID: What couldn't go wrong?
HOLLY: [pause] You just don't think I'm pretty anymore, do you?
DAVID: No, no that's not it. That's not it ...
[two random guys walk through the background]
DAVID: I think this guy thinks you're pretty too. But that, that's besides the point.
[she starts to cry]
DAVID: No, seriously, you're pretty and everything, but please--
HOLLY: Well, why won't you sleep with me?
DAVID: Because you're pregnant!
[she gets up and leaves]
DAVID: I'm sorry ...
[cut to Nicole and Holly talking]
NICOLE: Well, those boys are definitely paying their late fees!
HOLLY: Oh yeah, they're not coming back here anytime soon, try to clear 'em!
[Nicole looks at something off camera]
NICOLE: Hey Holly, check it out ... Two more victims.
HOLLY: Mm-hmm, you know what that means.
NICOLE: Mm-hmm, put on your glasses and lower your blouse ... It's time for us to get back to work!
HOLLY: Oh yeah!

Nicole ... Melody
Holly ... Sophia
Jake ... Aiden
David ... Alex
Library Nerd ... Austen
Reader ... Justin
Created by ... Sophia and Austen
Written by ... Sophia
Directed by ... Austen
Edited by ... Austen
"Straight to ... Number One (Dreamcatcher's Mix)" ... Touch and Go