Showing posts with label Television. Show all posts
Showing posts with label Television. Show all posts

Monday, July 13, 2015

Case Study No. 2085: Jeeves

Alison Brie as Muffy the Vampire Slayer
2:12
2007 Pilot. "Not Another High School Show".
Tags: Alison Brie (TV Actor) Buffy Slayer Jennifer Lawrence (TV Actor)
Added: 1 year ago
From: JCIce007
Views: 1,069,497

[scene opens with an exterior shot of the high school (with a sign reading "La Playa Beach Creek Hills High Welcomes New Students Muffy Rabinowitz and Brian Atkins"), then cut to inside the school library where a female student (modelled after Buffy Summers) is talking to an older male librarian (balding white hair, glasses, tweed jacket, black sweater, white undershirt, tie, brown pants) clearly modelled after Rupert Giles]
JEEVES: You're going to have to be a lot more careful at this school then you were at the last, Muffy.
MUFFY: Well, I'm sorry Jeeves, but when I see a red-faced anagogic demon coming at me ... I scalp the bastard.
[she nonchalantly sits on the table in front of him]
JEEVES: Muffy, you scalped sophomore Roger Widiger ... he had a little rosacea.
MUFFY: Eww ...
JEEVES: Just forget about it. I have found something that should be of grave concern to you.
[he motions towards a pile of hair sitting on the table next to her, and she gets an embarrassed look on her face (trying to cover up the front of her skirt with her hands)]
MUFFY: I know, it's ... really gotten out of hand down there.
JEEVES: Muffy, it belongs to something big! Something hairy! That something is--
MUFFY: Okay, I get it! I need to trim!
[the librarian rolls his eyes]
JEEVES: You're not listening, Muffy ... I'm afraid you're going to have to destroy the most terrifying creature ever to roam the halls of this school!
[he takes a large book and drops it loudly onto the table (revealing the cover title to be "The Book of Demons"), then opens it to a page featuring a drawing of a werewolf (modelled after Michael J. Fox's character from the movie "Teen Wolf") and the words "Wolfis Teenagius"]
JEEVES: A teenage wolf!
[dramatic music plays as the camera zooms in on the library, then cut back to the student with a confused look on her face]
MUFFY: Wait, are we still talking about my vag?

[...]

[Muffy is roaming the halls, when she sees the school janitor making inappropriate comments under his breath while other female students walk by]
MUFFY: I smell a wolf ...
[she takes a knife out of her purse, then the camera follows two male students walking past her]
BRIAN: We've been walking around for half an hour ... Shouldn't we be going to class?
LAWSON: Actually Brian, at this school, there are no classes. We get our education by aimlessly wandering through the hallways. I bet that's a lot different from the correctional facility you come from!
[they stop (as Muffy continues to slowly stalk the janitor in the background)]
BRIAN: Shh! Listen, Lawson, I'd really appreciate it if you wouldn't talk about my past.
[as they continue their melodramatic conversation with a female student carrying a ladder in her backpack, Muffy attacks the janitor and repeatedly stabs him in the heart]
MUFFY: Die, wolfus teenagius!
[she leaves the scene of the crime, then another female student (played by Jennifer Lawrence) walking by looks down at the fallen janitor, who smiles at her (as blood runs out of his nose)]
JANITOR: What's your name, sweet-tits?
FRANTIC GIRL: Help! Somebody stabbed the janitor in the heart!
[looking around nervously, Muffy places the knife back in her purse and runs off]
JANITOR: [from off camera] Seriously, what's your name?
FRANTIC GIRL: Amy!

[...]

[a teenage werewolf is doing a keg stand (as the students surrounding him loudly chant "Wolf!"), while Muffy (carrying a crossbow) appears in the foreground]
MUFFY: I'm close ... I can sense it.
[ignoring the werewolf, she moves on, then sees a normal-looking male student crying ... which might be mistaken for howling at the moon]
MUFFY: If it isn't the big bad wolf!
[she fires the crossbow ... and ends up hitting a completely different female student in the back]
MUFFY: Uh oh.
[she drops the crossbow and runs off]

---

From imdb.com:

Not Another High School Show
Comedy - 21 September 2007 (USA)

A parody of popular teen TV dramas such as "Beverly Hills, 90210," "Dawson's Creek" and "Buffy the Vampire Slayer."

Jeffrey Christopher Todd ... Lawson Goldstein
Alison Brie ... Muffy
Michael Ensign ... Jeeves
Jennifer Lawrence ... Frantic Girl

---

From uproxx.com:

Were Alison Brie and Jennifer Lawrence to storm into Comedy Central's offices today, demanding to star in a spoof show series, "kind of like Not Another Teen Movie, but we'll call it ... Not Another High School Show," and that Brie wants to play someone named "Muffy the Vampire Slayer," I hope Comedy Central would instantly reject the idea. It would kill their careers because it sounds awful, and it was awful. Not Another High School Show was developed in 2007 and a pilot was shot, but never picked up.

I've mentioned the show before, but at that point, there was no footage of Brie and Lawrence's scene together online. Well, here it is, in all its, um, glory. Come for the references to Brie's vagina; stay for Lawrence being hit on by a janitor (played by H. Jon Benjamin?) who's just been stabbed.

---

From tumblr.com:

Ever since the first episode of Community I thought, "Annie/Alison really looks like Sarah Michelle Gellar." It's especially true if you look at pics of SMG prior to dying her hair blonde for BtVS. I was floored when I heard about this pilot for Not Another High School Show. It should've been picked up if just for the reason that it gave me this pic of Alison pretending to be Buffy (or Muffy) talking to Giles (or whatever Muffy's Watcher's name is) in the infamous SHS library. I now need to find the unaired pilot.

Thursday, July 2, 2015

Case Study No. 2063: Leslie Waffen

Brad Meltzer's Lost History: Stolen National Archive Recordings (S1, E9)
2:10
A radio historian discovers that ex-Archives worker Leslie Waffen was stealing recordings and selling them on ebay in this scene from "D-Day Footage."

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Brad Meltzer's Lost History
Season 1
Episode 9
D-Day Footage


HISTORY(R) is the leading destination for award-winning original series and specials that connect viewers with history in an informative, immersive and entertaining manner across all platforms. The network's all-original programming slate, including scripted event programming, features a roster of hit series including American Pickers(R), American Restoration?, Ax Men?, The Legend of Shelby the Swamp Man, Counting Cars?, Pawn Stars(R), and Swamp People(R) as well as HISTORY(R)'s first scripted series Vikings, and epic miniseries and special programming such as The Bible and the Emmy(R) Award-winning Hatfields & McCoys, Gettysburg, Vietnam in HD, America The Story of Us(R) and 102 Minutes That Changed America. The HISTORY(R) website is the leading online resource for all things history, featuring over 20,000 videos, images, audio clips, articles and interactive features that allow visitors to dig deeper into HISTORY(R) series and a broad array of historical topics.
Tags: history h2 history channel h2 channel h2 shows history channel shows brad meltzers lost history lost history season 1 lost history clips lost history full episodes brad meltzer National Archives Washington DC Leslie Waffen ebay Hindenburg disaster recordings radio historian.
Added: 9 months ago
From: historychannel
Views: 819

[scene opens with Brad Meltzer speaking directly to the camera]
BRAD: On May Sixth, Nineteen Thirty Seven, radio reporter Herbert MOrrison gives listeners a heart-breaking and ground-breaking account of the Hindenburg disaster.
[cut to the infamous archival footage ("Oh the humanity!") of the Hindenburg blimp going down in flames]
BRAD: [in voice over] That recording would go down as one of the most remarkable and emotional "you are there" moments in history.
[cut back to Brad speaking directly to the camera]
BRAD: But the recording was stolen from the National Archives.
[cut to an older man standing in his living room, his arms folded across his chest]
BRAD: [in voice over] In Two Thousand Ten, historian and radio aficianado David Goldin is the first to figure it out.
[cut to a shot of the various pieces of old-timey radio equipment on the shelves behind the man]
BRAD: [in voice over] After he spots several historical recordings that he had donated to the National Archives ... for sale on eBay.
[cut to the man speaking directly to the camera]
DAVID: Whoever took these records has knowledge of old radio recordings, and had access to the collection.
[cut back to Brad speaking directly to the camera]
BRAD: Okay, this is getting scary. The National Archives is the home to the Declaration of Independence, the Constitution and the Bill of Rights, and millions of priceless articles of American history. How did these recordings just end up for sale online?
[cut to the older man typing at his computer]
BRAD: [in voice over] Posing as a buyer, Goldin gets the address of the seller ...
[cut to the man holding up a printout of an eBay auction for "Radio Transcription BABE RUTH Bird Hunting 1937"]
BRAD: [in voice over] Known only as "HiFiGal."
[cut to a shot of people walking outside of the Archives of the United States of America]
BRAD: [in voice over] The address belongs to a man who happened to work at the National Archives, until his retirement in June Two Thousand Ten ...
[cut to footage of an older male archivist (brown hair, balding, glasses, suit and tie) speaking to a group of people from a podium]
BRAD: [in voice over] Leslie Waffen.
LESLIE: Sure, it's "Waffen." W-A-F-F-E-N. First name, Les.
[cut to a woman speaking directly to the camera]
WOMAN: Leslie Waffen wasn't just a random employee at the National Archives. Before he retired, he was head of the Motion Picture, Sound and Video unit. He was the guardian of our nation's audio recordings, our video recordings.
[cut back to the footage of the archivist giving a press conference]
LESLIE: We're talking films of the Wright Brothers' first flight. We're talking films of the assassination of King Ferdinand in World War I. We're talking the crash and burning of the Hindenburg in Nineteen Thirty Seven, that footage is here.
[the footage stops and turns black-and-white, then cut back to the radio aficianado speaking directly to the camera]
DAVID: It was quite a shock to see that the head of the henhouse was stealing chickens.
[cut back to Brad speaking directly to the camera]
BRAD: If Waffen is the one selling these items on eBay, it would be more than shameless ... It would be a federal crime.

---

From washingtonpost.com:

For more than 40 years, Leslie Waffen was a guardian of national treasures. But for the final 10 years of his career at the National Archives, he secretly peddled some of those rare pieces of history on eBay.

On Thursday, in a federal courtroom in Greenbelt, the 67-year-old Rockville resident was sentenced to 18 months in prison and two years of supervised release for embezzling U.S. property.

Fighting back tears, Waffen told the court that his "passion" for historical audio had become an "obsession."

It all began, he said, when he started taking recordings home without permission to listen to and determine whether the material was suitable for the Archives' collection. But he never returned the items.

"I should have returned it. I did not return it," he said in court, reading from a prepared statement. Over time, his behavior became "compulsive" and "arrogant" as he stole items from the Archives' permanent collection "with the intent of selling it."

When Waffen plead guilty in October to theft of U.S. government property, he admitted that he stole 955 items from the Archives, including original recordings of the 1948 World Series and a rare recording of the 1937 Hindenburg disaster. A government expert valued the 955 items at $83,238.

The courtroom was full of relatives and friends. Also present were National Archives staff members and the man who helped authorities crack the case, J. David Goldin, an enthusiast of historic radio recordings who had donated a Babe Ruth hunting recording.

Goldin did not speak during the hearing, but afterward he said he had come to know Waffen and was "disappointed" with what Waffen had done. "I have great respect for Les. I've known him since 1976," Goldin said. "He's one of the best archivists for sound in the U.S."

U.S. District Judge Peter J. Messitte said he had received letters from Waffen's friends, family and neighbors praising his good character and asking the court to take that into consideration during sentencing.

"One hopes as you go forward, you will abandon that parallel universe of crime," Messitte said.

Messitte said that Waffen's actions involved not just a monetary issue, but also an issue of trust. Waffen, the judge said, jeopardized the reputation of not only himself, but also of the Archives and other federal agencies.

"You take our history if you take the thing to sustain our history," Messitte said, echoing the sentiments of Shylock in Shakespeare's "Merchant of Venice." A restitution hearing is set for Aug. 13.

---

From imdb.com:

Brad Meltzer's Lost History: Season 1, Episode 9
D-Day Footage (26 Dec. 2014)

Host Brad Meltzer enlists America's help to find lost and stolen historical artifacts, which are going missing from museums and public collections at an alarming rate. Among the missing: rare and historic footage from D-Day, shot behind enemy lines during an remarkable mission. Then, FDR's inaugural address is just one of many stolen from the National Archives. Plus, the shocking tale of George Harrison's guitar.

Thursday, June 25, 2015

Case Study No. 2048: Joan Shea

Show: "My Darling Joan" with Blake Shelton On SNL (January 25th 2015)
4:05
Look, not everyone should host Saturday Night Live. It takes a special person to hold a show for an hour and a half, and it takes an even more special person to hold the show as host and musical guest, which is what SNL host and musical guest Blake Shelton did on Saturday night. So how do you make that double duty role work for someone like Shelton? Have him sing "My Darling Joan," inspired by real life "My Sweet Lorraine," and make the viewers forget he's not actually a comedian.

It started off with a local news segment in Topeka that had 97-year-old Russell on the show to talk about his huge hit, "My Darling Joan," which he wrote about his late wife, Joan. He teamed up with Tyler (Shelton), a music producer who set the song, written by Russell, to music. If this sounds familiar, it's because it actually happened - back in 2013 - but the real life version wasn't as dark as SNL's version.

On SNL, Tyler starts singing the song for the news anchors, which seems like a good idea at first, but then things go horribly wrong. What starts off as a song about Joan's "sweet and tender smile," turns into a melodic roast of Joan's "nasty remarks," "hatred for animals," and calling her a monster. Everyone but Tyler and Russell are shocked by the twisted turn the song takes, because it turns out Russell wasn't too crazy about his late wife Joan.

In real life, Fred Stobaugh was recognized for writing a song about his late wife, Lorraine, who he had been with for almost 73 years. The song was called "Oh Sweet Lorraine," and it is actually a touching song and doesn't go in the same direction the SNL parody went. Fred's song became such a hit in 2013, he made it on the Billboard Hot 100. Here's the song SNL's "Oh Darling Joan" was modeled after. (Note: Grab the tissues, because it's a tearjerker.)
Tags: Saturday Night Live (TV Program) Blake Shelton (Musical Artist) Saturday Night Live SNL Blake Shelton Wishing Boot inspirational Country music Hee Haw The Bachelor Blake Shelton Performs Neon Light Boys Round Here My Darling Joan
Added: 4 months ago
From: Late Night TV
Views: 5,145

["Topeka Today" appears on screen, then cut to two TV hosts (played by Bobby Moynihan and Sasheer Zamata) speaking directly to the camera]
FEMALE HOST: Welcome back! It's not every day a ninety-seven year old becomes a world-famous song writer ...
MALE HOST: But that's exactly what happened to our next guest. When his wife of seventy years passed away last spring--
[cut to a black-and-white photo of a man and woman (Taran Killam and Kate McKinnon) waving to the camera in a car with a "Just Married" sign on the bumper]
MALE HOST: [from off camera] Russell Shea decided to pay tribute to her in song.
[cut back to the two hosts speaking directly to the camera]
MALE HOST: He teamed up with a local musician, and now he's got America listening with over two million YouTube hits.
FEMALE HOST: We've got Russell in the studio with us now.
[the camera pans over to show Killam (in "old man" makeup) sitting on the couch next to them]
FEMALE HOST: And aren't you a sweetheart?
[he laughs]
RUSSELL: Thank you.
FEMALE HOST: Now Russell, how did you and your wife Joan meet?
RUSSELL: Well, when I came home from the war, I'd go to the library every day. One day I walked in, and there was the most beautiful librarian I ever saw, and that was my Joan.
MALE HOST: Aw, that's beautiful. Also, here's Tyler Coldwin, who's helped set Russell's song to music.
[the camera pans over to show a younger man with a guitar (Blake Shelton) sitting next to Killam]
TYLER: Howdy.
MALE HOST: The song is "My Darlin' Joan" ... Please, take it away.
[he starts playing his guitar and singing, as black-and-white images of Joan (as a young woman) play on the screen behind him]
TYLER: My darlin' Joan, I won't forget your sweet and tender smile. My darlin' Joan, you never failed to light up a room. My darlin' Joan, I'll always treasure the day we met. I'll treasure, I'll treasure, I'll treasure, oh, that memorable day.
FEMALE HOST: Beautiful!
TYLER: There's more ...
[he starts to sing again (as the images playing behind him start to show a young Killam with "unhappier" looks on his face]
TYLER: My darlin' Joan, you were not perfect, but you sure were mine. My darlin' Joan, you could silence a room with your nasty remarks.
[the two hosts start to get confused looks on their faces]
TYLER: My darlin' Joan, your hatred of animals rattles my core. My darlin' Joan, you even yelled at me in your sleep. Your body, your body, your body, it was just okay.
MALE HOST: I'd just like everyone to know that this is our first time hearing this song ...
TYLER: My darlin' Joan, I'd hide in the closet and read my Bible for strength. My darlin' Joan, our dinners were silent and we never had sex. My darlin' Joan, the only thing you loved were your expensive hats. My darlin' Joan, your favorite hobby was making me cry. You monster, you monster, I wish I killed you but you choked on some corn.
FEMALE HOST: So ... why did you agree to help him with this?
TYLER: Look, Russell's a good guy, plus ... he's my landlord, so I kinda had to.
[he continues singing (as the images playing behind him start to show Joan with "graffiti" drawn over her face (an eyepatch, mustache, blacked-out teeth, etc.)]
TYLER: My darlin' Joan, do they let you use your humidifier in hell? My darlin' Joan, does the Devil let you curse at him in front of his friends?
[the old man joins in]
TYLER AND RUSSELL: I hate you, I hate you, I hate you and now I dance on your grave. You're in the ground, I'm alive and bugs are eating your hair--
MALE HOST: Okay! Okay, alright ... Thank you, Tyler and Russell!
RUSSELL: No, there's three more verses.
MALE HOST: Nope! Goin' to commercial, we'll be right back!
RUSSELL: Aww ...
["Topeka Today" appears on screen]

---

From yahoo.com:

My Darlin' Joan

A widower (Taran Killam) teams with a musician (Blake Shelton) to pen an ode to his dearly departed wife (Kate McKinnon).

Monday, June 8, 2015

Case Study No. 2009: Kristen Kringle

GOTHAM - Nygma/Kristen Kringle
3:05
No description available.
Tags: Gotham (TV Program) gotham Edward Nygma nygma The Riddler Kristen Kringle Comics (Comic Book Genre) My Morning Jacket Librarian
Added: 7 months ago
From: Mrsunshineisdead
Views: 2,723

From avclub.com:

Gotham
"Spirit Of The Goat"
Season 1, Episode 6

Harvey Bullock takes the spotlight in "Spirit Of The Goat," and Gotham is all the better for it. I've mentioned quite a few times in these reviews that the series needs to spend more time fleshing out the history of its characters, and this week's episode takes a break from the overarching mob war storyline to focus on Bullock's character and how he's changed from his early days on the GCPD. The result is a considerable improvement over the last few weeks, although this episode still has its fair share of problems.

"Spirit Of The Goat" begins with a flashback to 10 years ago, with Detectives Bullock and Dix (the always welcome Dan Hedaya, playing the type of curmudgeon he's typically cast as) investigating the last killing by Randall Milke, a serial killer that believes he's been possessed by an ancient murdering goat spirit. We learn that back then, Bullock was a valiant young cop much like Jim Gordon, eager to charge into battle without back-up if it means saving a life. Dix plays the part of the present-day Harvey Bullock, telling his partner to tone it down and teaching him Gotham's golden rule: "No. Heroes."

Yes, it's all very on the nose and yet another wink to Gotham's vigilante-laden future, but at least it gives the audience some context for why Harvey Bullock acts the way he does with Jim. Bullock's eagerness does help him stop a killer, but it also puts his partner in a wheelchair when the Goat (I'm not going to disrespect Will Eisner by calling this guy the Spirit) opens a trap door underneath Dix that sends him crashing to the ground, breaking his legs and putting him in a wheelchair for the rest of his life. Bullock endures the negative consequences of his heroic actions, setting him on a path that will eventually lead to the slovenly, lackadaisical person he is today.

Thankfully, Bullock's personal connection to the Goat puts a fire under his ass when he discovers a new body that fits the M.O. of the past killer, right down to the Liberty Penny sewn into the head of his victims. Bullock is hungry to track down this new killer, and he finally starts acting like a real detective in order to accomplish his goal. That's important, because it shows that Bullock's former hero self still exists somewhere inside of him. When Gordon and Bullock meet up with Dix for information, Dix tells Jim that Harvey is a white knight, always jumping into the breach. Jim is surprised, but we see that Bullock hasn't completely given up on that old character thanks to his dedication to solving the case this week. (He's also paying for Dix's living arrangements, which includes a regular supply of dirty magazines. That Harvey Bullock is a swell guy when he wants to be.)

After Bullock and Gordon arrest the new Goat by going to the same abandoned theater used by the original serial killer 10 years ago, Bullock is able to piece together the rest of this mystery by observing the perp's behavior in the interrogation room. Bullock realizes that the man's repetitive clenching and unclenching of his fist suggests that he's been conditioned to act on his compulsions with this motion, which leads Bullock to believe that the man has been hypnotized by the therapist that treats Gotham's elite as well as less fortunate people thanks to her pro bono work.

The conclusion of the story is rushed and Dr. Marks (Susan Misner) confesses awfully quickly to Bullock's accusations, but it's nice to see Bullock score a win and the plot does ultimately tie in to the larger narrative. Dr. Marks believes that killing Gotham's wealthy children is a kind of therapy for the city, which, combined with Dix's comments about some sort of conspiracy in Gotham, makes me think that there's a secret group of people trying to heal the city through less than admirable means. Perhaps we can expect to see the Court Of Owls from Scott Snyder's current Batman run show up on this series at some point, which could be cool if the writers don't mess it up.

The tonal shifts of this series are still very jarring. One on end you have a villain whose design evokes memories of torture porn horror films like Saw and Hostel and who strings up his victims in a way that will be very familiar to fans of True Detective and Hannibal. (All of those victims are female, even though the character hunts down the oldest child of Gotham's wealthy families, so there's no reason for every victim to be a woman. This show is not very kind to the ladies.) On the other end you have goofy scenes of Edward Nygma trying and failing to flirt with a coworker whose name is Kristen Kringle, complete with whimsical music in the background to make sure the audience doesn't take these moments too seriously.

---

From dccomics.com:

In the darkened world of Gotham, the line between creepy and charming can be quite thin. No one knows this better than Kristen Kringle, the often-on-edge GCPD records room attendant who has captured Edward Nygma's eye. Last week, Nygma tried winning her affection with-no surprise here-a riddle. That really didn't work out so well, but it's easy to see that Kristen isn't quite so cold to Edward as she'd maybe like to believe. Could there be romance in the cards for Gotham's Riddler-to-be?

While Nygma may enjoy being cryptic about such things, we much prefer answers, so we went straight to the source-Chelsea Spack, the Rutgers-trained actress who plays Kringle on Gotham. Just in time for her appearance in tonight's new episode, "Welcome Back, Jim Gordon," we spoke with Spack about riddles, how she feels about romancing future super-villains, and whether there may be a bit more to her character's name than simple alliteration.

*********

Q: Kristen was in last week's episode and she's in tonight's as well. Will we be seeing her again before the end of the season?

She's coming back very soon. The writers are so brilliant. They like to keep us on the edge of our seats. Thankfully, they've really responded to the chemistry between us and our storyline is developing more and more. We'll have to see where things go, but she's definitely coming back very soon. There's more to see.

Q: Your character has a name like something from a comic book, but she's original to the show. How would you describe her?

I love how she's a woman of great intelligence and mystery. She takes her job really seriously, just like Edward Nygma. She's on her way up in the world. She's a very private person. She's in charge of information, and I think that information is power. She works in the records room. She's a fierce, brilliant woman that like everybody has a lot of secrets.

Q: Do you find the fact that you're portraying an original character rather than one from the comics is a little more freeing? Fans don't have the same expectations for you that they have for Jim Gordon or Edward Nygma.

Yeah, I find it so exciting. It's like a blank slate and there's so much potential. And then working opposite a character from the comics who's so beloved, it's exciting. Seeing how our storyline develops is fascinating. So in a way it is freeing that it's kind of a blank slate and we get to create and see how things pan out.

Q: Gotham has such a large cast and so many of the characters are flamboyant and really stand out. However, Kristen has managed to stand out despite having appeared in only a few episodes. How have you managed that?

I think that mystery is always intriguing, and she's a mysterious woman. She works in a very private world. I think that's something Nygma is very intrigued by. Kristen's focused and brilliant, and she doesn't let people get in her way. She's a private person and I think that he responds to her intelligence and her drive. Maybe the glasses help a little bit too!

But yeah, I think she stands out partially because she's mysterious. There's a lot to her that isn't so obvious, but it's there.

Q: How does Kristen feel about Nygma? It's hard to tell at times!

The human heart is so complicated. If only things were black and white, it would be so much easier. All I have to say is Edward Nygma drives her crazy. He frustrates her, but there's something about him that she is intrigued by. I think that it's something she doesn't want to admit, and I think she doesn't quite understand it. You don't want to tell the cool kids at school that you think the nerdy guy is intriguing, and I don't think she quite understands it herself. There's something there that she can't put her finger on.

Q: When I think of Nygma on the show, he's the sort of person that would probably be pretty creepy and kind of disturbing in real life. You wouldn't want to have to work with a guy like him. But he's actually pretty endearing on Gotham. I know it's partly the writing, but do you think a lot of it also has to do with Cory Michael Smith's performance?

Absolutely! He is brilliant in that he understands that there's so much more to a person than one thing. Instead of going with the label that he's weird, or creepy, or nerdy, [he realizes] there's so much underneath that.

I think that part of why Edward's so endearing is because he cares so much. He truly cares for Kristen Kringle, and he takes things so seriously. I think that's why he's so beloved, because he's created a really complex character.

Q: Yes, I realized that of all the characters that we know will one day become super villains, he's the one that I'm dreading the most. He's such a fun supporting character on the show, and you see him just trying to connect with people. You kind of want him to get a happy ending, yet you know he's not going to get one!

I know, I know! That's the most interesting when you see what it is that causes somebody to snap. The motivations that they come up with make it more relatable. More human.

Q: As we touched on, Kristen Kringle has a real comic book-skewing name. You've also mentioned secrets a few times. Could she potentially have a villainous future ahead of her?

We're all on the edge of our seats to see how she develops. I have no knowledge of the large picture. But I have my ideas of what I think makes her tick, what her secrets are and what she hopes to achieve. I think having a name like Kristen Kringle, there's obviously so much potential there. And of course it's the kind of name that Edward Nygma would find incredibly endearing, amusing and attractive. We're just excited to see all the ways that Kristen can unfold and how she can develop.

Q: So, how do you feel about riddles in real life? Would the bullet in the cupcake thing have worked for you?

I love riddles! I love subtext and how you can say something to a person when what you're really saying is completely different. I think that riddles are a way of expressing two things at one time and playing with somebody's mind, while also exercising your intelligence to communicate. I think it's so awesome and intriguing. I love riddles.

---

From nerdist.com:

The other Gotham regular upon which new light is cast this week is Cory Michael Smith's Edward Nygma. The character's riddles have returned - lest we forget for even a second he'll one day become the Riddler - and there's a ridiculous question mark emblazoned on his coffee mug, just in case any four-year-olds watching this saga of crime and political corruption miss every other reference to the future supervillain. But, lo and behold, Ed gets a love interest! Though she's saddled with the unfortunate name Kristen Kringle (Gotham's attempts at Dickensian nomenclature have mixed results), the bespectacled file clerk gives the forensics expert something to do other than titter gleefully in the background. With her blonde ponytail, could Ms. Kringle be a vessel through which Gotham's writers hope to channel the spirit of Harley Quinn? The beloved Doctor Quinzel is most likely beyond the range of the show, unless the producers want to introduce yet another young nemesis-in-training.

---

From hitfix.com:

With Lil Wayne and Selina reduced to cameos and Fish absent altogether, "Spirit of The Goat" also got to finally let us know Nygma as more than just the guy who loves riddles and hates that no one else cares about them. We're obviously heading down a path where he turns to crime as a way to get people to notice him, but in the meantime we're seeing that his social awkwardness isn't just confined to his dealings with the cops, but to his inept wooing of records clerk Kristen Kringle (played by Chelsea Spack, who's styled more retro than any other "Gotham" person we've met to date). With Cobblepot clearly foregrounded, the show's probably going to take its time with Nygma, but allowing him to appear for more than 30-second cameos that wink to his future was a necessary and welcome move.

---

From wikia.com:

Kristen Kringle is the record keeper of the Gotham City Police Department.

Hair: Blonde
Eye: Blue
Affiliation: Gotham City Police Department
Occupation: Librarian
Status: Alive
First appearance: Spirit of the Goat
Portrayed by: Chelsea Spack

As the official record keeper of the Gotham City Police Department, Kristen encountered Edward Nygma when he went searching for any files the GCPD had on the past Spirit of the Goat killings. She later became frustrated with him when he re-organized all of the files in the records annex, with the intention of "helping her".

Nygma continued his pursuit of Kristen, leaving her a "riddle" cupcake with an apparently live bullet in it on her desk. Kristen returned the token in no uncertain terms. When Nygma later approached her and told her he thought she was beautiful, Kristen was flustered and didn't know how to respond. Detective Arnold Flass, however, instructed Nygma, in those words to "back off" and stop "bugging" her. As Nygma left, but was still in earshot, Kristen thanked Flass and said, "He is so weird."

Nygma gives Kristen a poem that is later found by Flass and his coworkers. They have a good laugh at Nygma's expense. Nygma happens by where Flass and his friends tease him. Humiliated, Nygma leaves. Kristen later goes to see Nygma at his office and apologizes. She says Flass found the poem. Nygma attempts to compliment Kristen, but she stops him and then leaves.

Despite her initial repulsion, when Nygma is reinstated she points out that he owes her a pencil, giving him cause to seek her out again.

Appearances
* "Spirit of the Goat"
* "What The Little Bird Told Him"
* "Welcome Back, Jim Gordon"
* "The Fearsome Dr. Crane"
* "Everyone Has a Cobblepot"

---

From foreverdreaming.org:

[Int. GOTHAM POLICE DEPARTMENT RECORDS ANNEX]

KRINGLE: Mr. Nygma.

NYGMA: Hello, Miss Kringle.

NYGMA: So, I'm just looking for all the information you have on the Goat murders from ten years ago.

NYGMA: Don't you find it curious?

NYGMA: Why someone would resurrect the myth of a centuries-old bogeyman.

NYGMA: And what is it about the Goat that has made two separate people decide to kill in his name?

KRINGLE: No, I-I don't find it curious.

NYGMA: I think I would like your parents.

KRINGLE: Excuse me?

NYGMA: Kringle, such a rare surname.

NYGMA: Most people changed it generations ago, out of embarrassment.

NYGMA: Not only did your parents keep it; they called you "Kristen."

NYGMA: "Kristen Kringle." (laughs)

NYGMA: They must be very humorous people.

NYGMA: Humor is so important, don't you think?

KRINGLE: Remember you have to sign out any evidence you pull.

NYGMA: How do you find anything at all in here?

NYGMA: I mean, organizationally speaking, this place is a shambles.

KRINGLE: I am warning you, Nygma.

KRINGLE: I have this exactly as I want it.

KRINGLE: I know where everything is.

KRINGLE: Understand?

NYGMA: Preternaturally.

NYGMA: But...

NYGMA: I can help you, Kristin Kringle.

KRINGLE: I doubt that very much.

NYGMA: There's a much better way to do this.

[...]

KRINGLE: Oh, my God.

NYGMA: I'm improving your system.

NYGMA: Implementing a rhizomatic cross-index, with your case files classified by subject, but arranged more like the way a peat moss organism grows.

NYGMA: You know, laterally.

KRINGLE: I had this entire room organized.

NYGMA: Yes, but now it will be rhizomatic.

NYGMA: Laterally.

KRINGLE: What did I ever do to you, Nygma?

KRINGLE: What did I do that compels you to come here with your endless notes and suggestions and riddles?

KRINGLE: My God, the riddles!

KRINGLE: Are you trying to get me to quit?

KRINGLE: You can't want my job.

NYGMA: No, no, no! I want you.

NYGMA: To... keep your job and to have it. Here.

NYGMA: For working.

NYGMA: Okay, I'm getting the sense that this was somehow inappropriate.

KRINGLE: You are so odd.

NYGMA: I'll just take my non-hierarchical data paradigms out of your hair... and leave you to your work.

Friday, May 22, 2015

Case Study No. 1976: Staff of Unnamed Library (That Girl)

THAT GIRL Opening Credits and Teaser
2:28
From Season 3, The Secret Ballot. Ann Marie (Marlo Thomas)prepares to vote in her first election. Look for Penny Marshall as an assistant librarian in a one line cameo role.
Tags: TV Entertainment 70s Opening Credits That Girl (TV Program) Marlo Thomas (Theater Actor) Penny Marshall (Author) TV Comedy
Added: 1 year ago
From: caseyblue224
Views: 2,982

[scene opens with Ann Marie in the public library, as she carries a stack of magazines to the front desk, where the elderly female librarian (white hair, glasses, pink dress) is helping a female patron]
LIBRARIAN: Yes, well, there you are. Hope you enjoy it.
[she hands a book to the patron, who walks away]
ANN MARIE: Excuse me?
LIBRARIAN: Hmm?
ANN MARIE: May I please leave these here while I get a few books?
LIBRARIAN: Oh, certainly.
[she places the magazines on the desk]
ANN MARIE: Oh, uh, could you direct me to your political section?
LIBRARIAN: Oh, aisle five, section "S."
ANN MARIE: Thank you.
LIBRARIAN: Mm hmm.
[she heads towards the stacks, then cut to Ann Marie carrying a pile of large books back to the front desk]
ANN MARIE: I'd like to check these books out, please.
LIBRARIAN: Alright.
[she hands the librarian her library card]
ANN MARIE: There you are.
LIBRARIAN: Thank you.
[she takes the first book on the pile and opens it up]
LIBRARIAN: Oh, the three volumes of the Congressional record. That's a lot of reading.
ANN MARIE: Well, I wanna compare the legislation that's been proposed to what these magazines say is needed.
LIBRARIAN: I see ...
[she places the book's punch card into the machine reader, which makes a loud noise (causing her to jump back)]
LIBRARIAN: Oh! These new machines, they make me so nervous ...
[she smiles, then looks at the stack of magazines]
LIBRARIAN: Oh, you got a lotta magazines, too.
ANN MARIE: I have articles here covering all shades of opinion, from far left to far right to far middle of the road.
LIBRARIAN: Are you writing a thesis?
[she laughs]
ANN MARIE: No, I'm preparing to vote in my first presidential election.
LIBRARIAN: Oh.
ANN MARIE: And I wanna be informed on as many issues as I can think of. I think the good voter is the aware voter, not the voter who votes off the top of his head.
LIBRARIAN: I agree with you.
[she punches the last book's card]
LIBRARIAN: There you are.
ANN MARIE: Thank you.
[she stops and smiles at the librarian]
ANN MARIE: Voting is a great privilege. But more than that, it's a sacred trust of a free society!
LIBRARIAN: Young lady, I admire you.
ANN MARIE: Oh, thank you.
[she puts the magazines on top of the books and starts to pick them up]
LIBRARIAN: Now, can you handle all this?
ANN MARIE: Oh sure, nothing to it!
[she grabs her purse with her teeth, then picks up the large pile and starts to leave]
LIBRARIAN: Be careful!
ANN MARIE: [mumbled] Oh, don't worry, I will!
[she leaves, as the librarian watches her go and smiles]
LIBRARIAN: Now there's someone with her head on her shoulders!
[a young female librarian (short brown hair, blue dress) overhears her]
ASSISTANT LIBRARIAN: Who?
LIBRARIAN: That girl ...
[cut to Ann Marie heading for the stairs, when she trips (sending the books flying around a "Silence, Watch Your Step" sign]

---

From imdb.com:

That Girl: Season 3, Episode 6
Secret Ballot (31 Oct. 1968)

This is Ann's first Presidential election and she is studying the issues like crazy. She balks at telling her father which political party she is registered for.

Cast
Marlo Thomas ... Ann Marie
Ted Bessell ... Donald Hollinger
Lew Parker ... Lew Marie
Rosemary DeCamp ... Helen Marie (as Rosemary De Camp)
Florence Halop ... Librarian (uncredited)
Penny Marshall ... Assistant Librarian (uncredited)

Storyline
It's Halloween. Ann's mind is not on costumes and jack-o-lanterns, but rather the upcoming Presidential election, which will be the first in which she is eligible to vote. She is reading up on as much as she can so that on election day she can make an informed decision, which she believes is the duty of every voter. As Ann and Donald spend the day with her parents, she gets into an argument with her father about her constitutional right to keep her election decisions - even with which party she registered - a secret, and their fundamental differences in how to vote, with Lew historically voting for a party slate regardless of the candidates. Ann, with Donald in tow, storms out of her parent's house because of this argument. Ann may have to make up with her father sooner than later as her forgotten purse in their house makes Ann and Donald need to drive all the way back up to Brewster to retrieve it.

Wednesday, May 13, 2015

Case Study No. 1956: Elizabeth "Libby" Croker

Frank and Libby || She walks in beauty, like the night
0:50
Re-upload :)
descrip. later :) x
Tags: frank and libby lord byron shameless mandy mickey ian carl maxine series7 seven
Added: 5 years ago
From: shybloodloverrr
Views: 2,091

From wikipedia.org:

The following is a list of fictional characters from the British drama Shameless, created by Paul Abbott, which began broadcasting on Channel 4 in 2004. The programme is set on the fictional Chatsworth Estate in suburban Manchester, and the surrounding area and primarily follows the lives of the Gallagher family and the neighbouring Maguire family, and their friends and neighbours in the town's shops and local pub the Jockey.

[...]

Libby Croker (played by Pauline McLynn) is one of Frank's love interests. She is a librarian who lives with her disabled mother, for whom she is sole carer, giving up her own independent existence. Libby is narcoleptic. In the most recent episode, she has moved in with Frank, after being released from prison for inciting a riot. Her mother has also moved in with the Gallaghers, living in their front room, and has been set up as a counterpoint to Frank, both of whom consider the other as "fakers" regarding their illnesses. Libby's moving into the Gallagher home has not been welcomed by Frank's sons. Liam in particular has demonstrated a rather cold attitude toward Libby, perhaps because he fears that the relationship is doomed to failure anyway, and doesn't want to get too friendly with Libby. However, Libby has gradually been accepted by most of the family. In episode 13 of Series 8 Libby was found to be exchanging love letters with a colleague. The colleague was later found out to be a figment of her imagination borne out of a desperate need for affection.

After her and Frank split, Libby left Chatsworth whilst her mother and godson Aiden chose to stay with the Gallaghers.

---

From wikia.com:

Elizabeth "Libby" Croker was the love interest, and fiancee of Frank Gallagher. They came very close to getting married, even though Monica tried to put a stop to the wedding it was the lack of a Minister that ruined Libby's dream.

Libby suffered from Narcolepsy when introduced and fell asleep during sex with Frank and when at the wheel of her mobile library. The Narcolepsy would apparently manifest at times of excitement for Libby but Frank suggested she double or triple her medication dosage to keep the effects away. Patty disagreed with this and told Libby that she would end up dead but Frank countered that due to his ex-wife Sheila being heavily medicated and his son Liam's Epilepsy he was experienced with medication. Libby took Frank's advice and her Narcolepsy was never seen to affect her again.

Frank
She suffers from narcolepsy, and was introduced in Series 7 as a love interest for Frank, when she almost got hit by a car but was saved by Frank who was on duty as a lollipop man. She was introduced along with her controlling, Irish, disabled mother Patricia. Libby is known for her very romantic nature as well as being a fantasist, she worked in a library when she was first introduced and has a passionate love of poetry and classic literature. The strong nature of her fantasies and her idealist nature lead to her ignoring Frank's faults for so long. All these elements of her personality can be seen when soon before her departure in Series 8 she was revealed to be falling for a mystery man who she swapped letters with. The man would quote from her favorite books and poems and speak of Frank's inadequacies but it was soon revealed that he didn't exist, Libby had been writing the letters to herself.

She was so taken with Frank that one of his usual rambling speeches led to her leading a violent protest to save her library which got her arrested and sentenced to prison. In time Frank forgot Libby and the series went on without her, but she later returned in Episode 707 in search of Frank. Unfortunately, when Libby asked around for him everyone assumed she was a social worker and proceeded to tell her that he wasn't around, or they had never heard of him. After her previous failed attempts at finding her love she eventually found her way to the family's home, after Carl told her Frank wasn't there she finally said to tell Frank that maybe there was nothing between them after all.

Frank soon realized that it was Libby that was searching for him and not the DSS when Joe Pritchard showed him footage from the shop secutiy camera. Frank managed to track Libby down and though her Narcolepsy left her sleeping at the wheel of her new mobile library from excitement, the couple soon started their whirlwind romance.

Despite the tumultuous start to their relationship, Libby soon moved into the Gallagher homestead with her mother. Her love for Frank and perhaps her joy at Patty's disapproval of the relationship soon lead to Libby becoming the effective lead of the family. She took on the role of mother to Stella and Liam as well as even having a strange mural of a happy and naked Frank and herself painted above their bed.

Libby had an initially difficult relationship with Liam, Frank's youngest son, who was old enough to remember Frank's past relationships with his mother Monica and Sheila Jackson. It was strongly implied that Liam didn't want to get too close with Libby, as he was certain that she would soon tire of Frank when she realised that he was a waster. But they gradually grew to trust one another until Liam saw Libby as the best parent figure Stella had.

Wedding
In Series 8 Frank disappeared after his stag party, leaving everyone to believe he couldn't go through with the wedding. A heartbroken Libby tried everything to find him but was unsuccessful until Karen Maguire discovered Frank in the local psychiatric hospital. Karen had checked herself in for a day to be sure her Bipolar medication was working properly and was shocked to find Frank had been there the whole time, the staff saying his real life were fantasies. When they refused to release Frank, Libby decided to break in and help him escape while The Jockey was prepared for their wedding but Frank had engineered his own escape. He soon discovered that his nurse, Mildred Fletcher was the lover of Monica and Frank had been committed because Monica wanted to stop his marriage to Libby. The lovers were eventually reunited but with the confusion of Libby breaking into the hospital while Frank was breaking out, they were left without a Minister and unable to get married.

Split and Departure
Frank made his feelings clear when as time passed, the wedding was forgotten by all but Libby, and Patty who enjoyed mentioning it to upset her daughter. As Frank let her down over and over, Libby began to become disillusioned with him and started to see the relationship clearly for the first time. One night in The Jockey Letitia Powell mentioned that she had to write a speech for a debate arguing for abortion, she unfortunately listened to Frank's thoughts on the matter and repeated his obscene and unapologetic ideas to a shocked class room. When Letitia got into trouble for this her mother Avril demanded Frank explain what happened to the school and an already angry Libby told him to fix it "by whatever means necessary". Frank half heartedly tried to reason with the teacher, a large woman who told Frank she would lift Letitia's suspension if Frank gave her oral sex. Frank promptly refused but outside Letitia cornered him and revealed she knew it would happen and that Libby told him to fix the problem by whatever means necessary. Frank completed the task, which seemed to restore a lot of Libby's faith in him however this soon changed when the teacher arrived at the house to complain that Frank gave her Thrush.

This led to the end of Libby's relationship with Frank. She packed her bags and left the Chatsworth Estate, leaving her mother behind. Patty later revealed to Frank that Libby had wanted to give their relationship another chance but Patty stopped her by admitting she wasn't disabled at all and had faked it to stop Libby marrying many years previous. Libby, who spent her entire adult life at her mother's side was spurred to leave by this information. Though Patty acted very apathetic to this situation she later admitted that she had no idea where Libby was and had received no contact from her, something that greatly troubled her.

---

From manchestereveningnews.co.uk:

Shameless star Pauline McLynn quits show after 'difficult year'

Jan 23, 2011 19:31
By Manchester Evening News

Shameless star Pauline McLynn has quit the hit Manchester TV show.

The actress, who plays librarian Libby Croker and love of Frank Gallagher's life, left her role at the end of last year.

Channel 4 bosses had tried to keep the news under wraps until nearer her screen exit from the Chatsworth estate.

But the revelation that she had left emerged after the actress spoke in interviews of her "difficult year" commuting between Manchester and her homes in London and Ireland.

Former Father Ted favourite Pauline, 48, was at the centre of the opening storyline in this month's new series, filmed at the Shameless Wythenshawe HQ.

Viewers were left wondering if her wedding to Frank (David Threlfall) would take place after he ended up in a psychiatric hospital. In the end they remained unmarried.

Fans will see Libby walk away in episode 13 of the eighth series, to be broadcast on March 8, before Shameless takes a mid-season break.

Channel 4 then plan to screen the remaining nine episodes in the autumn, as filming also begins on next year's ninth series.

Irish-born performer and writer Pauline first made her name as Father Ted's tea-loving parish housekeepr Mrs Doyle.

She joined The Jockey regulars at the start of the 2010 series, which saw Libby moving in with Frank and the rest of the Gallagher family.

A spokeswoman for the drama said: "It was a natural point for Pauline to leave the show. She's very proud to have been a part of Shameless over the last couple of years and has other projects coming up that she's excited about."

Wednesday, April 29, 2015

Case Study No. 1925: Stefan Parro

The Librarian, the Clown and the Cop
0:10
"Stefan Parro was released in 2012."
Tags: lockup librarian
Added: 3 months ago
From: ToonLib
Views: 6

From tv.com:

Lockup: Raw
Season 8 Episode 18
The Librarian, the Clown and the Cop
Aug 03, 2014 on MSNBC

Three inmates are profiled, including a librarian with substance-abuse problems. Also: a clown and a police officer.

---

From archive.org:

RASHA DRACHKOVITCH (LOCKUP EXECUTIVE PRODUCER): Most of the prisons we profile on "Lockup" are maximum security prisons. I mean, these are hardcore places with gang members, rapists, murderers. But every once in a while we come across a fish out of water story, kind of the guy next door, the neighbor. Where you ask the question, how did this guy end up here?

VOICEOVER: This is California state prison, Corcoran. A maximum security prison that has housed some of the nation's most infamous criminals, including Charles Manson and the founder of the Mexican mafia. Despite its reputation, violence doesn't come naturally to everyone at Corcoran.

STEFAN PARRO: I don't see myself as being like many of the people that are here. But what I saw the longer I was here was there really is a thin line between them and me.

V: Before he was an inmate, Stefan Parro was a librarian.

SP: I'm here basically because I'm an alcoholic and I've done a lot of drugs, too. Drugs are part of my story.

V: Parro's drug use resulted in a six-year sentence for crimes including burglary.

SP: At that time I had been married not very long. My wife was pregnant, and the fact that I couldn't stop drinking and I couldn't stop using, it was very difficult to deal with the shame and the guilt of all that.

V: Parro and his wife eventually separated, but he landed in prison for breaking into her home and stealing her credit cards to pay for drugs.

SP: I readily admitted to it. That was one of the problems in my defense, is I had no defense. I said, yeah, I did go in and take those credit cards, and the reason I took the credit cards is wisely enough my wife canceled mine.

SUSAN CARREY (LOCKUP FIELD PRODUCER): Stefan Parro was a very relatable guy to most of us who were filming "Lockup." He was a well-educated man and he expressed himself so eloquently and so succinctly. I think he was a cautionary tale because his crimes were committed because of his substance abuse, and I think most of us probably know people who have similar issues. But there was Stefan trying to navigate through an extremely violent world.

SP: I had an idea that I would never end up in prison. that I was somehow exempt. And I'm not saying I was an exemplary citizen by any means. But y'know, I had no idea that it could get this bad. and that's what i --

[ buzzing noise ]

SC: In the middle of interviewing Stefan, the alarm went off. And the protocol at the prison is all inmates have to get down on their stomachs and all staff and other personnel remain standing.

GUARD 1: False alarm.

GUARD 2: You look good down there.

SP: Hey, thanks Mr. Scott.

SC: It was a little sad, actually, watching Stefan on the ground because we were in the midst of having this great conversation almost and he started to think of himself, i think, as a regular guy, back out on the street and suddenly it was very clear, no, he's an inmate and he has to get down on the ground like all the other inmates, get dirty, until he is told he can get back up.

SC: How long did it take you to get used to doing that?

SP: Well, when I was in Jamestown I got a lot of practice. The yard goes down out there a lot. So -- glad that happened for you guys.

SC: And so I had made a little joke with him because I could feel his embarrassment and I wanted to just try to lighten it up a little bit.

SC: Did you arrange for that, Stefan?

SP: Can't say that I did. All right. That was a lot of fun. Okay. Where was I?

V: Parro went on to tell us that in order to survive in Corcoran, he had to understand Corcoran.

SP: You know, at the beginning, when I was facing the 41 months I thought how in the hell am I going to make it. I didn't see myself as being a part of this community. It is a community, no matter how dysfunctional it is. No matter how bizarre and asinine and ridiculous and stupid, because it is very stupid. There's a lot of rules here that are enforced by inmates.

V: Many of those inmate-enforced rules revolve around racial politics.

SP: A lot of the people here have affiliation to gangs. But they ask me who I run with. Well, y'know, I run with teachers and librarians usually. And when I find them, then I'll run with them. But I haven't found too many of them yet.

V: Parro must also deal with racial politics in his prison job as a housing clerk.

SP: I got a message that you had called over here.

SP: Usually I come in in the morning, I see who's paroled, if there have been any roll-ups during the last 24 hours and there's beds open.

SP: I've got 109 up, 242 up. those are open since yesterday.

SP: I kind of look at those and see who we have got waiting, then I place them. It is a bit of a puzzle because we have to house according to their ethnicity, gang affiliation and medical needs.

SC: Stefan had a job that afforded him a certain amount of information about the various inmates on the yard, so he really had to walk a tight rope between doing his job correctly and appeasing the various inmate groups on the yard, particularly the white group.

SP: Naturally, your own people have expectations of you that are greater than somebody else on the yard of different races and affiliations. so if you have information, you do go to your people first. The clerks in the past I know have had a lot of run-ins, been beat up for things that they've done, for things they have not done, for things they have said. My boss, he asks me all the time, at least three or four times a week, kind of jokingly, but not really. He goes, Hey, so I see you didn't get beat up today. And I say to him, I say, You know, that really isn't that funny. But I said the other day, "You know, that upsets me when you say that because it could happen."

SP: Thank you.

V: But Parro has seen his share of violence at Corcoran. When he arrived, he was determined to avoid trouble, but he was told by other inmates that he would eventually be tested and if he didn't fight back his time here would be a lot worse.

SP: So I fought. And that was pretty much the first fight I've ever been in in my life. I couldn't walk very well for about three or four weeks. I had black eyes for about six weeks. I thought it was hell. And it was. You eventually just start living. You start doing all these activities. You wash your clothes. You make the ritual of having coffee just like you did out there, you know. You don't have the option to go to Starbucks. you get Folgers out of the canteen and you make whatever you can make. I think one of the interesting things that I kind of woke up to was that that's what life is. Here or elsewhere. So you better get something out of it. So if I can actually enjoy making coffee here in Corcoran surrounded by a lot of loud people and a lot of other discomforts, then I'm going to come out a lot better for it when I get out there. if I'm going to live through this, and I have a son, so I better live through this, I've got to do something. No matter how difficult it is, you reach down and you find mettle you didn't know you had. And that's what prison is all about really. It's finding strength that you never thought you had.

Monday, April 27, 2015

Case Study No. 1918: Tom Pinch

Martin Chuzzlewit de Charles Dickens Espanol parte 18
12:51
Lista de Reproducion:
https://www.you tube.com/playlist? list=PLisphwxRv2jM6Z81qm AR4X1uCWkGSQ3Ad

La vida y aventuras de Martin Chuzzlewit, que asi es el titulo completo, fue publicada por entregas por la editorial britanica Chapman and Hall entre 1843-44, con poco exito para lo que Dickens acostumbraba. Por ello fue penalizado, ya que le habian adelantado dinero, y ese rifirrafe supuso la ruptura de la colaboracion del autor con esta longeva editorial hasta 1858 en que le volvieron a publicar.


Martin Chuzzlewit esta considerada por los estudiosos como la obra mas victoriana de todas las que Dickens escribio. Se dice que es tambien una respuesta o un intento de emular a Los viajes de Gulliver de Swift.


En Estados Unidos causo un fuerte rechazo y la perdida de lectores solo se recupero cuando Dickens publico su Cancion de Navidad.


Cuando volvio a publicarse en EE.UU en 1968, Dickens anadio unas palabras donde agradecia la "generosidad y magnanimidad norteamericanas" para con esta novela de aventuras.
Tags: Charles Dickens (Author) Martin Chuzzlewit (Book) Sub Espanol
Added: 5 months ago
From: nes70rprime
Views: 634

[scene opens with Tom Pinch speaking to his sister Ruth]
RUTH: What are you writing, dear?
TOM: Well, John Westlock has very kindly offered to look out for an opportunity for me, so I thought I'd prepare a brief description of myself and my qualifications such as he could show his friends ... but blast me if I can get any further than "a respectable young man age thirty five."
[Tom's friend John Westlock enters]
JOHN: You need not trouble yourself with that any further, Tom.
TOM: John! Good heavens, come in, come in!
JOHN: I beg your pardon ... uh, your sister's pardon especially, but I couldn't help but overhear as I was coming up the path.
TOM: Ruth, my dear, this is John Westlock, of whom I've spoken to you so often.
RUTH: How do you do?
[he takes her hand]
JOHN: I'm delighted to make your acquaintance, Miss Pinch.
TOM: John, my dear fellow! Sit down, sit down.
[he takes his hat]
TOM: I was gonna call upon you today.
JOHN: I, uh ... I bring you excellent news.
[he sits down]
JOHN: It seems you have friends in London after all.
TOM: I? What do you mean?
JOHN: As I was having breakfast this morning, a ... a gentleman called on me. A very sober-looking lawyer named Mister Fips. Now, you don't know him, do you?
TOM: Well, I've never heard of him before in my life.
JOHN: No, neither had I ... He began by saying, "I believe you are acquainted with Mister Thomas Pinch?" I said I was.
[Ruth smiles]
JOHN: "I understand Mister Pinch has recently left the employ of a Mister Pecksniff and is living in London," he said.
[Tom gets a concerned look on his face]
JOHN: "Very near London," I said. "Is he by any chance in search of another situation?" he said. "Indeed he is," I said. Then he said, "I think I can accomodate him."
[Ruth claps her hands together and smiles]
RUTH: Tom!
TOM: Good gracious me!
JOHN: He said he had a client who is in want of a kind of secretary and librarian, but ... uh, though the salary was small, being but a hundred pounds a year.
TOM: A ... a hundred pounds a year?
JOHN: Still, the duties were not heavy ... and there the post was, vacant and ready for your acceptance.
[he turns to his sister]
TOM: Dear Ruth, one hundred pounds!
RUTH: It's like a fairy tale!
JOHN: I can tell you, Miss Pinch, I half-suspected him of being a supernatural agent myself.
[she laughs]
JOHN: Until he took out his pocketbook ...
[he reaches into his jacket and pulls out his wallet]
JOHN: And handed me this card.
[he takes out a card and hands it to Tom, who begins reading]
TOM: "Mister Oswald Fips, solicitor. Augustinian Friars."
JOHN: Where he has his offices and awaits your call.
TOM: Let us go there at once! Ruth, my dear, you will excuse us?
RUTH: Of course, I'll go and get your hat.
[she gets up to leave]
TOM: Wait a minute, who is this client of Mister Fips?
JOHN: I have no idea, Tom. Fips wouldn't tell me.
TOM: Oh well, doubtless I shall find out ... John, you will dine with us this evening! Ruth is making a steak pudding!
JOHN: I should like nothing better in the entire world!
[she gets a nervous look on her face]
RUTH: Tom?
TOM: Yes, dear?
RUTH: You wouldn't rather have chops?
TOM: I wouldn't ... What about you, John?
JOHN: Steak pudding is one of my favorite dishes.
[she gives a resigned sigh (but keeps smiling)]
RUTH: Very well, then.
[cut to Tom and John standing in a room filled with bookshelves and furniture covered in sheets, as another man draws the curtain on one of the windows]
TOM: This is my place of work?
OSWALD: It has been rather ... neglected of late, as you can see.
[Tom picks up one the books and smiles]
TOM: What an amazing number of books!
[the lawyer pulls up another curtain]
OSWALD: Before anything else can be done, we must have them put in order, catalogued, and ranged upon the bookshelves, Mister Pinch.
[he blows on one of the books, as a cloud of dust comes off]
OSWALD: That would do to begin with, I think.
TOM: That would be a task full of interest for me, until Mister ...
OSWALD: Until ... Mister?
TOM: I don't believe you mentioned the gentleman's name.
OSWALD: Didn't I?
[he closes the book (as another puff of dust comes out)]
OSWALD: No, I don't think I did ... Well, I daresay he'll be here one of these days to introduce himself.
[he gives a smile]
OSWALD: You'll get on very well together, I'm sure ...
[he drops the smile]
OSWALD: You have a key?
[Tom holds up the key]
OSWALD: Half past nine, you know. Let us say ... from half past nine to four, or thereabouts. A little earlier, or a little later, according to as you feel disposed.
[he smiles again (as Tom just stares at him dumbfounded), then heads for the door]
OSWALD: You won't forget to lock the door behind you when you leave ...
[he tips his hat]
OSWALD: Good day to you!
[he leaves and slams the door behind him]

---

From wikipedia.org:

The Life and Adventures of Martin Chuzzlewit (commonly known as Martin Chuzzlewit) is a novel by Charles Dickens, considered the last of his picaresque novels. It was originally serialised in 1843 and 1844. Dickens thought it to be his best work, but it was one of his least popular novels. Like nearly all of Dickens' novels, Martin Chuzzlewit was released to the public in monthly instalments. Early sales of the monthly parts were disappointing, compared to previous works, so Dickens changed the plot to send the title character to America. This allowed the author to portray the United States (which he had visited in 1842) satirically as a near wilderness with pockets of civilisation filled with deceptive and self-promoting hucksters.

The main theme of the novel, according to a preface by Dickens, is selfishness, portrayed in a satirical fashion using all the members of the Chuzzlewit family. The novel is also notable for two of Dickens' great villains, Seth Pecksniff and Jonas Chuzzlewit. It is dedicated to Angela Georgina Burdett-Coutts, a friend of Dickens.

Plot summary
Martin Chuzzlewit has been raised by his grandfather and namesake. Years before, Martin senior took the precaution of raising an orphaned girl, Mary Graham. She is to be his nursemaid, with the understanding that she will be well cared for only as long as Martin senior lives. She thus has strong motivation to promote his well-being, in contrast to his relatives, who only want to inherit his money. However, his grandson Martin falls in love with Mary and wishes to marry her, ruining Martin senior's plans. When Martin refuses to give up the engagement, his grandfather disinherits him.

Martin becomes an apprentice to Seth Pecksniff, a greedy architect. Instead of teaching his students, he lives off their tuition fees and has them do draughting work that he passes off as his own. He has two spoiled daughters, nicknamed Cherry and Merry, having been christened as Charity and Mercy. Unbeknown to Martin, Pecksniff has actually taken him on to establish closer ties with the wealthy grandfather, thinking that this will gain Pecksniff a prominent place in the will.

Young Martin befriends Tom Pinch, a kind-hearted soul whose late grandmother had given Pecksniff all she had, believing Pecksniff would make an architect and gentleman of him. Pinch is incapable of believing any of the bad things others tell him of Pecksniff, and always defends him vociferously. Pinch works for exploitatively low wages, while believing he is the unworthy recipient of Pecksniff's charity.

When Martin senior hears of his grandson's new life, he demands that Pecksniff kick young Martin out. Then, Martin senior moves in and falls under Pecksniff's control. During this time, Pinch falls in love with Mary, but does not declare it, knowing of her attachment to young Martin.

One of Martin senior's greedy relatives is his brother, Anthony Chuzzlewit, who is in business with his son, Jonas. Despite considerable wealth, they live miserly, cruel lives, with Jonas constantly berating his father, eager for the old man to die so he can inherit. Anthony dies abruptly and under suspicious circumstances, leaving his wealth to Jonas. Jonas then woos Cherry, whilst arguing constantly with Merry. He then abruptly declares to Pecksniff that he wants to marry Merry, and jilts Cherry - not without demanding an additional 1,000 pounds on top of the 4,000 that Pecksniff had promised him as Cherry's dowry, with the argument that Cherry has better chances for matchmaking.

Jonas, meanwhile, becomes entangled with the unscrupulous Montague Tigg and joins in his pyramid scheme-like insurance scam. At the beginning of the book he is a petty thief and hanger-on of a Chuzzlewit relative, Chevy Slyme. Tigg cheats young Martin out of a valuable pocket watch and uses the funds to transform himself into a seemingly fine man called "Tigg Montague". This façade convinces investors that he must be an important businessman from whom they may greatly profit. Jonas eventually ends up murdering Tigg, who has acquired some kind of information on him.

At this time, Tom Pinch finally sees his employer's true character. Pinch goes to London to seek employment, and rescues his governess sister Ruth, whom he discovers has been mistreated by the family employing her. Pinch quickly receives an ideal job from a mysterious employer, with the help of an equally mysterious Mr Fips.

Young Martin, meanwhile, has fallen in with Mark Tapley. Mark is always cheerful, which he decides does not reflect well on him because he is always in happy circumstances and it shows no strength of character to be happy when one has good fortune. He decides he must test his cheerfulness by seeing if he can maintain it in the worst circumstances possible. To this end, he accompanies young Martin to the United States to seek his fortune. The men attempt to start new lives in a swampy, disease-filled settlement named "Eden", but both nearly die of malaria. Mark finally finds himself in a situation in which it can be considered a virtue to remain in good spirits. The grim experience, and Mark's care nursing Martin back to health, change Martin's selfish and proud character, and the men return to England, where Martin returns penitently to his grandfather. But his grandfather is now under Pecksniff's control and rejects him.

At this point, Martin is reunited with Tom Pinch, who now discovers that his mysterious benefactor is old Martin Chuzzlewit. The older Martin had only been pretending to be in thrall to Pecksniff. Together, the group confront Pecksniff with their knowledge of his true character. They also discover that Jonas murdered Tigg to prevent him from revealing that he had planned to murder Anthony.

Senior Martin now reveals that he was angry at his grandson for becoming engaged to Mary because he had planned to arrange that particular match himself, and felt his glory had been thwarted by them deciding on the plan themselves. He realises the folly of that opinion, and Martin and his grandfather are reconciled. Martin and Mary are married, as are Ruth Pinch and John Westlock, another former student of Pecksniff's. Tom Pinch remains in unrequited love with Mary for the rest of his life, never marrying, and always being a warm companion to Mary and Martin and to Ruth and John.

Characters
The first to be introduced is Seth Pecksniff, a widower with two daughters, who is a self-styled teacher of architecture. He believes that he is a highly moral individual who loves his fellow man, but mistreats his students and passes off their designs as his own for profit. He seems to be a cousin of Old Martin Chuzzlewit. Pecksniff's rise and fall follows the novel's plot arc.

Next we meet his two daughters, Charity and Mercy Pecksniff. They are also affectionately known as Cherry and Merry, or as the two Miss Pecksniffs. Charity is portrayed throughout the book as having none of that virtue after which she is named, while Mercy, the younger sister, is at first silly and girlish in a manner that's probably inconsistent with her numerical age. Later events in the story drastically change her personality.

Old Martin Chuzzlewit, the wealthy patriarch of the Chuzzlewit family, lives in constant suspicion of the financial designs of his extended family. At the beginning of the novel he has aligned himself with Mary, an orphan, to have a caretaker who is not eyeing his estate. Later in the story he makes an apparent alliance with Pecksniff, who, he believes, is at least consistent in character. His true character is revealed by the end of the story.

Young Martin Chuzzlewit is the grandson of Old Martin Chuzzlewit. He is the closest relative of Old Martin and has inherited much of the stubbornness and selfishness of the old man. Young Martin is the protagonist of the story. His engagement to Mary is the cause of estrangement between himself and his grandfather. By the end of the story he becomes a reformed character, realising and repenting of the selfishness of his previous actions.

Thomas (Tom) Pinch is a former student of Pecksniff's who has become his personal assistant. He is kind, simple, and honest in everything he does, serving as a foil to Pecksniff. He carries in his heart an undying loyalty and admiration for Pecksniff. Eventually, he discovers Pecksniff's true nature through his treatment of Mary, whom Pinch has come to love. Because Tom Pinch plays such a large role in the story, he is sometimes considered the novel's true protagonist.

---

From ebscohost.com:

The first appearance of a librarian as a significant character in a work of fiction was quite positive. In Charles Dickens' "Martin Chuzzlewit" (1843-4) the librarian Tom Pinch, despite his name, is a kind and compassionate man who plays the church organ without payment (is this one of the many extra duties librarians take on?).

He is eventually rewarded with a position as librarian in a private house at 100 pounds a year. (wages haven't changed much since!)

---

From google.com:

In this populous novel with a complex plot, librarian Tom Pinch displays the unpretentiousness of a babe and the heart of a saint. We meet Tom as a draftsman in the architectural firm of Mr. Pecksniff. He is "an ungainly, awkward-looking man, extremely shortsighted, and prematurely bald." Tom is more than ready to believe the worst of himself, however ill-founded the criticism may be, even when it issues from the loathsome hypocrite, Pecksniff. "Tom Pinch's heart was very tender, and he could not bear to see the most indifferent person in distress." He plays organ in the church without compensation.

Tom eventually sees the true character of Pecksniff; after his vile boss sacks him on a pretense, Tom accepts a position as a private librarian at 100 pounds a year. It is a mysterious assignment, for Tom does not know the identity of the individual who has hired him by proxy. Tom's new job site is in an out-of-the-way house. "On all the floors were piles of books, to the amount, perhaps, of some thousands of volumes." Those not stacked on the floor are "scattered singly or in heaps; not one upon the shelves which lined the walls." It is Tom's task and one that he gladly accepts to organize and catalog this jumble of books. He proceeds, under his own supervision, to put the mess in fine order and produces "a very marvel of a catalogue." We learn late in the novel that Tom's anonymous employer is none other than the elder Martin Chuzzlewit, whose beneficence toward Tom is but one act in his redemption from selfishness.

---

From imdb.com:

Martin Chuzzlewit: Season 1, Episode 5
Episode Five (5 Dec. 1994)
TV Episode - 53 min - Drama

Tom Pinch finds Mercy has suffered at her husband's hands. Montague attempts to blackmail Jonas. Young Martin and Mark Tapley return home from America. Young Martin hopes to gain forgiveness from his grandfather.

Philip Franks ... Tom Pinch
Peter Wingfield ... John Westlock
Cornelia Hayes O'Herlihy ... Ruth Pinch
Cyril Shaps ... Oswald Fips

Friday, April 17, 2015

Case Study No. 1901: Mr. Fonts

(Request) Odd Squad: How to Interrogate a Unicorn (Full Episode, No Commentary)
11:53
Oh good Lordy, this is late. Sorry Matthew Goldblatt!

Grrrr, interruptions. Hate 'em, but I have to deal with them...

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From: ilovewildkratts1
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[Odd Squad agents Olive and Otto enter the office of their commanding officer]
OLIVE: You asked to see us, Miss O?
MISS O: Yes ... A unicorn, a robot, and a mummy walked into a library.
OTTO: I love this joke!
MISS O: It's not a joke! It's a disaster! Characters are escaping from their books at the library!
[she turns towards a television monitor behind her desk]
MISS O: Look!
[she turns it on, and it shows the inside of a public library, where a young male librarian (brown hair, glasses, beige sweater, blue undershirt, blue tie, brown pants) is trying to restore order while patrons run screaming from a lumbering mummy and a unicorn rears up on its hind legs]
MR. FONTS: Please!
[the unicorn starts whinnying loudly, so the librarian tries to shush it]
MR. FONTS: Shh! This is a library!
[a robot enters and shoots a laser beam at one of the bookshelves]
MR. FONTS: This is a library! Please, would you--
[she turns off the television]
MISS O: I need you to figure out how and why this happened, and put a stop to it. If you can't, the library will have to be closed ... forever!
[both agents get shocked looks on their faces and scream "What? No! Say it isn't so!"]
MISS O: Shh!
[she puts a finger to her lips]
MISS O: Library voices ...
[both agents get the same shocked looks on their faces, but this time they whisper "What? No! Say it isn't so ... Better?"]
MISS O: [whispers] Better, now get back to work!
OTTO: [whispers] Yes!
OLIVE: [whispers] Sorry, Miss O!
[they both run out of her office, then cut to black and white security camera footage of the three literary characters, each in a separate room sitting in front of an empty table]
MISS O: [from off camera] Agents have already rounded up the creatures and put them in the interrogation rooms.
[cut to the two agents watching the footage]
OLIVE: There are thousands of books in the library, why did only these three escape?
[Otto points to three library books ("Return to Galaxon 7", "The Second to Last Unicorn", "Keeper of the Mummy") on the table in front of them]
OTTO: Yeah, and why a robot, unicorn, and mummy? They have nothing to do with each other.
OLIVE: [pause] Maybe they do, but we just can't see it yet. We should ask them some questions to get some more info.
OTTO: Yeah, and it could be the same questions.
OLIVE: And we can use a chart to keep track of the answers.
OTTO: So when we get the same answer ... that's what they have in common.
OLIVE: Good thinking, partner.
[she suddenly raises her hand]
OLIVE: I call unicorn!
OTTO: Mummy!
[he shrugs]
OTTO: Obviously ... but what about robot?
OLIVE: Hmm ...
[they suddenly notice the Odd Squad's resident scientist rolling by in a weird metallic contraption]
OLIVE: Oscar!
OSCAR: Oh ... Hey guys!
OLIVE: Can we lock you in a tiny room with a robot?
OSCAR: [pause] I've been waiting my whole life for someone to ask me that question!
OLIVE: Then you're in.

[...]

[after interrogating their suspects, the Odd Squad agents meet back up]
OTTO: So, did you guys get your answers?
OLIVE: Yup, turns out it was way easier than I thought.
OTTO: Time to go to the MathRoom.
[they are transported into a virtual-reality room]
OSCAR: Nailed it!
MATHROOM: Greetings, agents!
OLIVE: MathRoom, please make a chart with the characters along the top, and the questions on the side.
MATHROOM: Generating chart.
[a chart with pictures of the literary characters appears in the air in front of them]
OSCAR: Man, I feel like I know these guys from somewhere.
OLIVE: Remember, if the chart shows that they all said the same answer, that's what they have in common.
[she reads from a piece of paper]
OLIVE: "Question one, where do you live?"
[she looks at her fellow agents]
OLIVE: Unicorn said, "The magical land of Farfarnia."
OSCAR: Robot said, "Galaxon Seven."
OTTO: Mummy said, "Pyramid."
[representations of those locations are "drawn" onto the chart, and then a buzzing sound can be heard]
OSCAR: That's not it.
[Olive reads from her paper again]
OLIVE: "Question two, what's your favorite food?"
[she looks at the other agents again]
OLIVE: Unicorn said, "Carrot."
OSCAR: Robot said ... "Carrot!"
OTTO: Mummy said ... "Caaaaaramel corn."
[representations of those foods are "drawn" onto the chart, and then a buzzing sound can be heard]
OLIVE: "Question three, who wrote the book you came from?"
[she looks hopefully at the other agents]
OLIVE: Unicorn said, "W.W. Williams."
OSCAR: "W.W. Williams!"
OTTO: "W.W. Williams!"
[three drawings of a woman appear on the chart, and then a ringing sound and clapping can be heard]
OTTO: That's what they have in common!
OLIVE: Looks like we need to pay Miss Williams a visit.

[...]

[Olive and Otto are speaking with an older woman sitting at her desk]
OLIVE: So you know how when you read a really good book, it's like the characters come to life?
[she nods]
OLIVE: Well, your books are so good that your characters are really coming to life!
W.W. WILLIAMS: I had no idea that was happening ... Does that mean I can't write my books anymore?
OTTO: Of course you can ... It just means you have to wear this from now on.
[he reaches back and pulls out a helmet covered with wires and blinking lights]
W.W. WILLIAMS: Oh ...
[Olive's cellphone suddenly starts ringing, so she answers it]
OLIVE: Go for Olive.
[cut to the library, as the librarian is speaking into the phone]
MR. FONTS: Olive, it's Mister Fonts ... from the library. I found another character that left his book.
[the camera pans over to show a wizard standing next to the librarian's desk]
SORCERER: Alfonsio, the greatest sorcerer who ever lived!
[he bangs his staff on the ground (punctuated by a clap of thunder), but the librarian simply looks at him and sighs]
MR. FONTS: Oh, the greatest?! You were trapped in the janitor's closet for four days, okay?!
[the wizard looks at him in confusion]
MR. FONTS: Can you not just--
[he sighs again, then goes back to speaking into the phone]
MR. FONTS: Hello?
[cut back to the agents (as the author is now wearing the helmet on her head)]
W.W. WILLIAMS: Um, Odd Squad? I didn't write a book with a sorcerer.
[they both look at her in shock, then Olive speaks into her cellphone]
OLIVE: Uh, Mister Fonts ... Gotta go.
[she hangs up]
OTTO: B-But you had to! Characters are coming out of the books that you wrote, and that's what they have in common.
W.W. WILLIAMS: Sorry, I didn't.
OLIVE: Could you excuse us for a second, ma'am?
[she nods]
OLIVE: Thank you.
[the two agents move to the other side of the room]
OLIVE: So we were wrong ... We don't know what they have in common.
OTTO: Wait! If it's not the writer, then maybe it's the reader.
OLIVE: Keep talking, I'm listening.
OTTO: The reader is the one with the overactive imagination ...
OLIVE: Mm hmm.
OTTO: So characters are coming out of every book he or she reads.
OLIVE: So we have to find the person that read the unicorn book, the robot book, the mummy book, and this new book about the sorcerer ... Let's go!
[she leaves, as Otto turns back to the author]
OTTO: Ma'am? I'm gonna need the helmet back.

[...]

[Olive and Otto are speaking with the librarian]
MR. FONTS: There are so many books and people, I made this chart to organize everything.
[cut to a shot of the librarian's computer monitor, showing a six-by-four chart with pictures of people on the top and pictures of the literary characters on the left-hand side]
MR. FONTS: Now, lots of people read one of the books ...
[he points to the monitor]
MR. FONTS: Some people read two or three books ...
[he points to the last column on the chart]
MR. FONTS: But only one person read all four books.
[he clicks on the picture of the person at the top of the column, which opens a larger drawing of a kid wearing glasses]
OLIVE: Agent Oscar?!
OTTO: He's the one with the overactive imagination?
OLIVE: We need to find him, now!
MR. FONTS: Oh, that's easy!
[he points off camera]
MR. FONTS: He's right over there, reading "The Wonderful Wizard of Oz!"
[cut to Oscar reading the book, then back to the librarian's desk as Olive turns to him with fear in her eyes]
OLIVE: But that book starts with a tornado!
[the librarian laughs and nods]
MR. FONTS: Yes ...
[he suddenly goes from calm to panicked in an instant]
MR. FONTS: Oh no!
[both agents turn to Oscar and scream "Oscar, put the book down!"]
OSCAR: Oh, hey guys!
[he looks at them calmly as the two agents run towards him, but a tornado suddenly materializes from out of the book]
MR. FONTS: Oh no, there goes the non-fiction section!
[the tornado grow larger, as the agents are knocked to the ground]
OTTO: How do we stop it?!
OLIVE: I don't know!
[everyone screams (and the librarian tries to hide under his desk), when the wizard appears]
SORCERER: Do not fret, I've got this!
[he points his staff at the tornado, and shoots out a pink beam of energy]
SORCERER: Excelsior!
[the tornado disappears]
MR. FONTS: Wow!
OTTO: I'm so reading that guy's book ...
OLIVE: Me too!
[the wizard gives them a thumbs up]

---

From imdb.com:

Odd Squad: Season 1, Episode 11
How to Interrogate a Unicorn/The Briefcase (9 Dec. 2014)
TV Episode Comedy | Family

When characters escape their books in the library, Olive and Otto must figure out how and why it's happening and put a stop to it. When Ms. O's important briefcase is stolen by a shape shifter, Olive and Otto must get it back.

Cast

Dalila Bela ... Agent Olive
Filip Geljo ... Agent Otto
Millie Davis ... Ms. O
Sean Michael Kyer ... Agent Oscar
W.W. Williams ... Jane Moffat
Mr. Fonts ... Anand Rajaram
Sorcerer ... Allen Stewart-Coates