Monday, December 5, 2011

Case Study No. 0100: Masterson

Let's Play Privateer part 050
8:57
One last freighter to defend and we finally get access to the Oxford library.
Tags: Let's Play Privateer part 050
Added: 1 year ago
From: byron4545
Views: 256

From deeplayer.com:

"Wing Commander: Privateer" (1993) - Character Bios: Masterson

Masterson is not your typical, thick eye glass wearing librarian. He looks healthy and robust, knoledgeable, yet sharp and practical. He's the type of man that can hold a vision while keeping his eyes on the next step.

By saying "I thought that gun was dangerous in your hands" he reveals he has concern for what's going on. He looks beyond Oxford.

His knowing Monte is no accident.

The 10,000 credits he pays Burrows on many occasions probably aren't university funds, but money from his own pocket. They add up to quite a sum, considering that 10k may be small change to a privateer, but probably a lot of money to a ship-less civilian.

The dismantling of the Oxford library also seems to be his own descision.

The most curious event is when he lets Burrows know that he knows what he's looking for. Makes Burrows quite nervous, forcing Masterson to reassure him: "You need not be threatened...". Nor did he need to reveal the fact to Burrows. Why did he? Seems to me he wants to gain Burrows' confidence before he goes, and finds no better way of doing it than by saying "Here, I know stuff about you already, so you already trust me, if you're not killing me, –and I hope you aren't." Risky move. Burrows' trust must mean a lot to him. But why?

By the way, when you read the library entry for Dr. Monkhouse, it says there that he studied at two universities: one in Sol, and Oxford. That means, they know each other. Masterson probably knows that Monkhouse was kidnapped by Rondell, rather than being financially supported by them. He knows that Monkhouse has a piece of a map. He also knows that you have a piece of a map. But he knows also that what you're doing for your own benefit will result in his benefit and Monkhouse's. He sees Burrows as a long term investment; and that's good for us. It means that Masterson is a primary character to keep in Privateer sequels.

---

From wedge009.net:

[trying to enter the university library on planet Oxford]
Masterson: Excuse me, where do you think you're going?
Burrows: I have some personal research I need to conduct.
Masterson: I'm sorry, sir, but access to the Oxford library files is restricted to students.
Burrows: Look, couldn't I just buy a library card...?
Masterson: I'm afraid not. Good day to you, sir.
[enters local bar]
Bartender: Didn't I see you here, 'bout six months ago? You know, back when the Rondell Corporation was hiring mercs. No? Too bad. You could've cleaned up. They were looking for people with blockade experience... Oh well. Can't win 'em all, I s'pose. Have you heard the bad news? No one has been able to establish contact with Palan. It's like the whole planet has just... disappeared. I got family there... I... had family there... Man... nobody in this bar needs a drink worse than me. Get this. Kilrathi patrols are sweeping the outskirts of Rygannon. Nothing there but refineries, but they're flying sweep patterns... almost like they're looking for something. Weird, huh? I'm glad I'm running a bar and not flying anymore. It's getting crazy out there! Beastly affair. Seems the InterSys Patrols are looking for a murderer. He eliminated a diplomatic party on Matahari. Ten dead. Horrid. I hear this was done to stall negotiations with Oresville, prolonging the labour disputes. What do you think?
[heads back to the library]
Masterson: I'm sorry, but library use is restricted to students and teachers only.
Burrows: Yeah? What makes you think I'm not enrolled at Oxford?
Masterson: Students don't generally conduct research while armed.
Burrows: Okay, you got me there. I'm a privateer.
Masterson: Sorry, access exceptions are only made for endowment sponsors.
Burrows: Then how would I go about doing that? Making an endowment?
Masterson: If you have to ask, you can't afford it.
Burrows: Okay, maybe we could work a trade. I could fly for the University... say, four runs at a reduced rate in exchange for access to your files, Mr...?
Masterson: ...Masterson. Yes, your offer might substitute for an endowment... You could start with an escort mission which pays 10000 credits.
[accept]
Masterson: Good, now listen. We need you to escort someone to Oxford. You will find him in the Oxford system, in the vicinity of Nav 3. The man you are to escort here is named Hunter Toth.
Burrows: Hunter Toth? He wrote that book, what was it...?
Masterson: Prometheus Unplugged. The Church of Man has marked him for death because of it. He's scheduled to give a commencement speech here... and he's already cashed the chit. Unfortunately, the Church of Man has vowed he will never reach Oxford.
Burrows: That's one vow those freaks will have to break. I'll bring him. Count on it.
[mission complete]
Masterson: I and the Oxford Graduating Class thank you for delivering Mr Toth unharmed.
Burrows: Think of it as a tribute to free speech. What's your second mission?
Masterson: Some low-level data pirates have been troubling us. We would like you to intercept them, and end their activities. This mission pays 10000 credits upon completion. Can you do it?
[accept]
Burrows: Sounds easy enough. Where can I find these hackers?
Masterson: They operate a ship that hides somewhere in the Oxford system. From their vessel they somehow tap into our database remotely. No one knows how. Information is copied from the Library and then our memory is deleted. Afterwards, they try to sell our own information back to us! More often than not, we lose it anyway. It goes to the highest bidder. We simply cannot afford to outbid the private sector.
Burrows: Yeah, I can tell how strapped Oxford is for capital, ever since you started letting smugglers like me make endowments. Any other leads? That's not much to go on.
Masterson: Only one. The name of the ship is The Black Rhombus. Return here for your payment and third assignment. Good luck, privateer.
[discovers ship]
Pirate: Oxford has no right to hoard data! Access is ours! Knowledge belongs to the galaxy, you fascist!
[mission complete]
Burrows: Okay, Masterson. Those pirates won't be hassling you again.
Masterson: That will be a welcome change. How did you manage...?
Burrows: Right now I'm more interested in getting into your stacks... nothing personal.
Masterson: Perhaps if you told me what you're looking for I could find it for you. The fee for research is much lower than that required for private access.
Burrows: I don't think so. This is private business.
Masterson: Might there be a large sum of money involved?
Burrows: Might you be looking for disability payments?
Masterson: Really, you needn't be threatened that I've discovered your intent. People are always coming here to research one treasure or another. But enough of this. We have a shipment of rare and valuable books en route here. The ship bringing them in needs an escort. We'll pay you the usual 10000 credits upon your return...
[accept]
Burrows: Okay, where can I intercept the courier?
Masterson: Vulcan's Forge is awaiting her escort at Nav 3 in the Oxford system.
Burrows: Any particular reason it needs an escort?
Masterson: Several unscrupulous collectors have offered a... finder's fee for the books.
Burrows: Don't worry. I'll bring them in... safe and sound.
[mission complete]
Masterson: I don't have time to swap pleasantries. Here's your payment of 10000 credits for the last mission. We have an incoming freighter laden with materials about to be attacked by several fighters. Valuables as well as vital supplies are aboard. You'll probably find it somewhere near Nav 1, Oxford system. Rendezvous with the freighter and bring it back safely... and return here for library access, along with a final payment of 10000 credits.
Burrows: How long before they strike?
Masterson: They could arrive at any moment. Please, will you help?
[accept]
Burrows: Okay, I'll save your freighter. But I'd better get full access to the library... hell, you better name an entire wing after me!
Masterson: Stop stalling and save that freighter, dammit!
Burrows: Touchy, touchy...
[mission complete]
Masterson: The freighter is safe, thanks to you.
Burrows: Skip the hearts and flowers. My library access...?
Masterson: Everything has been arranged. And here's your final payment of 10000 credits. Good luck with that personal business. I hope you find what you're looking for.
[goes to the research computers and analyzes artifact]
COMPUTER: Structure unknown. Trace failure. Origin unknown.
[the computer pulls up a profile of Doctor Lemuel Monkhouse]

Xenoarchaeology Researchers (contd.)
Monkhouse, Lemuel A
Entry 1009872

Doctorate - Xenoarchaeology - Oxford University
Masters - Xenobiology - Olympus Mons University
Bachelor of Science - Xenophilology - Oxford University

Dr Lemuel Monkhouse, the Confederation's foremost expert in xenoarchaeology, brings to the field a unique multi-disciplinary approach, grounded in the knowledge of alien biological systems and the conceptual analogues common to all languages.

The pinnacle of Monkhouse's career was his discovery of the Mars Steltek Site in 2667, relics from which have been dated at 2.4 billion years of age. This find shook the scientific community and called into question previous estimates of the age of the universe. This was also the first evidence found which supported the "Steltek Hypothesis", the postulation that an advanced, galaxy-spanning civilisation existed before the so-called Dawn of Intelligence. That evidence has been confiscated by the Confederation, and the Mars Site has been closed since 2668. Despite Monkhouse's unsurpasses reputation, many authorities still dispute his findings.

Monkhouse, Chairman of the Jones Memorial Archaeological Foundation, is widely sought for consultation on alien artifacts. Rumour has it that he retains some Steltek artefacts in his possession. Currently, he can be found on Palan, overseeing an excavation at an undisclosed site. Funds for these excavations are provided by the Palan-based Rondell Corporation.

[...]

["One year later ... "]
Bartender: I hear they're dismantling the Oxford library. That's too bad. I took a holiday in Oxford once. Very pretty place. I wonder why they're going to tear it down. I hope the Retros didn't give you too much trouble on the way here. They're making a lot of people feel like prisoners on their own planets and bases ... I know you! You're that famous singer! Would you do a number for us? It would really make the customers happy. Oh, wait a minute. Wrong guy. Sorry.
[enters library]
Burrows: Hello, Masterson. I've come looking for a little help.
Masterson: Great, we can use all the help we can get these days.
Burrows: You misunderstood. I'm looking for information that'll help me find my gun.
Masterson: I heard news. I thought that gun was dangerous in your hands, but... Perhaps we can trade services. I have a friend who considers himself an expert on every fringe organisation in Gemini. He has his ear open to all underground activity, but... he's leery of meeting new people. Somewhat paranoid. I can't blame him. He's pretty unpopular from exposing certain groups. But, if you could help me out I would consider introducing you.
Burrows: Meeting your friend doesn't sound too exciting, but I can check my own leads with your money. I hope you're not expecting charity work.
Masterson: Well we are an academic institution, and rather needy at the moment. The constant threat from the Retros has us worried. We are disassembling the Oxford library. With the Retros on the rise, having all our knowledge in one place has become dangerous. We've become too big of a target. And with the Confederation occupied with the Kilrathi, we're virtually unprotected. I need you to deliver part of our rare books collection to a safer place, Base Edom in New Constantinople. The job pays 10000. Return here afterwards. How about it?
[accept]
Masterson: Hurry back for more work, and I'll see about locating my friend.
[mission complete]
Masterson: Good to see you back. We've been needing your help.
Burrows: Yeah, well, I didn't realise how dangerous research had become.
Masterson: The Retros are always at our throats trying to stop it, and the pirates trying to get to it. Which, of course, could mean money for you. We need someone to patrol Oxford.
Burrows: Well, I suppose I could take easy money from you. Don't you have less skilled help for your simple chores?
Masterson: The militia reinforcements are weeks late. They're in high demand these days. We need you to patrol each nav point, and eliminate any threats... fanatical or opportunistic. Come back here for payment.
Burrows: I could use the target practice, but not for free, of course.
Masterson: I can offer the usual 10000.
[accept]
Masterson: Good luck. See you soon.
[mission complete]
Burrows: Hello, Masterson. I'm back.
Masterson: Great.
Burrows: What's next?
Masterson: I need you to deliver part of our rare books collection to Burton in Junction. The job pays 10000. Return here afterwards. How about it?
[accept]
Masterson: Hurry back for more work and I'll see about locating my friend.
[mission complete]
Masterson: I don't have time to swap pleasantries. We have a freighter making the jump to Saxtogue from Nav 1, Oxford system. We're making a series of transports of library support machinery. We believe they could be in some danger from Retro attacks. Escort the freighter and make sure it jumps out safely and return here for your payment, along with more work.
Burrows: How long before they strike?
Masterson: They could arrive at any moment. Please help. Surely, 10000 credits still interests you.
[accept]
Burrows: Okay, I'll save your equipment. But I'd better get a full letter of recommendation to your friend.
Masterson: We'll see about that.
[mission complete]
Burrows: Hello, Masterson. I'm back.
Masterson: Great.
Burrows: What's next?
Masterson: I need you to deliver our Twentieth Century Artwork collection to Perry Naval Base in Perry. The job pays 10000. Return here afterwards. How about it?
[accept]
Masterson: Great, I'll see about locating my friend.
[mission complete]
Masterson: Well, with your help Oxford base has transferred most of its valuables offworld, and until the Retro threat abates, we will remain an empty shell. Now the business about my contact... I'm afraid my friend is a little wary about meeting you. However, if you were able to provide reliable services to a few other employers around Gemini, then I could pass on more than just my own recommendation. Perhaps then we could talk further.
Burrows: Sounds like you're changing the terms of our agreement. I didn't intend to do this much work.
Masterson: Hold on. I'm not setting the conditions anymore. I'm just making a suggestion on how to alleviate his paranoia. You had best take my advice and find a few employers around Gemini. Then we can continue our business.
Burrows: You drive a hard bargain, Masterson.

Friday, December 2, 2011

Case Study No. 0099: Unnamed Female Librarian (Popples)

Popples
10:18
Popples panic at the library
Tags: Popples
Added: 5 years ago
From: e46flexin
Views: 20,393

[Bonnie is tearing up her bedroom looking for her math book, but the Popples would rather play]
BONNIE: Hold it! It's a book ...
PUZZLE: A book? I've got lots of books ... [begins pulling books out of his magic pouch] How about "Popple-stiltskin"? Or "Little Red Popple Hood"? [giggles]
BONNIE: It's a math book. Math! You know, like 1-2-...
PUZZLE: "Three Little Popples"!
BONNIE: [sighs]
PUZZLE: Well, what about the library?
BONNIE: The library, of course! They'll have a copy there!
PC: Oh boy! We're going to the library! [crazy laugh]
BONNIE: Absolutely not! No Popples!

[...]

[Bonnie enters the library, unaware that the Popples have been following her the whole time]
BONNIE: I just have to look my book up in the card catalog ... [begins flipping through cards]
POPPLES: [snickering in the shadows]
BONNIE: Huh?
[she looks over her shoulder to see the librarian's legs underneath the desk, then turns back to the drawer in order to flip through the cards again, only to find her finger touching Potato-Chip's tongue]
BONNIE: [steps back in shock]
POTATO-CHIP: Hello! [closes drawer]
BONNIE: What're you doing here?
[she begins looking through all of the drawers for the Popple, louding slamming them and spilling cards everywhere ... this gets the attention of the librarian, who - even though her character is drawn as young and blonde - speaks with the voice of a much older woman]
FEMALE LIBRARIAN: [walking up behind her] Ahem, young lady ...
BONNIE: [without looking] Not now!
FEMALE LIBRARIAN: Young lady!
BONNIE: What?
[she turns and realizes it's the librarian]
BONNIE: [gasps] I'm sorry, I can explain this. Uh ... I'll clean it up!
FEMALE LIBRARIAN: Well, I certainly hope so!
POPPLES: [they appear when the librarian leaves] Hi Bonnie! [mocking laughter]
BONNIE: [loudly] What're you doing here?
FEMALE LIBRARIAN: [off-screen] Shhh!
BONNIE: [quietly] See? I'm already in trouble because of you guys! And now I have to clean up this mess!
PC: No you don't ... This is called 52 Card Cleanup! [he picks up the cards on the floor and magically tosses them back into the drawers]
POPPLES: Yay!
[PC snaps his fingers, and all of the drawers automatically close]
PARTY: Oh PC, you're such a card!
[all the Popples laugh uncontrollably]
BONNIE: Shh, I have to hurry! The library is closing in ten minutes ...
PC: Don't worry, Bonnie! If that book is in this library, we'll find it!
BONNIE: I don't think that's such a good idea ...

[...]

[PC climbs on the shoulders of the other Popples to reach a book on the top shelf]
PC: [opening the book] Sorry guys, wrong book.
[he loses his balance trying to put the book back]
POPPLES: Woahhh!
[PC grabs the shelf to try and regain his balance, but ends up knocking it over, toppling all of the bookshelves in the room like a row of dominoes]
POTATO-CHIP: [looking at the resulting mess] Oops ...
POPPLES: [they all start giggling]
BONNIE: [walks in] I knew it! I knew something like this would happen!
POPPLES: Awww ...
PUZZLE: I know what we can use to clean this mess up!
PC: What?
[Puzzle pulls a lever out of his pouch]
PC: I don't think this'll work ...
PUZZLE: Trust me! Ready ... jump!
[the Popples jump on the lever, which magically pushes the toppled bookshelves upright again]
POPPLES: Yay!
PC: I told you it would work ...
BONNIE: You did it!
PC: Wait a second ... [finds a single book still on the floor and picks it up] Is this your math book?
BONNIE: [she takes it] That's it! You found it!
FEMALE LIBRARIAN: [walks into the room] That's funny ... I could've sworn these shelves were on the floor a few minutes ago. Maybe I need a rest.
BONNIE: Very strange ...
FEMALE LIBRARIAN: The library's closing now. Do you have a book to check out?
POPPLES: [hide behind Bonnie]
BONNIE: You bet!

---

From bcdb.com:

Popple Panic At The Library
Season 1, Episode 1
Originally Released in 1986.
Originally Released in Syndication.
Running Time: 30 minutes.
Color
U.S.A.

Picking up where the live-action pilot special left off, Bonnie and Billy's misadventures with the Popples continue. In this episode, Bonnie misplaces her math book with which she needs to study for her math test, so the Popples go with her to the library to borrow a copy. The Popples soon wreak havoc with their fun and eventually decide to help Bonnie find her book, but not without accidentally knocking down the shelves like dominoes. Puzzle's machine raises back the shelves. Soon, Bonnie finds her book and borrows it home to study while the Popples free up their time to play.

Case Study No. 0098: Scott Douglas

KDOC Scott Douglas Interview
4:17
Interview with "Quiet, Please: Dispatches from a Public Librarian" author Scott Douglas. From KDOC. Originally aired 4/15/08
Tags: scott douglas quiet please dispatches from public librarian
Added: 3 years ago
From: Roboscott
Views: 621

["Daybreak OC, 6:19 AM" is in the lower right-hand corner of the screen, as two newscasters are addressing the camera]
SHALLY ZOMORODI: Okay, I remember when I used to go to libraries and get in trouble all the time--
PETE WEITZNER: Because you talked?
SHALLY ZOMORODI: "Shh!" That's all I got! "Quiet please!"
PETE WEITZNER: I'm not shocked ...
SHALLY ZOMORODI: [laughs]
PETE WEITZNER: A local librarian is on the cover of the OC Register this morning.
SHALLY ZOMORODI: He's the subject of "The Morning Read," and he knows a thing or two about reading. Scott Douglas has been a librarian at the Anaheim Library for ten years, and now he's gone from reading books to writing his own!
[Pete holds up the book]
PETE WEITZNER: There it is ... That's right, it's called "Quiet Please: Dispatches from a Public Librarian." Couple weeks out on the market.
SHALLY ZOMORODI: Scott joins us this morning ... yeah, to talk about how he got to be a librarian and what his book is all about. Scott, thanks so much for coming in to talk about your book!
[camera pans over to show Scott sitting next to them]
SCOTT DOUGLAS: Thanks for having me.
PETE WEITZNER: You wrote a book, quite an accomplishment.
SCOTT DOUGLAS: Thank you.
PETE WEITZNER: Uh, what started ... I mean, you make all these observations, you meet all these people, gonna talk about some of the people, characters, but that's quite another step to then put the pen to the paper, right? And put a whole book together.
SCOTT DOUGLAS: Right.
PETE WEITZNER: How do you get that impetus to do that?
SCOTT DOUGLAS: Well, I've been telling about libraries on mcsweenys dot net, it's a website that's a supplement to McSweenys Magazine, for about five years. And I just got to the point where I had so many stories to tell, that I decided to put it down on, in a longer format and tell a longer story with it.
PETE WEITZNER: Well, that's terrific.
SHALLY ZOMORODI: I'm just imagining, over ten years--
PETE WEITZNER: [laughs]
SHALLY ZOMORODI: The stories that you probably know!
SCOTT DOUGLAS: Right.
SHALLY ZOMORODI: One of those stories, uh, the weirdest stories that you have in your book has to do with a man on the bathroom floor?
SCOTT DOUGLAS: Yeah, that's actually probably one of my most memorable patrons--
SHALLY ZOMORODI: What was that about?
SCOTT DOUGLAS: I honestly, I don't know ... He was just--
[they both laugh]
SCOTT DOUGLAS: I would've loved to, actually I don't think I would like to know. He was just sleeping on the bathroom floor, I guess he found the tile floor to be cool over the summer, and he was asleep next to the toilet.
SHALLY ZOMORODI: Ew ...
PETE WEITZNER: So he just, uh, the library just will abide by that and let him, he's comfortable, he's not bothering anybody?
SCOTT DOUGLAS: I actually did have to move him when I found out he was there, but ...
PETE WEITZNER: Other, I mean, it's an observational memoir, a fair way to describe this book?
SCOTT DOUGLAS: Right.
PETE WEITZNER: So other observations, other characters in the ten years so far ... Are you still at the library, by the way?
SCOTT DOUGLAS: I'm still at the library, yeah.
PETE WEITZNER: Other characters?
SCOTT DOUGLAS: Oh, there's so many of them.
[they both laugh]
SCOTT DOUGLAS: I, honestly the bathroom ones are the most memorable.
PETE WEITZNER: [laughs]
SCOTT DOUGLAS: There's been so many things that happen in the bathroom.
SHALLY ZOMORODI: Wait, you just said bathroom "ones"?
PETE WEITZNER: [laughs]
SHALLY ZOMORODI: So that means that there's multiple, uh, stories in the bathroom!
SCOTT DOUGLAS: There's several of them ... There's, there's quite a few in the bathroom, and there's always so uncalled for. It's, the things that happen in the bathroom. There's people that go in there to cut their hair, and to brush your teeth and get ready in the morning, like it's their house bathroom.
SHALLY ZOMORODI: [laughs]
PETE WEITZNER: You're a first time author, and this isn't maybe, y'know, the topic or the story or something that would jump off the page to a publisher, but you found a way to get your book published. Was that difficult?
SCOTT DOUGLAS: Actually, it wasn't too bad. I found an agent pretty quick, and she helped me sell the book to my publisher.
PETE WEITZNER: Okay, it's out for several weeks. We were talking earlier--
SHALLY ZOMORODI: Mm-hmm.
PETE WEITZNER: A natural concern these days for libraries in general, because, y'know, obviously people can, y'know, do a lot of their reading on computer. And what have you found over in Anaheim, and what is your outlook for the industry?
SCOTT DOUGLAS: Computers have definitely changed the library, and that's one thing I talk about in the book, but ... y'know, libraries are still gonna be there. They're still gonna be a gateway to information, it's just changed how people get their information. Instead of getting it in books, they're getting it more in computers.
SHALLY ZOMORODI: So, you watch a movie, we talk about all the time ... there's certain stereotypes that go, that come along with being a librarian. Are those stereotypes true, in your opinion?
SCOTT DOUGLAS: Well, there's truths to every stereotype, but ... it, it's changing. There's a lot more with younger librarians coming in, and I think they're changing the way people see libraries.
PETE WEITZNER: And this is very much a career you can, through Master's--
SHALLY ZOMORODI: Yeah.
PETE WEITZNER: Are you, for instance, Master's Degrees, right, in Library Science?
SCOTT DOUGLAS: Yeah, I got my Master's in Library Science.
PETE WEITZNER: Well, fantastic. We wish you the very best of luck.
SHALLY ZOMORODI: Yes!
PETE WEITZNER: Scott Douglas is the author, it's called "Quiet Please: Dispatches from a Public Librarian." I'm sure Amazon, and the usual. Barnes and Noble.
SCOTT DOUGLAS: Right.
PETE WEITZNER: Places to get it. So thank you very much for coming in, Scott Douglas.
SCOTT DOUGLAS: Thank you for having me.
SHALLY ZOMORODI: Yeah, and thanks for being here! You can also check out "The Morning Read," again, if you wanna read more about it on the front page of the Orange County Register this morning. The article's done, I believe, it's by Peter Larson. Or you can also log onto ocregister dot com.
PETE WEITZNER: Right. We should mention, subtitled "Strange Things People Do in a Bathroom" ... no.
SHALLY ZOMORODI: [laughs]
PETE WEITZNER: Pleasure to meet you.
SHALLY ZOMORODI: Thank you.

---

From ocregister.com:

Day after day, Scott Douglas was watching you.

You, the teenage boy sneaking peeks at porn on the library computer.

You, the poor family living in a motel, entering reading contests to earn free In-N-Out meals.

You, the cranky, paranoid, obsequious, lazy, stoned – take your pick – co-worker.

Douglas saw quite the show at the Anaheim Public Library on most days, it would seem.

But Douglas wasn't just watching from behind his computer at the reference desk or the counter where he checked out books for library patrons. Because if all he'd done was watch, well, you wouldn't be reading this story about him.

Instead, Douglas started to write it down, capturing all the weirdness and strange characters he encountered as he slouched through his twenties, accidently moving up the library ranks, wondering all the while whether he really wanted this or any career.

Writing it down is one thing, though. Finding a place to publish it – and discovering whether anyone would want to read it – is another thing all together.

"Library page is the lowest place you can be on the library totem pole. Besides putting books back on the shelf, the library page is also responsible for doing the jobs that nobody else feels like doing, which include, but are not limited to, cleaning up vomit, washing the windows, scraping gum off the tables, moving furniture ... Being a library page also means you are stupid until you can prove otherwise." - Scott Douglas

As Scott Douglas La Counte grew up in Anaheim, books and the public library were a constant in his life.

"My mother let us read whatever we wanted," he says, his soft voice perfectly suited for the workplace he inhabits. "She let us read Mad magazine and comic books. She didn't care what were reading, as long as we were reading."

He and his brother were regulars at the Sunkist branch library near their home, going there for story time when they were little, later to borrow books or research school projects. Even then, he was ever watchful, ever cautious.

"When I think back, I always think intimidating things – the librarian telling us to be quiet," he says. "There was always the sense of looking over your shoulder to see if the librarian was coming."

Around the same time he stopped visiting the library so much – junior high school – he started writing.

His first effort – a few chapters of a novel about punk terrorists taking over an airplane – was quickly set aside. But as a high school junior, laid up after back surgery, he completed another book, a coming-of-age story about a basketball player.

"It was kind of a crappy book, looking back," he says.

After two years at Fullerton College, he transferred to California State University, Fullerton, working toward a literature degree. Looking at the classifieds one day – his eye drawn there by the art with an ad seeking strippers – another listing caught his eye.

"DO YOU LIKE BOOKS?" it inquired. Sure I do, he thought, and answered the ad.

"I needed a job," Douglas says. "And it was like the job I had always wanted, to work at the library. I like quiet places and books – it was just everything I enjoy."

As a library page, he came into the job at the bottom shelf of the profession – shelving books, washing windows, cleaning up all manner of nose-wrinkling messes.

He loved it as a job, though the career it led him into he remained ambivalent about for years to come.

"If I didn't make the money I do as a librarian, I'd go back to it in a flash," Douglas says. "I like the busy work and being the low man on the totem pole and being told what to do. It gives you time to think."

Time to think about things like why are all the patrons AND my coworkers seemingly nuts?

"You realize it pretty quick," Douglas says of the strange world he had just joined.

"As a page, you're not really part of it," he says. "You see these people yelling at librarians, but you're just shelving books. It's not so much you think (librarians) are weird, until you think back on some of the things they did."

He'd started writing freelance pieces – young adult book reviews and articles on pop culture for Christian magazines – but eventually, after earning his master's in library science, started to write about the people he saw around him.

He started sending to McSweeney's – the online literary and humor magazine (www.mcsweeneys.net/links/librarian/) – "weird lists about libraries and none of them were ever published," Douglas says. "But the editor wrote back and said, 'Why don't you write a few dispatches (from a public library) and we'll look at them."

The first one appeared in December 2003, and over the next five years 27 more would follow. John Warner, editor of McSweeney's Internet Tendency – McSweeneys.net – says the stories clicked with him from the start.

"It just seemed like the kind of job where people take that person for granted, and yet all day they must be seeing interesting or unusual things," Warner says. "So I just kind of encouraged him to write about what he saw."

At the library, Douglas – he dropped La Counte from his name for the McSweeney's pieces – says that while he worried a little at first how other librarians would react, no one who saw them every said anything critical about them.

"I remember once I got an e-mail, saying, 'Hey, look at this, "Librarian pickup lines,"' he says. "And I thought, 'This looks familiar.' And it took me a few seconds before I realized I'd written all of them."

The dispatches were rewarding to get published, but they paid nothing and the audience was limited to Web site visitors. So two or three years ago, he decided to write a book.

"I became a librarian in some ways because that's just the path I was on at the time. I don't think anyone ever really knows what they'll be when they're grown up ... We stay with it not because it's what we always wanted to do but because we are happy. In the end, we all just want to be happy at what we do."

The McSweeney's pieces caught the attention of book agents, Douglas says, and within a matter of months, he'd signed with an agent, who in turn sold the book to a publisher a year ago.

"I thought the material I was reading was hilarious," says Andrea Somberg, his agent, of her reaction to the packet Douglas mailed her. "I thought he had a great eye for the absurd."

"Quiet, Please: Dispatches from a Public Librarian" (Da Capo, $25.00) came out this week – National Library Week.

It's a mostly accurate memoir, Douglas acknowledges in the book and in interviews. Some characters are composites, some events are exaggerated for effect, but the stories all happened.

And while at times it feels like the author can't stand any of the people around him – or his chosen career – by its finish, you see that he does care deeply for many of those he sends up or tears down.

He says he plans to write more – though he's not sure what comes next – but regardless, you can find him at the library.

Case Study No. 0097: Tech Genus Hyper Librarian

New Amazing Synchro monster!? Tech genus Hyper Librarian!!
2:13
In OCG, Konami released out new level5 synchro monster!!
Tech Genus Hyper Librarian
Level 5
ATK 2400 / DEF 1800
Dark spellcaster synchro
1 Tuner + 1 or more non-Tuner monsters
While this card is face-up on the field, draw 1 card each time a Synchro Monster is Synchro Summoned.

This card is better than Magical Android!!
Tags: OCG YUGIOH NEW CARD WEEKLY JUMP ONE PIECE BLEECH NARUTO
Added: 10 months ago
From: henrylovers3811
Views: 350

From wikia.com:

Tech Genus Hyper Librarian
Japanese (Phoenetic): Tekkuj?nasu Haip? Raiburarian

Weekly Jump Magazine Promotional Card No. WJMP-JP016, from the "Yu-Gi-Oh!" trading card game by Konami

Attribute: Dark
Types: Spellcaster / Synchro / Effect
Level: 5
ATK/DEF: 2400/1800
Number: 90953320
Card Effect Type(s): Trigger

Card Description:
1 Tuner + 1 or more non-Tuner monsters
While this card is face-up on the field, draw 1 card each time a Synchro Monster is Synchro Summoned.

Tips:
* Summon this card in a Yusei-themed, "Superancient Deepsea King Coelacanth" or Fabled Deck, all of which can easily swarm the field with Synchro Monsters.
* Special Summon "Tech Genus Striker" and activate "Inferno Reckless Summon". Then, Special Summon "Tech Genus Werewolf" and Synchro Summon this card and potentially many more.
* Try to Synchro Summon this card repeatedly so each successive Synchro Summon gives you bigger draws. If you summon all 3 copies of this card in one turn, you get 3 cards in total, plus 3 cards for each subsequent Synchro Summon from either player.
* This card allows you to draw 3 cards when paired with "Fabled Ragin".
* Draw 2 cards when you Synchro Summon "Formula Synchron".
* Use "De-Synchro" with "Tuningware" to draw multiple cards. Best if used with "Junk Destroyer" to destroy cards and build massive card advantage.
* Use "Solemn Wishes" to gain life points each time you Synchro Summon.
* Use "Junk Synchron" to Special Summon "Synchro Fusionist" from your Graveyard and "Synchro Summon" this card. Then, when this card gets destroyed, use the "Miracle Synchro Fusion" that you got from "Synchro Fusionist" to Summon "Supreme Arcanite Magician" using this card and "Synchro Fusionist" as the materials.

Trivia:
* This card was the first member of the "Tech Genus" archetype to be officially released.
* This is the only "Tech Genus" monster with only one effect.
* This card is similar in effect to "Royal Magical Library".

Thursday, December 1, 2011

Case Study No. 0096: Flynn Carsen

NOAH WYLE IS BOOKISH ACTION HERO
1:51
Noah Wyle is a librarian turned action hero in The Librarian: Return to King Solomon's Mines. Keywords: Gabrielle Anwar, Olympia Dukakis, Bob Newhart, Jane Curtin
Tags: news noah wyle bookish action hero
Added: 4 years ago
From: ArtisanNewsService
Views: 5,622

NARRATOR: Why wait for Harrison Ford to put on his fedora, when you can watch Noah Wyle in action in "The Librarian: Return to King Solomon's Mines" seeking ancient treasure under secret chambers. Noah says Flynn was just a regular guy, still living at home with his mother, until duty called.
NOAH WYLE: Uh, and then he gets this job working for this library, which is unlike any other in the world. It's the repository for all things mystical, fantastical, mythological ... Holy Grail, Spear of Destiny, Excalibur, the real Mona Lisa, the Goose that lays the Golden Egg, King Midas. You name it, it's in the safe keeping of the librarian, which is a perfect job for this guy. What he's ill-suited for is the missions that he's oftentimes sent on, which is when one of these items is lost or stolen, or if one is uncovered somewhere in the world, he has to go and bring it back to the Library and oftentimes retrieve it out of the clutches of an evil group.
NARRATOR: In this case, Noah's Flynn has to battle General Samir, a mercenary and his thugs. Not to mention a few ghosts along the way, to find King Solomon's Mines.
NOAH WYLE: And one of his first stops on this mission is at an archaeological dig, where he encounters this beautiful archaeologist played by Gabrielle Anwar, and she sort of tags along for the ride against his wishes, but she ultimately proves her worth to him and the romance ensues because they're really flip sides of the same coin.
NARRATOR: The ongoing adventures of the Librarian begins Sunday at 8 PM on TNT.

---

From wikipedia.org:

The Librarian is a series of made-for-TV original movies from TNT starring Noah Wyle as a librarian who protects a secret collection of artifacts.

The Librarian: Quest for the Spear (2004)
Quest for the Spear introduces Flynn Carsen (Noah Wyle) who is hired by the Metropolitan Public Library as a librarian. What Flynn doesn't realise is that the library has existed for centuries and protects a range of historical and often magical items in a secret section of the library, including The Ark of the Covenant, Pandora's box, and Excalibur. When part of the Spear of Destiny is stolen from the library, Flynn must recover it with the help of Nicole Noone.

The Librarian: Return to King Solomon's Mines (2006)
Return to King Solomon's Mines begins with Flynn attending a party at his mother's house where he meets up with his "Uncle" Jerry, a close friend of his late father. Soon Flynn is on a quest to locate King Solomon's Mines, and along the way he teams up with Emily Davenport, an archaeologist who helps Flynn translate the Akon(aklo algolis) language. When they meet up with Jerry in Kenya all is not what it seems because Kenya holds the hot gates that lock nyarlathotep with the magickal shields and if he is released in his true form, then the black pharaoh will awaken the black hierarchy to roam the earth once more.

The Librarian: Curse of the Judas Chalice (2008)
Curse of the Judas Chalice finds Flynn suffering from a series of strange dreams which led him to New Orleans, where he finds himself in the midst of uncovering a conspiracy that involves the notorious vampire Prince Vlad Dracul. Once again, Flynn must overcome his fears and protect one of the world's most sacred artifacts, the Judas Chalice, or face the consequences of it falling into the wrong hands.

The Librarians are the guardians of powerful and magical relics, and have been for centuries, and often undertake global-spanning adventures to recover items and store them in the Library. Some of the relics in the library include:The Mona Lisa, Excalibur, the Ark of the Covenant, the Fountain of Youth, the Nautilus, Noah's Ark, Pan's Flute, Pandora's box, Poseidon's trident, the Shroud of Turin. There are also living assets within the Library, for example, the Loch Ness Monster can be seen in the water around the "tree" made of walkways at the end the Judas Chalice adventure.

The Librarians wish only to increase their knowledge, and use the relics for the betterment of mankind. They have been fighting a secret war with the Serpent Brotherhood since at least the fall of the library at Alexandria many centuries ago.

There have been many librarians of note over the centuries, including:

* The Scholar, The greatest Librarian of all, legend says that over two thousand years ago he built the Library and is the keeper of its secrets. He was known as Yahuda which is the Hebrew name for Judson.
* Eldred the Truly Wonderful, a historical Librarian who was considered great.
* Judson (Bob Newhart), he served as the Librarian and now is mentor to those who take up the mantle. Possibly the "Scholar," the original Librarian.
* Edward Wilde (Kyle MacLachlan), the previous Librarian before Flynn, he faked his own death to steal the Spear of Destiny.
* Flynn Carsen (Noah Wyle), the current Librarian, a highly intelligent and resourceful adventurer.

The Serpent Brotherhood were a splinter group of the Librarians, who separated off back when the Library was in Alexandria in ancient times. The Brotherhood wished to use the powers of the artifacts to rule the world, and this disagreement led to a secret war between the Librarians and the Brotherhood, who incited the riot that led to the destruction of the first Library (in Alexandria). The Brotherhood take their name from the serpent that brought knowledge to Adam and Eve.

The 'Library' has existed at least since ancient times, and houses both magical and powerful relics. In ancient times the 'Library' was located in the Library of Alexandria, and is currently in the New York Public Library in New York City.

The library at Alexandria was destroyed when the Serpent Brotherhood incited a riot that destroyed it (sometime before the 8th Century). It has yet to be revealed where the 'Library' was housed between the 8th century and the 1890s when the New York Metropolitan Public Library was built.

The current 'Library' is housed in the Metropolitan Public Library which has a secret annex that stores all of the magical and powerful relics. The entrance to the annex is behind a hidden door disguised as a shelf of books. When Judson was first showing Flynn the entrance, he gave Flynn a clue as to how to open the door by quoting the lines "If we shadows have offended, think but this and all is mended", to which Flynn replied "That you have but slumber'd here, while these visions did appear", and immediately realised that the way to open the secret door was to pull on a copy of "A Midsummer Night's Dream", the romantic comedy by William Shakespeare. Behind the secret door is an elevator shaft which can only be accessed by two marines opening two locks similtaneously. When Flynn remarked that the double lock was the same as is used on bases with nuclear weapons, Judson verified this and said they copied it from the library.

Recurring Characters:

Flynn Carsen (Noah Wyle)
A nerdish bookworm, Flynn is brilliant beyond compare. By the time he was 31 years old Flynn had obtained 22 academic degrees (12 Bachelors, 6 Masters, and 4 Ph.D.s), including four in Egyptology, a Ph.D. (or two) in comparative religions, and Ph.D.'s in cryptology and every language one can imagine.

Practically addicted to learning, Flynn would have continued being an eternal student had one of his professors not kicked him out of college, insisting that he get some real-world experience. Flynn applied for a job as a librarian in New York. Unexpectedly, he was successful in his job interview and was recruited into an ancient clandestine order of librarians who have protected a range of historical and often magical items (such as the Ark of the Covenant) for centuries.

Flynn is, effectively, a polymath, highly intelligent and resourceful. His years of study have made his powers of observation and deductive skills comparable with those of Sherlock Holmes. His ordinary skills (which didn't qualify him for the job) include knowledge of the Dewey decimal system, the Library of Congress research paper orthodoxy, web searching, and the ability to set up an RSS feed. En route to his first mission, Flynn managed to decode the previously untranslated Language of the Birds in just over seven hours, a feat that no other Librarian (save one, who created the book) had been able to translate. Flynn rapidly evolves into a brave hero, not easily overwhelmed by the supernatural.

When Flynn was still quite young his father was shot by an unknown assailant. It took many years for Flynn to identify the murderer, and discover the reasons behind it. He took clarinet lessons when he was young, and when he was nine years old he attended a book signing of Stephen Hawking where he began to argue with Hawking about the correctness of the central thesis of the book.

His geeky bookishness is coupled with a razor-sharp wit that unfortunately has a habit of manifesting itself at the worst times. Flynn hates being corrected. He is a bit awkward meeting women, as well as too busy globe-trotting and fighting evil to maintain a relationship, and so his mother is constantly trying to set him up on dates.

Charlene (Jane Curtin)
A doleful library employee who interviews Flynn for the job of 'The Librarian'. Flynn was granted the job of Librarian when he was able to tell Charlene very specific things about her only a few minutes after their first meeting, based solely on his keen observation (among them, having mononucleosis, being divorced two months before, owning three cats, and breaking her nose as a child).

Charlene is rather bureaucratic, threatening to dock Flynn's pay should he break something and insisting that he must keep his receipts if he wishes to get refunded for his adventures. Charlene keeps a humorless facade when Flynn makes jokes. In her words, she doesn't "do funny."

Dean Devlin has speculated that Charlene had in her youth served as bodyguard to a Librarian as Nicole does now, perhaps her Librarian was Judson.

Judson (Bob Newhart)
Judson is the head librarian, he had previously served in the role of 'The Librarian' and now acts as a mentor to those who take up the mantle. He thought very highly of the previous Librarian, Edward Wilde, and was saddened to hear of his death. He has a tattoo from the time he served in the Marines and is handy in a fight. He enjoys buying things on eBay and loves flying kites. It is hinted in the Curse of the Judas Chalice that Judson may be well over 2000 years old, possibly founding the Library.

Margie Carsen (Olympia Dukakis)
Flynn's mother, Margie is constantly worried about her son and encourages him to get a job, find a bride, and be happy. She likes to give surprise birthday parties and likes singing karaoke.

Edward Wilde (Kyle MacLachlan)
Edward Wilde was the preceding 'Librarian' before Flynn, and he was considered to be very good. He worked with Nicole for two years during which time she fell in love with him. During an adventure in the Antarctic involving the Serpent Brotherhood, Wilde had to build an igloo to shelter himself and Nicole. He made it appear to Nicole that he had been killed by the Serpent Brotherhood, but in reality Edward staged his own death to ally himself with the Brotherhood in an effort to steal the Spear of Destiny and take control of the world.

Nicole Noone (Sonya Walger)
Nicole is an adventurer who works for the library, and usually serves as the brawn to the Librarian's brains. She is the youngest of three siblings and the only girl. Her mother is English, and her father is South American (Argentine), but she never bothered to learn Spanish. She never had any pets, and her favorite stone is jade. She is fearless, loves adventure, and is an excellent fighter. She developed feelings for the previous Librarian, Edward Wilde, and felt an overwhelming sense of guilt when he was apparently killed. Judson told Flynn to "trust no one", a pun of Nicole's surname Noone.

---

From libraryzen.com:

I couldn't help but post on the upcoming TNT sequel, The Librarian: Return To King Solomon's Mines. I am the proud owner of the original and love the ego boosting lines it contains.

Fight crime, answer life saving questions, save the world ... where do I sign up? If you haven't seen the first movie (The Librarian: Quest for the Spear) you should find at least one copy available to rent at your local blockbuster. Then, get ready for another adventure this December.

Some great lines within the trailer:

"In the depths of the New York Public Library lives ... the world's greatest mysteries"

"Be safe, don't get killed, save your receipts" (my personal favorite)

"You'd be surprised what you can learn in the library"

Case Study No. 0095: Wan Shi Tong

Wan Shi Tong ROCKS!!!!!!!!!!
0:23
Wan Shi Tong is a beautiful and fasinating creature from The Spirit World. He is the Knowledge Spirit and the ruler of his Spirit Library thats in the middle of the desert.

This funny clip taken from 'The Library' episode in Avatar: The Last Airbender (Episode 10/Book 2: Earth).
Tags: Avatar The Last Airbender Library Wan Shi Tong
Added: 1 year ago
From: Sarah99200
Views: 1,870

From wikia.com:

Wan Shi Tong (transl. "He Who Knows Ten Thousand Things") is the spirit of knowledge - an ancient and powerful being who knows more than any human walking the earth - who first appeared in "The Library," Episode 30 of "Avatar: The Last Airbender" (SYNOPSIS: A professor tells the group about a hidden Spirit Library in the desert. Inside, Sokka discovers a crucial weakness of the Fire Nation that could end the war: the date of an upcoming solar eclipse, which will cripple Firebenders just as the lack of the moon hurts Waterbenders. However, the spirit who owns the library, Wan Shi Tong, begins to sink the library, thinking that Sokka will only use the knowledge to fuel a war. Outside, Toph is distracted by the library sinking, and cannot defend Appa while he is kidnapped by Sandbenders. The gang escapes from the library (save the professor, who decides to stay behind in the treasure trove of knowledge), but are now trapped in the deep desert with no supplies or conveyance.).

Although the regular shape of Wan Shi Tong is that of an immense black-and-white owl, an animal commonly associated with wisdom in Western thought, he can lengthen his body to that of a wyvern-like creature when angered.

Long ago Wan Shi Tong brought his library from the spirit world to the physical world. Together with his band of knowledge seeking foxes they collected knowledge from all over the world. He put it all on display in his library for humanity to read and hopefully better itself.

Although he left his great collection of knowledge available to the mortal world for many years, he is recently rather angry at humankind; he apparently sees knowledge as something good purely for its own sake, and in recent years he is known to have been visited by humans only twice - once by Zhao (who was then a young lieutenant) and once by Aang and his friends - in both cases because the visitors were hoping to find secrets to destroying their enemies (the Water Tribes, and Fire Nation, respectively). After Sokka breaks a vow made to Wan Shi Tong that no knowledge found in the library will be used for violence, Wan Shi Tong pulls the library back into the Spirit World by sinking the library, attacking Aang and the others. He was eventually knocked out by Sokka who then, along with Aang and Katara, escaped from the sinking library.

---

From avatarspiritmedia.net:

The Library

Written By: John O'Bryan
Directed By: Giancarlo Volpe
Storyboard By: Giancarlo Volpe, Ian Graham, Bobby Rubio, Oreste Canestrelli
Animation By: JM Animation, Inc.

[...]

Professor Zei: (voice over) All in vain I'm afraid. (Cut to a shot of Zei and Katara) I've found lost civilizations all over the Earth Kingdom, (raises his fist slightly) but I haven't managed to find the crown jewel…Wan Shi Tong's Library.

(Cut to a shot of Toph laying down. Her feet are closest to the camera, showing her dirt stained soles.)

Toph: You spent years walking through the desert to find some guy's library?
Professor Zei: This library is more valuable than gold, little lady. (raises his palms in a gesture) It is said to contain a vast collection of knowledge, and knowledge… is priceless.
Toph: (sarcastically) Mm, sounds like good times.
Professor Zei: Oh, it is. According to legend, it was built by the great knowledge spirit, Wan Shi Tong, with the help of his foxy knowledge seekers.
Sokka: Oh, so this spirit has attractive assistants, huh?
Katara: (giving Sokka's head a small shove) I think he means they look like actual foxes, Sokka.
Professor Zei: (voice over) You're both right. Handsome little creatures. (reaches into his pouch and pulls out and unrolls a large parchment) Wan Shi Tong and his knowledge seekers collected books from all over the world, and put them on display for mankind to read, so that we might better ourselves.

(Cut to a close up of the table as Zei places the parchment down. On it is an architectural drawing of a building with many domes and spires. Shift to a shot of Sokka, Katara and Zei from the table's level.)

Sokka: If this place has books from all over the world, do you think they've got info on the Fire Nation? A map maybe?

(Aang enters the screen from the left, sipping his drink through the bamboo straw.)

Professor Zei: I wouldn't know, but if such a thing exists, it's in Wan Shi Tong's Library.

(Cut to a close up of Sokka. He puts a hand to his chin and thinks for a second.)

Sokka: Then it's settled. (cut to the shot of the group around the table. Toph is sipping her drink.) Aang, I do believe it's my turn. I'd like to spend my vacation (cut to a shot of Sokka as he points his finger into the air. The background changes to a rushing one) AT THE LIBRARY!

(Zoom back out to the group shot. Sokka still has his finger raised in the air.)

Toph: (waving her hand to gain the others attention) Uh, hey? What about me? When do I get to pick?
Sokka: (crossing his arms) You gotta work here a little longer before you qualify for vacation time.

(Toph slams her bowl on the table before crossing her arms and pouting. Cut to a shot of Zei.)

Professor Zei: Of course there's the matter of finding it. I've made several trips into the Si Wong Desert, and almost died each time. (in a depressed voice) I'm afraid that desert's impossible to cross.

(Cut to a shot of Sokka and Aang, who are exchanging glances.)

Sokka: Professor, would you like to see our sky bison?
Professor Zei: (amazed) A sky bison? You actually have one?

(Cut to a shot of Appa and several of the men in rags standing outside the oasis walls. Appa growls at the men and scoots away. Zei runs in from off-screen.)

Professor Zei: (commandingly) Sandbenders! Shoo! Away from the bison!

(Cut to a shot of the sandbenders as they walk away, then to a shot of two of the sandbenders onboard one of the sand gliders. One of them bends a whirlwind of sand underneath the sail, causing the glider to be driven forward, revealing Aang and his group behind them. Aang watches the sandbenders' retreating forms, with Sokka, Katara and Zei standing behind him. Shift to a wide shot from above of the two of the sand gliders racing off in the distance.

Cut to a pan down shot of the sun from below. Appa flies overhead and towards the desert horizon. Cut to a pan right shot of Toph, Katara and Sokka sitting in Appa's saddle. Sokka has taken his shirt off and tied it onto his head to protect himself from the sun. Sokka takes a spyglass and turns to the side. Cut to a shot from the front of Aang, Zei, and Momo sitting on Appa's head. Sokka is looking out in the distance with the spyglass. Zei climbs forward. Cut to a shot of Appa from below. Zei sticks his head out so he can speak to the flying bison.)

Professor Zei: Tell me, sky bison. Are you the last of your breed?

(Appa responds by giving a low roar.)

Professor Zei: (excitedly) Oh, delightful! I only wish I spoke his tongue. (Cut to a shot of Zei as he runs his fingers through Appa's fur.) Oh the stories this beast could tell. (Momo comes to sit next to Zei and begins chattering. Zei turns to Momo and places a finger to his lips.) Shush, chatty monkey.

(Cut to a shot of Aang examining the drawing of the library.)

Aang: Wow, shouldn't be too hard to find a place like this out here.

(Cut to a shot of the drawing as it gently flutters in Aang's hands. Several scenes go by in rapid succession, making it clear that some time has passed as they search for the Library.)

Toph: (frustrated) Aw, does this place even exist?
Professor Zei: (smiling and holding his finger up) Some say it doesn't.
Toph: Shouldn't you have mentioned that before?

(Toph falls onto her side and groans, putting her dirty feet over the saddle's edge. Fade to a shot from above of Appa flying. He gives a low roar. Cut to a shot of Zei in the saddle writing down notes. The camera pans to the left to show Toph who suddenly sits up and points out into the desert.)

Toph: (in excitement) There it is!

(The camera zooms out to show Katara and Sokka looking in the direction Toph is pointing. Cut to a shot of empty sand dunes that pass by. Katara, Sokka, Aang and Momo turn towards Toph and glare at her for tricking them. Cut back to the shot of Toph.)

Toph: That's what it will sound like when one of you spots it.

(Toph turns to the others and gives them a blank grin, waving her hand in front of her eyes to remind them of the fact that she is blind. She quickly goes back to clutching the saddle. Cut to a shot from the side of Appa flying over the desert, then to a shot from the front of Sokka, Katara, Aang and Momo. Sokka is searching for the library through his spyglass and Katara is using her hand as a visor. Aang appears fatigued, and Momo has fallen asleep on top of the airbender's head.)

Katara: It shouldn't be this hard to spot a giant ornate building from the air.

(Cut to a close up of Sokka as he looks through his spy glass. Cut to Sokka's perspective as he peers through the device. He quickly spots a spire sticking out from the sand. Cut back to the shot of Sokka, Katara and Aang. Sokka points down at the spire.)

Sokka: Down there. What's that?

(Aang perks up, causing Momo to be awakened. He and Katara both look in the direction Sokka is pointing. Cut to a shot from above of Appa descending down to the spire. Fade to a pan left shot from above. The top of the spire is closest to the camera. On the ground are Aang and his group looking up at it. Appa is sitting behind them.)

Katara: (disappointedly) Forget it. It's obviously not what we're looking for. The building in this drawing is enormous.

(They all turn their heads as something glimmers atop one of the sand dunes in the distance. Cut to a shot of a large gray fox as it climbs over the top of the dune. In its mouth is a scroll. It pauses and turns to look at the humans, the scroll in its mouth glints in the sunlight. The fox continues and walks off-screen)

Sokka: What kind of animal is that?

(Cut to a pan right shot as the fox gallops towards the spire's base. Instead of stopping, the fox begins running up the spire at a ninety degree angle. The camera follows it up as it does so. Cut to a shot from the inside of the top of the spire. The camera is looking out at the group through one of the windows.)

Professor Zei: I think that was one of the knowledge seekers.

(The fox jumps through the window. Cut to a shot of Zei.)

Professor Zei: Oh, we must be close to the library!

(Cut to a shot of Aang, Sokka and Katara all looking at the drawing.)

Sokka: No, this is the library. (points up at the spire) Look!

(Cut to a shot of Sokka's finger pointing to the top. He brings his finger down and points at the drawing. The drawing of the library drops below the camera, showing the base of the spire.)

Sokka: (voice over) It's completely buried.

(Cut to a zoom out shot of the spire from far away, and then cut to commercial.)

[...]

Professor Zei: (voice over, shouting) The library is buried!?

(Cut to a shot of the group standing in front of the spire. Zei runs forward before falling to his hands and knees.)

Professor Zei: (depressed) My life's ambition is now full of sand.

(Cut to a shot of Zei. Smiling, he lifts his head and reveals a small shovel in hand.)

Professor Zei: Well, time to start excavating.

(He attempts to unearth the library using the tiny shovel. Cut to a close up of the spire's surface as Toph places her palm against it.)

Toph: (voice over) Actually, (cut to a pan left shot of Top, with Aang, Katara, Sokka and Momo standing in the background) that won't be necessary. The inside seems to be completely intact, and it's huge.
Sokka: That fox thingy went in through a window. I say we climb up there and give it a look.

(Cut to the shot of Toph and the others. Toph has her arms crossed.)

Toph: I say you guys go ahead without me.
Katara: You got something against libraries?
Toph: I've held books before, and I gotta tell you, they don't exactly do it for me.

(Cut to a shot of Katara. She gives a nervous laugh and scratches the back of her head.)

Katara: Oh, right. Sorry.
Toph: Let me know if they have something you can listen to.

(Cut to a shot of one of the windows at the top of the spire. Sokka's boomerang, with a rope tied to it, is thrown through the window. Cut to a shot of Sokka, Zei and Katara. Sokka begins climbing the rope as Katara and Zei watch. The camera pans left to show Toph, Aang and Appa.)

Aang: (petting Appa) Don't worry buddy. I'm not making you go underground ever again. You can stay out here with Toph.

(Aangs walks off screen. Cut to Toph who crosses her arms and both she and Appa look away from each other. They then look back at each other, Appa giving a soft grunt. Both stare at each other a moment.)

Toph: What's up?

(Cut to a shot from the inside of the spire as Zei, Aang, Sokka and Katara descend the rope. A floor can be seen at the bottom. Cut to a closer shot of the four, passing the camera as they climb down. Momo glides down after them. Cut to a shot from below as the group descends into a large room.)

Professor Zei: (in awe) Oh, it's breath taking. The spirits spared no expense designing this place.

(Cut to a shot from the side of Zei, Aang and Sokka. The large room is supported by many pillars and archways. The visage of an owl is carved into the arcs.)

Professor Zei: Look at those beautiful buttresses!

(Cut to a shot from above of Sokka, Aang and Zei hanging from the rope. Sokka and Aang both chuckle at the word ‘buttresses.')

Professor Zei: What's funny?

Aang: Nothing. We just like architecture.
Professor Zei: (smiles) As do I.

(Cut to a shot of the group reaching the bottom. The land on a wide, cross shaped bridge that connects to each side of the room. Past the archways are long rows of bookshelves. The area is dimly lit by green lamps hanging from the walls. Cut to a shot of Zei as he pushes his hat back and gazes at the top of the room.)

Professor Zei: (amazed) My word!

(Cut to a shot of a large owl mosaic set across the top of an arc. Sokka, Katara and Aang walk in from off screen. Momo is sitting on Aang's shoulder.)

Professor Zei: The exquisite mosaic handiwork of this tile-rendered avian symbol…(Cut to a shot of the group as they all stare at Zei in confusion.) Eh, nice…owl.

(The group turns at the sound of feathers rustling. Katara and Sokka run off screen. Cut to a shot from behind the archways as Katara and Sokka hide behind a large pillar to the right. Aang takes Zei's hand and pulls him behind the pillar on the left. Cut to a shot of an enormous black owl with a white face walking through an archway and onto the bridge. Cut to a shot of Aang peeking at the owl from behind the pillar where he sees the owl examining the rope. It begins to turn its head to the left. Cut to a close up of the owl as it turns its head around three hundred and sixty degrees, revealing two white spots on the back of its head that resemble eyes.)

Owl: I know you're back there.

(Cut to a shot of Aang and Zei standing behind the pillar. Zei smiles and walks out onto the bridge. Cut to a shot of Zei coming towards the giant owl.)

Professor Zei: (excitedly) Hello! I'm Professor Zei, head of anthropology at Ba Sing Se University.

(Cut to a shot of Zei bowing to the owl who towers above him.)

Owl: You should leave the way you came, (the owl turns his head to the left) unless you want to become a stuffed head of anthropology.

(The camera quickly pans to the left to show three stuffed animal heads hanging from a pillar, then to a shot of Zei as he rubs his neck and groans nervously. Cut to a shot of the archway as Katara, Sokka and Aang walk onto the bridge.)

Sokka: Are you the spirit who brought this library to the physical world?
Owl: Indeed, I am Wan Shi Tong, he who knows 10,000 things. And you are obviously humans, which by the way are no longer permitted in my study.
Aang: What do you have against humans?
Wan Shi Tong: Hmm, humans only bother learning things to get the edge on other humans, (fade to the clip from The Siege of the North Part II of Zhao's flashback of the library) like that firebender who came to this place a few years ago, looking to destroy his enemy.

(Cut to a close shot of Wan Shi Tong from the side.)

Wan Shi Tong: So, (quickly brings his face close to Sokka's, startling him) who are you trying to destroy?

(Cut to a close up of Sokka's reflection in Wan Shi Tong's large black eye.)

Sokka: (smiling nervously and waving his hand in protest) What? Oh, no, no, no destroying, we're not into that.
Wan Shi Tong: (voice over)Then why have you come here?
Sokka: (trying to think of an answer) Um, knowledge, for, knowledge's sake.
Wan Shi Tong: If you're going to lie to an all-knowing spirit being, you should at least put some effort into it.
Sokka: I'm not lying. I'm here with the Avatar, (points behind with his thumbs and pulls Aang in front of him) and he's the bridge between our worlds, he'll vouch for me. (pats Aang on the shoulder before nudging him in the back.)
Aang: Ow. (cut to a close up of Aang) Uh, yeah, I'll vouch. We will not abuse the knowledge in your library, good spirit. (cut to a shot from the side of everyone standing on the bridge) You have my word.

(Everyone bows to Wan Shi Tong.)

Wan Shi Tong: Hmm, very well. I'll let you peruse my vast collection, on one condition. (cut to a shot of Aang and his group as they frown at the last few words. Cut to a pan left shot from above.) To prove your worth as scholars, you have to contribute some worthwhile knowledge.

(Aang takes a step back as Zei steps forward. Cut to a shot of Zei as he kneels and presents a thick tome.)

Professor Zei: Please accept this tome as a donation to your library.
Wan Shi Tong: First edition, very nice.

(Cut to the shot of Zei as Wan Shi Tong passes his wing over the tome, causing it to vanish from Zei's hands. Zei steps back and Katara steps forward. The camera pans up to show her holding open a waterbending scroll.)

Katara: I have an authentic waterbending scroll.
Wan Shi Tong: Oh…these illustrations are quite stylish.

(Cut to the shot of Katara as Wan Shi Tong takes the scroll. Katara bows her head to the spirit. Cut to a shot of Aang with his finger to his chin, thinking of what to give Wan Shi Tong.)

Aang: Uh, oh, I know!

(Aang pulls a scroll from his shirt collar and presents it, revealing it to be a Fire Nation wanted poster of the Avatar. The sound of a trumpet plays to give dramatic effect.)

Aang: Ha!

(Cut to a shot of Wan Shi Tong examining the poster.)

Wan Shi Tong: I suppose that counts.

(Cut to a shot from the side of Wan Shi Tong taking Aang's offering. Sokka walks up to the knowledge spirit.)

Sokka: Oh, great spirit, (cut to a shot of Sokka holding a piece a string between his fingers. The others, standing behind him, look puzzled.) Check this out! (quickly ties the string into a butterfly shaped knot and holds it out, accompanied by the sound of chimes) Ta da!

(Cut to a shot of Wan Shi Tong as he stares in silence. Cut back to the shot of Sokka holding the knot.)

Sokka: It's a special knot! That counts as knowledge.
Wan Shi Tong: (after a brief pause) You're not very bright, are you?

(Cut to the shot of Sokka, who frowns and groans at the spirit's comment. The knot is quickly snatched by Wan Shi Tong's wing. Cut to the shot from the side of everyone on the bridge.)

Wan Shi Tong: Enjoy the library.

(Wan Shi Tong turns and jumps off the bridge, extending his wings. Cut to a pan down shot as he soars down to the library's lowers levels. Cut to a shot of the group as they watch him fly down before turning to leave. Cut to a shot of Sokka as he stares after Wan Shi Tong with contempt.)

Sokka: Bright enough to fool you.

[...]

(Cut to a shot of Zei grabbing several more books from the shelves, stacking them in his hands. Sokka walks past him and sees a scroll sticking out from one of the shelves. He pulls it out, unrolls it and examines the scroll before slipping it into his bag. Cut to a shot of a short pedestal displaying a piece of paper covered in glass. Sokka walks towards it from off screen. Cut to a close up of the paper beneath the glass. Its edges have been burned and there is something written on it. Sokka's face is reflected off the glass as he reads the writing, placing a hand to his chin.)

Sokka: (reading) The darkest day in Fire Nation history. It's got a date at the top, but it doesn't say anything else.

(Sokka takes out his machete and uses it to lift the glass up. Cut to a shot of the corner of the glass sheet as Sokka slips the burned paper out from under it. He rolls up the paper and walks over to the side. Aang, Momo, Katara and Zei walk in from behind a bookshelf.)

Aang: Sokka, where are you going?

(Cut to a shot of Sokka as he turns around and holds the paper up.)

Sokka: I want to know what happened to the Fire Nation on their darkest day. This could be promising. (Cut to a shot of the group running through the library.) The information on the Fire Nation should be right up here.

(Cut to a shot of the group walking towards an ornate at the end of a hall. Above the doorway is a large red tapestry with the symbol of fire on it. Sokka, Katara, and Aang as they walk through the doorway. Momo is sitting on Katara's shoulder. Cut to a pan up shot from above of the interior of the room. It is filled with the burned debris of books and bookshelves. Zei takes a few steps forward and Momo jumps off Katara's shoulder.)

Aang: Firebender.
Katara: They destroyed everything having to do with the Fire Nation.
Sokka: (frustrated) That's so unfair! (places his hands against his head) Just when I think I'm one step ahead of the Fire Nation, it turns out they beat us here a long time ago.

(Sokka falls to his knees. Cut to a pan right shot of Sokka as he picks his head up. As the camera moves, the fox can be seen standing on its hind legs behind him.)

Sokka: I need to know what happened on the darkest day.

(The fox whimpers and Sokka turns his head around to see it. The camera focuses on the fox. Cut to a close up of Sokka.)

Sokka: Hello, little weird fox guy.

(Cut to a shot of the fox. It whimpers again and turns around, pointing its nose down the hall. Cut to a pan left shot of the entire group. Zei is pointing at the fox.)

Professor Zei: Seems it's trying to assist you.
Sokka: Um, sure, I'll guess I'll follow you.

(Sokka, Aang and Katara follow the fox. The fox runs up to a wall with a sun symbol on it before turning and running off screen to the right. The rest of the group walks forward from off screen, staring at the large symbol. Cut to a shot of the fox crawling though a hole located in the wall. The center of the symbol slowly rolls to the side, creating an opening. Cut to a close up of the opening as the center rolls to the side, revealing the fox sitting behind it. It makes a small whimper when it sees them. The kids enter.

The room is dome shaped and on the walls are painted mountains, clouds and the sky. The whole area is dark, illuminated only by light from outside the door. Cut to a shot of the center of the room as the group walks towards a large stone pedestal standing there. The fox pushes a lever next to the pedestal. Cut to a shot of the area as the false sky fills with stars, all revolving. Sokka, Katara, Aang and Momo as they all look up with wonder, the light of the stars passing over them. Cut to a shot of a moon symbol attached to a mechanical device as it moves across the sky.)

Professor Zei: This room is a true marvel. A mechanical wonder! (places his hands on his head and smiles) It's a planetarium that shows the heavens moving.
Sokka: Uh, this is beautiful, but, how is it helpful?

(Cut to a shot of Aang, Katara, Sokka, Momo and the fox standing around the pedestal. It has a slightly domed top, and circling it are different symbols. There is a yin-yang in the center. The outmost symbols depict animals. Zei walks on screen from the left and begins examining the pedestals.)

Katara: Maybe these dials represent dates and times. (points to the dials) Sokka, try entering that date from the parchment you took.
Sokka: Shh! Katara! (places his hand in front of his mouth and begins whispering, eyeing the fox warily) Not in front of the fox, he's with the owl.

(Cut to a shot of the fox. It lowers its head and puts its ears back, whimpering dejectedly. Cut to a shot of Sokka as he slightly raises the burned parchment out from his bag, examines it and adjusts the dials. He pushes the lever forward the machine begins to operate. The camera pans up to show the sun symbol moving.)

Aang: Wow, I gotta hand it to you Sokka. You picked the best mini-vacation, for sure.

(Cut to a pan right shot of the group as the sky changes back to day. The room suddenly becomes dimmer. Cut to a wide shot of the area. The moon symbol is in the sky.)

Katara: Hey wait, what happened to the sun?
Aang: Great, you must have broken it.
Sokka: It's not broken.

(Cut to a close up of the moon symbol. The edge of the sun symbol can be seen peeking from behind it.)

Sokka: (voice over) The sun is behind the moon, it's a solar eclipse! It's literally the darkest day in Fire Nation history. Now I get it! (grabs Aang by the shoulders and turns him) Something awful happened on that day, I don't know what, but I do know why.

(Cut to a shot of the group. Zei is writing in his notebook and Katara watches as Sokka shakes Aang.)

Sokka: Firebenders loose their bending during a solar eclipse! (pushes Aang and lets go of him, causing the Avatar some discomfort) Sorry.
Katara: That makes sense. (Cut to a close shot of Sokka and Aang as Katara walks in from the right.) I mean, think of what the lunar eclipse at the North Pole did to the waterbenders. This is huge.

(The sound of the fox whimpering is heard. Cut to a shot of the fox at Sokka's feet as it whimpers and raises both its front paws, as a dog would when it begs for a treat. Cut to a shot of Sokka smiling as he looks at the fox.)

Sokka: Fine, you earned it.

(Cut back to the shot of the fox as Sokka pulls a treat from his bag and throws it to him. The fox catches it in his mouth and runs off. Cut to a shot of Sokka, Aang and Katara from below.)

Sokka: We've got to get this information to the Earth King at Ba Sing Se. We'll wait for the next eclipse, (cut to a close up of Sokka) then we'll invade the Fire Nation when they're totally helpless. The Fire Lord is goin' down!

(Sokka raises his fist in triumph and grins. The smile is quickly replaced by a frown as a dark shadow loom over Sokka. Cut to a shot of the group as Wan Shi Tong approaches them. Sokka turns around to see the knowledge spirit.)

Wan Shi Tong: Mortals are so predictable. (cut to a close up of Wan Shi Tong) And such terrible liars.

(Cut to a shot of the group as they stand in Wan Shi Tong's shadow, staring with fright. Sokka gulps then cut to a commercial.)

[...]

Wan Shi Tong: You betrayed my trust. (cut to a shout from the inside of the group facing Wan Shi Tong) From the beginning you intended to misuse this knowledge for evil purposes.
Sokka: You don't understand. (raises fist) If anyone's evil, it's the Fire Nation. You saw what they did to your library. They're destructive and dangerous. We need this information.
Wan Shi Tong: You think you're the first person to believe their war was justified? (leans towards the group) Countless others before you have come here, seeking weapons or weaknesses or battle strategies.
Aang: (pleading) We had no choice. Please, we're just desperate to protect the people we love.

(Cut to a close up of Wan Shi Tong.)

Wan Shi Tong: And now I'm going to protect what I love.

(Quickly zoom out to a shot of Wan Shi Tong beating his wings, causing a strong gust throughout the planetarium. Cut to a shot of the group bracing themselves against the wind.)

Aang: What are you doing?

(Cut to a shot of Wan Shi Tong beating his wings.)

Wan Shi Tong: I'm taking my knowledge back. No one will ever abuse it again.

(Cut to a shot of the group looking towards the ceiling. Sand is seeping through the walls.)

Katara: He's sinking the building! We've gotta get out of here!

(Cut to a shot from behind Wan Shi Tong. His neck grows several feet longer and feathers resembling horns appear on his head. Aang and the group watch in terror as the spirit transforms.)

Wan Shi Tong: I'm afraid I can't allow that. (cut to a close up of Wan Shi Tong) You already know too much.

(The spirit lifts his head high into the air before screeching and lunging forward.

Cut to a shot of the group jumping out of the way. Wan Shi Tong hits the floor, causing it to crack. Wan Shi Tong chases after the group as they flee the planetarium, shouting with fright. Cut to a shot of Sokka, Katara, Zei, Aang and Momo as they run out of the planetarium, then to a tilt up shot of Appa and Toph sitting next to the spire. Cut to a closer shot of the two as Appa lifts his head up and gives a loud roar. The spire behind them slowly begins to sink and a low rumble can be heard. Cut to a shot of Toph sitting against one of Appa's legs. The screen begins to shake)

Toph: I already told you, I don't want to snuggle.

(Toph grunts as Appa stands up and walks off screen, causing her to fall back. Toph picks herself off the ground. Cut to a shot of Toph standing in front of the sinking spire. Cut to a shot of Toph from the front with Appa standing behind her.)

Toph: Library's sinking. Library's sinking!

(Toph runs up to the spire before jabbing her hands into its surface. The camera tilts up to show cracks spreading. Cut to a shot of Toph grunting as she attempts to hold the library up, her feet sinking into the sand. After much effort, the spire slows down and stops sinking.

The camera tilts down and fades to a shot from above of Aang and the group running down one of the long hallways. Streams of sand are pouring from the ceiling and forming small pools on the floor. Shift to a shot of them passing under an arch and running towards the camera. Wan Shi Tong bursts through the arch, destroying it, and continues to chase them.

Cut to a shot of Aang, Katara, Sokka, Zei and Momo running down another hallway. Cut to a shot of Wan Shi Tong flying swiftly over the floor, causing bits of rubble to go flying in his wake. Cut to a shot of Katara, Momo, Sokka and Aang running across a bridge and past the camera. Zei stops and turns around, yelping and gasping for breath. He is still holding a large stack of books.)

Professor Zei: (frightened and exasperated) Great knowledge spirit, I beg you. Do not destroy your vast collection of priceless tomes.

(Zei stands on the bridge as Wan Shi Tong quickly approaches. Aang looks back as he runs across the bridge. He hops and twists in the air, bending a vacuum between his hands. Cut to a shot of Zei being pulled back by the vacuum just before Wan Shi Tong attacks the spot where he stood. Zei yells as he is pulled back, causing him to drop all of his books. Cut to a shot of Zei sliding across the floor. The camera pans to the right as Sokka and Katara catch him.

Wan Shi Tong flying across the bridge in pursuit. Cut to a shot of Aang as he hops forward, twists in the air, and swings his staff in an upward arc as he lands, bending a strong gust of air. Cut to a shot of Wan Shi Tong as the gust collides with him, causing the spirit to be knocked over the side of the bridge. The spirit falls down to the lower levels of the library. Cut to a shot of Katara, Sokka, Momo and Zei standing to the right. Aang runs on screen from the left.)

Aang: We've gotta get back to the surface.

(Aang turns a corner and runs down a hallway away from the camera. Katara, Momo and Zei follow after him, but Sokka stays behind. Cut to a shot of Sokka looking hesitant. He turns his head and looks back at the bridge.)

Katara: (voice over) Sokka, let's go!
Sokka: But we still don't know when the next eclipse is gonna happen.
Katara: Don't be stupid, we'll find out later.

(Cut to a shot of Sokka standing across from Katara, Aang, Zei and Momo.)

Sokka: No, we won't. (gestures to the side) If we leave this place we'll never get the information. (raises fist) Aang, come with me to the planetarium, I need cover.

(Aang runs over to join Sokka. Cut to the shot of Katara, Zei and Momo.)

Sokka: (voice over) Katara, take Momo and get out of here.
Katara: But –

(Katara is cut off by a large crash from the left, causing her and Zei to flinch. Cut to a shot of Wan Shi Tong emerging from the dust between Katara and Sokka.)

Sokka: Go!

(Katara, Momo and Zei run off screen as Wan Shi Tong screeches and chases after them.)

Katara: (voice over) Hurry, Sokka!

(Sokka and Aang turn away from the camera and run towards the bridge. Cut to a shot of Katara and Zei as they run down the hallway. Zei runs off to the right between two bookshelves. Wan Shi Tong enters from off screen. Cut to a shot of Zei and he falls to the ground with a grunt and covers his head. Wan Shi Tong runs past the screen, not noticing him. Zei opens his eyes and makes sure it's safe. He looks to his right and pulls a large book from the shelf. Humorous background music plays as he does this and grins widely.

Cut to a shot of Katara running and panting. Momo is clinging to her head and looking back. Katara turns her head to see what is behind her. Cut to a shot of Wan Shi Tong as he swoops down and screeches, his face closing in on the camera.

Switch to a shot of Toph holding up the library and Appa standing behind her. Cut to a close up of Toph as she strains to keeps the building from sinking. Cut to a shot of Appa as he turns his head around. The camera pans to the left to show a dust storm approaching. Cut to a shot of Toph turning her head around.)

Toph: What is it now?

(Cut to a shot of three sand gliders driving through the desert. Cut to a pan left shot of the face of a sandbender, his face covered by wrappings and his eyes covered by a visor. Cut to a pan left shot of a glider as a sandbender bends a shock wave of sand. The sand shockwave quickly closing in on the camera. Cut to a shot of Appa as the sand hits him, swirling around him, then to a close up of Toph.)

Toph: Who's there?

(Cut to a shot of the sand gliders circling Appa. A sandbender jumps off of a glider, bending a whirlwind of sand as he lands.

Switch to a tilt down shot of Sokka and Aang running across a bridge. The walls are crumbling and more sand is pouring in. Cut to a shot of the doorway of the planetarium as Sokka and Aang run inside.)

Aang: Why are we doing this?
Sokka: Because if this calendar can tell us about eclipses in the past, then maybe it can project when the next one will be. (removes his bag from his shoulder and turns the dial.)
Aang: You can't possibly check every single date.
Sokka: I don't have to. (turns the dial) We just have to check every date before Sozin's comet arrives, because after that…Well, try not to think about that.

(Cut to a close up of the dial as the date on it changes. Several shots in rapid succession show Aang and Sokka trying different dates on the machine.)

Aang: Come on eclipse!

(Cut to a pan up shot of the sun symbol as it moves. The moon symbol comes in from the left and stops over the sun symbol, creating the desire eclipse.)

Sokka: (voice over) That's it, the solar eclipse! (cut to a wide shot of the planetarium as it darkens) It's just a few months away.

(Cut to a shot of Sokka and Aang. Aang grins as Sokka writes down the date of the eclipse.)

Sokka: Got it. (puts the date into his bag) Now, let's get to Ba Sing Se.

(They exit the planetarium.

Cut to a pan left shot of the sandbenders surrounding Appa. Using a series of ropes with bags of sand tied to the ends for added weight, the sandbenders systematically pin Appa down. Appa resists, but begins to weaken. Cut to a shot of Toph still holding the library. She turns her head around.)

Toph: Don't make me put this down.

(Toph lets go of the spire and turns around to attack, extending her right hand and bending a wave of sand at the sandbenders. The spire begins sinking again. The sand wave passes by them, missing by a few feet. Toph turns back around and thrusts her hands back into the spire. Behind her can be seen Appa and the sandbenders. The camera quickly pans right to shot of Appa brought down and being dragged away. Cut to a shot of the sand gliders pulling the flying bison over the sand and away from Toph. Appa gives a frightened groan. Cut to a close up of Toph.)

Toph: No, stop sinking.

(Cut to a shot of Toph letting go of the spire. The camera zooms out to show her bending waves of sand in random directions, first to the right, then left, then right again. Cut to a shot of Toph turning back around and thrusting her palms back into the surface of the spire.)

Toph: No! (sadly) I'm sorry Appa.

(Toph squeezes her eyes shut. The camera pans right to show Appa being dragged away into a cloud of dust.

Fade to a close up of Katara and Momo running through the library. Panting, she turns her head to look behind her. Cut to a shot of Wan Shi Tong drawing closer, opening his beak and screeching. Katara runs toward a bookshelf before turning right and running down the main hallway. Wan Shi Tong quickly follows after.

The camera pans as he runs down the hallway after Katara. Cut to a shot of Katara leaning against the side of a bookshelf, frightened, panting and clutching Momo. She looks to her right. The camera pans left to show Wan Shi Tong sticking his neck between the bookshelves. Cut to a close up of Wan Shi Tong turning his head towards the camera. Cut to Wan Shi Tong's p.o.v. where he quickly spies Momo's tail sticking out from the edge of the bookshelf.)

Wan Shi Tong: At least I'll have one specimen to add to my collection.

(Wan Shi Tong lunged after Katara and Momo, who yell with fright. Katara gets up and runs between the bookshelves. Wan Shi Tong pecks the ground where Katara sat and chases after. Cut to a shot of Katara running down the hallway and turning right at a corner. Wan Shi Tong follows.

Cut to a shot of the bridge where the rope is dangling. Katara skids along the ground and runs onto the bridge. Wan Shi Tong flies past the camera before turning and walking on to the bridge. Cut to a shot of Katara and Wan Shi Tong standing on the bridge. Katara stops running and turns to face the knowledge spirit. Cut to a shot of Katara in a waterbending stance, her arm poised over her water flask. The rope is only a few feet behind her. Wan Shi Tong's shadow passes over her as he closes in.)

Wan Shi Tong: (voice over) Your waterbending won't do you much good here. I've studied Northern Water Style, Southern Water Style, even Foggy Swamp Style.

(He raises his head and wings and prepares to attack.

Pan up to a shot of the hole in the ceiling where the rope is dangling. Light from the outside is pouring down. Aang flies across the screen on his glider, with Sokka holding on. Sokka lets go of the glider and falls down towards the camera, raising a large book above his head. Cut to a pan down shot of Sokka falling towards Wan Shi Tong. With a mighty cry, he brings the book down and smashes it against Wan Shi Tong's head. Sokka jumps off of Wan Shi Tong's head and off the screen. Katara quickly jumps out of the way as Wan Shi Tong wavers and falls forward. Cut to a shot of Sokka holding the book. Momo is hovering in the air to the right and Katara is smiling at her brother from the left. Many of Wan Shi Tong's feathers are floating around the area.)

Sokka: That's called Sokka style. (swings his fist to the side as he says this) Learn it!

(Cut to a shot from the side of Sokka, Katara and Momo, and the defeated spirit laying unconscious on the bridge. More streams of sand are pouring from above. Sokka climbs on top of Wan Shi Tong and begins climbing the rope. Katara follows after him. Aang glides past them. Cut to a close shot of Sokka climbing the rope. He stops and looks back down.)

Sokka: Wait! (cut to a shot from behind Zei, who is sitting between two bookshelves. Sokka, Katara and Momo can be seen climbing the rope in front of him) Professor, let's go!

(Sokka gestures for Zei to follow. Cut to a shot of Zei sitting between the bookshelves. He is surrounded by several dozen stacks of books on the floor. The sand is building up and beginning to some of the stacks. Zei is reading a scroll. The camera slowly zooms in.)

Professor Zei: I'm not leaving. I can't. (drops the parchment to his lap and raises his right fist) I've spent too long trying to find this place. (places his hand on his chest and looks up) There's not another collection of knowledge like this on Earth. (cut to a close up of Zei with his eyes closed. He opens his eyes and speaks wistfully) I could spend an eternity in here.

(Cut to a shot of Sokka and Katara looking at the professor. Katara looks up at Sokka.)

Katara: Just go!

(The rope begins swaying back and forth. Momo lets go of Katara and flies around them. Cut to a shot of Wan Shi Tong shrieking swinging the rope back and forth with his beak, trying to throw Sokka and Katara off it. Cut to a shot of Aang gliding down, then to Katara and Sokka both losing their grip and falling down. Aang swoops down and Katara grabs the tail of the glider. Sokka wraps his arms around Katara's waist. They fly past the screen, Momo following after.

Cut to a shot of Wan Shi Tong from behind whipping the rope around. Aang, Katara, Sokka and Momo can be seen flying off screen. Wan Shi Tong flaps his wings and flies after them. Cut to a shot of Aang from above as he carries his friends up the inside of the spire. Wan Shi Tong is seen flying behind them. The spirit begins to gain on Aang, Katara, Sokka and Momo. He tries to grab Sokka with his beak, but misses when Sokka pulls his feet up.

Outside, Toph is still holding the spire. The camera pans up and right to show Aang, Katara, Sokka and Momo escaping the library through the spire's window. Cut to a shot of Aang gracefully landing on the ground by bending the air. Katara and Sokka both land on the sand head first. The rope and Sokka's boomerang land next to Sokka. Aang looks left and right.

Cut to a shot of Toph's hands pressed against the spire. Her fingers are dug into it, and several cracks have formed. Toph grunts and pulls her fingers out. The spire immediately sinks quickly into the ground. Cut to a shot of Toph falling backward and the spire sinking. The sinking causes a dust cloud to form which envelops Toph. Toph shields herself.

Shift to a zoom out shot from above. Where the spire once stood is now a large crater. Cut to a shot of Aang kneeling on the ground. Behind him stands Sokka, holding a rolled up parchment, and Katara with Momo on her shoulder.)

Sokka: We got it. There's a solar eclipse coming. (Katara and Sokka jump at and hug each other. Momo jumps off of Katara's shoulder) The Fire Nation's in trouble, now!

(Aang stands up and walk towards the camera. He looks left and right before looking towards the screen. Cut to a shot from above of Aang and Toph. Toph is sitting on the ground with her head between her hands. Aang walks towards her.)

Aang: Where's Appa?

(Cut to a shot of Toph with her eyes closed. Aang, Sokka, Katara and Momo are standing behind her. She groans and shakes her head sadly. Cut to a close up of Aang from behind. The camera pans around him to show his face. His mouth hangs open, and watering eyes are wide with horror. Aang gasps as a tear rolls down his left cheek. Cut to a wide shot of the group standing beside the crater. The camera pans up to the sky. The bright sun shines into the camera, fade to white.)

[End Credits]

Case Study No. 0094: Hannah

The Zoo Race game movie - full version
8:29
The Zooest Race
Tags: The Zoo Race game movie full version
Added: 8 months ago
From: fungahhh
Views: 6,296

[scene opens with a male patron sitting in the library reading a book entitled "Noah's Ark", when the young female librarian approaches him]
HANNAH: Hi Rueben. May I ask, what book are you reading?
RUEBEN: Oh, hi Hannah. Yes, it's a book about Noah's Ark.
HANNAH: Rueben, do you actually believe in the Bible story of Noah's Ark?
RUEBEN: Well, uh, yes. I do. I believe in what it says.
HANNAH: Oh ...
[she laughs]
HANNAH: Okay, then ... Rueben?
RUEBEN: Yes, Hannah?
HANNAH: As the head librarian here, I must recommend for you to read ... perhaps, some more informative books. There's always the dictionary, encyclopedias, and also many history books to choose from.
RUEBEN: No Hannah, I like books about animals. Those other books are boring to me!
HANNAH: Animals? Well ... Well, how about these books?
[she shows him a couple of books, including "Cute Pigs" and "Creature Racing"]
RUEBEN: Hey, look here! This one book is called "Creature Racing" ... Ah, creature racing! Do you think that Noah had any creature races in those days, after the world flood? I mean, did Noah play and have fun with the animals, with racing games? Racing games, wow! What do you think, Hannah? Hmm, I wonder.
HANNAH: I think ... I think that maybe you read too many books, Rueben!
[camera zooms in on Hannah as she laughs at the idea]
HANNAH: Imagine that ... racing games! You have too much imagination, Rueben! I wonder, hmmm. And who would actually start and announce such a race? Would it be God Himself, maybe?
[she laughs again]
HANNAH: Yeah, right! Now I've heard everything! God organizes an animal race, and is also a great race announcer! Ha ha! Well, God cannot do that! Heh!
RUEBEN: But, but ... You know that God can do it, because God can do anything! Are you saying that the great God who made the Earth cannot do something?
HANNAH: Well ...
RUEBEN: Come on, Hannah, let's race! You and me, let's race!
[he begins awkwardly running around in circles]
RUEBEN: Let's have some fun! Just around the library, heh heh! I'll race you, Hannah!
[he hides behind a desk, as Hannah just stares at him with mouth agape]
RUEBEN: Come on, Hannah! Are you going to race me? Ha ha!
HANNAH: What? Rueben, are you crazy? There's no racetrack around here! And I'm not even dressed for racing! I'm not some dumb animal creature like you read in your books! You need to get a brain, Rueben! And besides that, well ... I don't think that I can race even if I wanted to. I'm not very strong or anything. How could I ever race? I mean, I'm very small and so very thin, and ... uh, I don't feel like I can race. I don't feel very well, uh!
[suddenly (and without warning) Hannah transforms into a racehorse, while Rueben turns into a rhinocerous and two patrons behind them become a pig (wearing a top hat) and a cougar]
HANNAH: Whoa! What happened? Wow, oh great! I'm a horse now!
[she neighs]
HANNAH: And you Rueben, you're a rhinocerous!
[Rueben the Rhinocerous makes some kind of weird animal noise]
HANNAH: Oh, this is just so crazy! I just wanna know something ... What else could ever happen to us today? What else can happen?
[a gate in the back of the library opens to reveal a giant field outside (complete with race track, so the animals exit the library and begin racing]
GOD: [from off camera] Ready ... set ... go!
[a gunshot sounds, as the animals begin racing]
GOD: [from off camera] At the start, it's Cain the Cougar! Followed by Priscilla the Pig, Hannah the Horse, and Rueben the Rhino!
[more clips of the animals racing are shown (including one sequence where Hannah rides a rocket ship to the moon), ending with Hannah crossing the finish line]
GOD: [from off camera] Congratulations to Hannah the Horse!
HANNAH: Wow! Is this a ... a dream?

Play the free version of the game at www.zoorace.com

---

From zoorace.com:

Welcome to THE ZOO RACE ! - A 3D action game by Cougar Interactive for ages 9-99

Watch Hannah the librarian and her friends as they are re-shaped into animals!

After laughing and teasing her friend Rueben about believing in the Noah's Ark story, then Hannah the librarian has a dream about it. In her dream, her friends are re-shaped into animals and she herself changes into a racehorse and participates in the race "Games of Celebration" after the world flood. But, unknown to everyone, Noah's sons have created a lot of obstacles on the racetrack for the creatures. These obstacles on the racetrack slow down the participants and include hurdles, glass mazes, Piranha fish, fire geysers, exploding barrels, rockets, cannons, bomber planes and more! "Let's give them a real race, ha-ha!" said Japeth. "Yes and let's have some fun!" said Shem and Ham, so beware, because this race is so very different.

[...]

The story of Hannah the Horse and the crows:

One day Hannah the Horse was racing on lots of green grass. Suddenly she noticed that lots of crows had come out. "Look Cain!", she declared, "The crows have come out to greet us.", but just then she noticed that the crows were indeed flying overhead, but they also were pooping lots of poop from above. As the noise and stench came from above, she shouted aloud, "Quick everyone!" "Let's run into this cave over here!".

Then Hannah noticed that the cave ending was a cliff that dropped down to a deep river far below. Agggh!, she screamed as she fell down. "Oh those nasty crows", she said aloud. "If I could just be on the moon, then there would be no more crows, because crows don't live on the moon!"

Hannah's Moon Trip:

On another day, however, Hannah found herself on a rocket and then afterwards on the moon itself. While on the moon she heard the faint sound of a bird. It was ... It was crows! The crows were on the moon! Yes and their crow poop were there also again, but she tried hard to avoid it.

Hannah Prays:

After the race, Hannah asked the Lord about the crows. "Lord? She asked, "Why were the crows on the moon?" "Crows don't normally live on the moon, right?" Then the Lord God spoke to Hannah the Horse. "HANNAH, said the Lord. I PUT THE CROWS ON THE MOON. DO NOT BE MAD AT THE CROWS, FOR THEY ARE ONLY A SYMBOL OF THE TRIALS AND TESTINGS THAT OCCUR IN YOUR REAL LIFE. YOU MUST OVERCOME ALL THE OBSTACLES THAT LIFE MAY BRING YOUR WAY AND ALSO TRUST IN ME THE LORD GOD ALMIGHTY AND YOU WILL BE A BLESSED CREATURE.

And that is exactly what Hannah the Horse did. She trusted and praised the Lord all the days of her life. One more thing Lord, Hannah prayed aloud. Now that the race is finished and we are standing here on the moon, then how shall I get back down to earth again?

Then the Lord God spoke again to Hannah the Horse saying:

DIDN'T YOU SEE THAT'SPACE SHUTTLE THAT I PROVIDED FOR YOU UP ON THE MOON? COM'ON HANNAH! WAKE UP! SO, GET NOAH NOW AND ALL YOUR FRIENDS AND BOARD THE SPACE SHUTTLE AND BLAST OFF BACK TO THE EARTH, AND OH, ALSO, HAVE A HAPPY AND FUN JOURNEY.

"Yes Lord!" Hannah happily shouted and she quickly obeyed.