Tuesday, October 29, 2013

Case Study No. 1081: Staff of Unnamed Library (SCTV Network)

SCTV, 11/26/82 - BOBBY BITTMAN FOR THE PUBLIC LIBRARY
1:45
SCTV, 11/26/82 - Bobby Bittman's PSA for The Public Library Association, promoting the importance of getting kids to read. Eugene Levy.
Tags: SCTV PSA Bobby Bittman Public Library Association books librarian reading kids education knowledge ignorant ignorance showbiz Moby Dick cigarette ashes Eugene Levy
Added: 3 years ago
From: chalomirof63
Views: 7,277

[scene opens in the children's section of a public library, as Bobby Bittman turns and speaks directly to the camera (while a young female librarian shows a book to a little girl in the background)]
BOBBY: [yelling] How are ya?!
[he laughs maniacally as another little girl, who was browsing a nearby shelf, looks up at him in horror and runs away (he doesn't seem to notice and continues yelling into the camera)]
BOBBY: I'm Bobby Bittman ...
[he takes a book off the shelf]
BOBBY: And this is "Moby Dick," one of the classics. Y'know, it's a marvelous story about a big white whale, and all the adventures that happen to it out there in the ocean ... I never read this as a kid. I always thought fish was something you had with chips!
[he laughs again, then gets a serious look on his face]
BOBBY: Y'know, as a comic, in all seriousness ... next to television, I think reading is the window to the world for a small child!
[he walks up to the little girl who was talking to the librarian and begins patting her on the head]
BOBBY: Isn't that right, sweetheart?
[the girl looks at him blankly, then cut to Bobby sitting at a table with a group of children, as he looks up from his book]
BOBBY: What page are you on?
[none of the children respond, so he turns to the camera]
BOBBY: As parents, I'm sure most of ya make sure your kids eat right ... but do ya take enough time to make sure they read right? The Public Liberry Association asked me to write this spot because I've made no bones about the fact that as a kid, I was pretty ignorant. Fortunately for me, I ended up in show business.
[he gives a smirk, then points to the camera]
BOBBY: But your kids may not be so lucky! Their enlightenment may have to come from books, and that's where your neighborhood public liberry comes in!
[cut to Bobby walking up to an older female librarian standing at the front desk, and loudly dropping a pile of books on the counter (much to the librarian's chagrin) as he ignores her and speaks directly to the camera]
BOBBY: It's an entire world your kid can take home, and how much does it cost? Absolutely zip! That's the beauty of it ...
[he turns to the librarian (waving the cigarette in his hand around as he speaks)]
BOBBY: Everything in order?
LIBRARIAN: Would you please put out that cigarette?
[she takes the books, as Bobby (momentarily thrown off his game) manages a smile before turning and speaking directly to the camera]
BOBBY: So take it from me, Bobby Bittman, if you want your kids growing up with something on the ball, get 'em reading!
[he winks, as "Get them reading, get them to a library" appears on screen]
BOBBY: Get 'em to a liberry!
[he gives a big smile, as the librarian shakes her head]
NARRATOR: The preceding was a public service message from the Public Library Association.
[he quickly drops the smile, and whispers to someone off camera]
BOBBY: I'm not doin' ... naw, that's it.

---

From imdb.com:

"SCTV Network"
Season 2, Episode 6
Jane Eyrehead with Robin Williams and America (26 November 1982)

Robin Williams guest-stars as a flamboyantly gay Slip Mahoney in "The Bowery Boys in the Band.," which also manages to wedge in a brief spoof of The Deer Hunter." Elsewhere on the schedule, BBC Classics' "Jane Eyerhead" finds the airheaded Jane (Andrea Martin) accepting a job from Mr. Rochester (Joe Flaherty) -- who sounds more like Jack Benny's Rochester! Also: Curly Howard (John Candy) sings the Great Movie Love Themes; disco star Danny Terrio (Martin Short) blows up real good for Billy Sol (Candy) and Jim Bob (Flaherty); Count Floyd (Flaherty) introduces "Smell-O-Rama" for his latest Monster Horror Chiller Theater attraction "Dr. Tongue's 3-D House of Slavechicks"; and in a running gag featuring musical guest stars America (performing "Right Before Your Eyes"), SCTV security guard Gus Gustofferson (Eugene Levy) falls in love with station manager Edith Prickley (Martin).

---

From sctvguide.ca:

Episode 109
Series 5 Cycle 4

4 Jane Eyrehead with Robin Williams and America
Airdate: 26 November 1982

Emmy nominated: outstanding writing in a variety or music program

Features a minor wraparound plot about Gus Gustofferson's crush on Edith Prickley. Notable sketches include The Bowery Boys in the Band, Jane Eyrehead and the timeless 3D House of Slavechicks. John Candy debuts a new character, playboy and serious actor Steve Roman, who would appear in most of the remaining shows of the season. (Dave Thomas has an additional material writing credit on this show.)

Additional Viewing: The Bowery Boys were originally an ensemble featured in a series of movies in the 40's and 50's, featuring Leo Gorcey and Huntz Hall. Bowery Boys In the Band is also a parody of the 1970 William Friedkin movie The Boys in the Band and the 1978 Michael Cimino film The Deer Hunter. Jayne Eyrehead, a fine parody of just about any BBC classic ever aired on Masterpiece Theatre, also somehow wanders onto the set of The Jack Benny Show.

Syndication Note: The Gus Gustofferson wrap was cut from syndication.

DVD Note: Curly no longer sings the theme from The Graduate.

Opening
1 Promo: Angel Cortez F.B.I. Jockey 113

The drama of criminal investigation combined with the excitement of the sport of kings. Steve plays a Mexican jockey, Angel, who investigates crimes at racetracks all across the country. He's mastered the Mexican accent.

Steve Roman as Angel Cortez - Candy; jockeys, thugs - extras; announcer - staff announcer

2 PSA: Public Library Association with Bobby Bittman 135

Bobby urges us to get our kids out to the library.

Bobby Bittman - Levy; Kids - extras; librarian - extra; announcer - staff announcer
BUMPER Promo: Farm Film Celebrity Blowup announcer - staff announcer

---

From sctv.org:

Bobby Bittman
Played by: Eugene Levy

Everyone's favorite, ultra-sincere comic and Sammy Maudlin Show mainstay, Bobby could always be relied upon to set "all kidding aside" in order to sum up the situation at hand with poignant insight. His heavy acting with Lola Heatherton in On the Waterfront Again is not to be missed.

Monday, October 28, 2013

Case Study No. 1080: Peter Durant

Blair Witch Volume 1: Rustin Parr Playthrough 3/10 (Diner, Robin Weaver & Shit Hits The Fan)
9:57
Doc Holliday meets some locals who tell her a bit about Rustin Parr and Burkittsville's history. She also makes some plans for the next day but firts she's gonna have to survive the night...

Some minor glitches again but luckily nothing major. The plot thickens, the atmosphere gets heavier and just when you think it's over Doc's good night sleep turns into a massacre.
Tags: horror movie adaptation mythos blair witch lovecraft nocturne bloodrayne doc holliday stranger rustin parr volume one
Added: 1 year ago
From: HorrorGamingArchive
Views: 2,272

[the player enters Gretchen's Diner, where several local citizens are enjoying the food]
HALE: Mmm, this must be where pies go when they die!
[the player sits down at the counter next to an old man (balding, glasses, dark vest over blue shirt) and speaks with the young waitress]
GRETCHEN: Hi, honey, my name's Gretchen. What can I get for you today?
DOC: I'll just have the blue-plate special, thank you.
LIBRARIAN: I'm Peter Durant. Gretchen here owns this place, and she's the best darn cook in the county.
GRETCHEN: Oh Peter, stop!
[she turns back to the player]
GRETCHEN: You're new in town, aren't you?
DOC: No, I'm just visiting. My name's Elspeth Holliday. It's nice to meet you.
LIBRARIAN: Uh, what brings you to Burkittsville? You're not another reporter, I hope ...
DOC: Oh, no ... Um, m-my sister's daughter disappeared a few months ago in Martinsburg.
GRETCHEN: Oh no, honey, that's just awful!
LIBRARIAN: Terrible ... You don't think Rustin Parr had anything to do with it, do you?
DOC: I certainly hope not, but it is possible. I'm in town to talk to the sheriff who investigated the case.
GRETCHEN: Sheriff's name is Damon Bowers. Town hall is down the street, on the other side of the church.
DOC: Thank you.
[she turns back to the librarian]
DOC: Uh, Mister Durant. If you don't mind my asking, what is your occupation?
LIBRARIAN: Not rude at all. I'm a librarian, and head of the Burkittsville Historical Society.
DOC: An historian? Ah, any areas of expertise?
LIBRARIAN: Well, just the history of Burkittsville. I guess you could call me an authority. I've been studying it all my life.
DOC: Oh, interesting.
LIBRARIAN: Oh, it really is! We have quite a colorful history here. These ... recent events have brought to light one of our oldest legends, stories about the Blair Witch.
DOC: I've heard a few of the stories, but I don't really believe in that sort of thing.
LIBRARIAN: I do! I witnessed it myself ... When I was a kid, a girl I knew named Robin Weaver disappeared in the woods.
DOC: What happened to her?
LIBRARIAN: She eventually made her way back to town.
DOC: And?
LIBRARIAN: Oh, it wasn't what happened to her that scared me. Heck, it still scares me now ...
[the sound of thunder and a flash of lightning interrupt the scene, as the librarian turns and looks out the window]
LIBRARIAN: This might sound silly, but uh ... I'd rather not tell the story at night.
[cut to another shot of the two talking (as a pale-skinned girl is suddenly visible in a booth directly behind them)]
LIBRARIAN: If you are interested in our history, come by the library tomorrow. We have plenty of written documentation.
[cut to a closeup of Elspeth]
LIBRARIAN: And if you pry, I may tell you my account of the Robin Weaver story.
[cut to another shot of the two talking (as the girl is now gone)]
DOC: I might take you up on that offer ... Now, you said this girl Robin Weaver, came out alright? What happened while she was gone?
GRETCHEN: You should ask her! She still lives here. Careful, though, she's a little ... peculiar.
LIBRARIAN: Gretchen!
GRETCHEN: It's true, Peter!
LIBRARIAN: That may be, but ... Miss Holliday, Robin Weaver's always been a bit eccentric, even when she was a child. She keeps to herself most of the time now, and would probably prefer being left alone.
GRETCHEN: Y'know, you should stop by the newspaper office. The editor's name is Horace Gersten, he's been there a long time. He could tell you a lot of stories ... Mmm, it's pretty late now, but with the madness of the trial and all, he's been keeping some late hours. I bet he's still there.
DOC: Yes, I met him. We didn't discuss much, though, he seemed awfully busy.
GRETCHEN: Well, you might keep Horace in mind. Just in case you don't find everything you're looking for in Peter's library.
[cut to another shot of Gretchen]
GRETCHEN: As for Parr specifically, try talking to people who knew the victims. Anyone that knows Kyle Brody might help. Kyle's the boy that escaped from Rustin Parr.
[cut to a closeup of Gretchen's face]
GRETCHEN: Word is, he was forced to face the corner and listen as Parr did horrible things to those children. Can you imagine? He hasn't spoken a single word since he got back ... But his teacher at the school is close to all the children of Burkittsville. Maybe she can help you.
[cut to another shot of the two talking]
GRETCHEN: Oh, honey, I've been talkin' your ear off! Your dinner's gettin' cold ... You go on and eat now.
[cut to Elspeth alone, standing outside of the diner]
DOC: [to herself] I've just met the town's librarian, Peter Durant, who promises to have a lot of information about local legends and mythology. So, I'll visit the library tomorrow.
[she walks out into the dirt road]
DOC: [to herself] Burkittsville residents are not strangers to the Blair Witch legends. Interesting that no one seems to have had any first-hand experience with a witch, but nearly everyone claims to know someone who has ... or knows someone who knows someone.

[...]

[the next day, the player enters the "Burkittsville Historical Society & Public Library"]
LIBRARIAN: Ah, nice to see you again, Miss Holliday. Still interested in learning about our local legends?
DOC: Absolutely.
[he takes a book and places it on the counter]
LIBRARIAN: This book will reveal many things to you. As a single source, it doesn't constitute proof, but I have other volumes that verify its claims.
[she picks up the book]
DOC: Well, books can only explain so much, but thank you. I'm sure I'll find it fascinating.
[she takes the book to a table near the back of the small library and sits down]
DOC: [reading] "Colonel Nathaniel Blair founded Blair Township in 1634. For over one hundred years, the village grew quietly and happily. In 1785, several children accused Elly Kedward of luring them to her home in order to take their blood. When they showed the wounds to their parents, the village rose in outrage and trekked through the woods to Kedward's secluded shack. Filled with witchcraft paraphernalia, Kedward's house served as adequate proof that the woman was a witch. Immediately found guilty of witchcraft, Kedward was banished from the village in the middle of the winter and presumed dead. The following year, the daughter of the town magistrate disappeared. Over the course of the next few months, every child who had accused Elly Kedward of witchcraft vanished. Fearing a curse or the active vengeance of the witch herself, the people fled Blair, leaving the village deserted for fifty years. When the rumors and legends of the 'Blair Witch' had faded, Peter Branwall Burkitt founded a new settlement called Burkittsville atop the foundation of Blair in 1824. Apart from the drowning death of a ten-year-old girl the following year, Burkittsville seemed unaffected by any lingering curses from the so-called Blair Witch. Sixty years later, in 1886, a young girl named Robin Weaver was reported missing. The immediate fear was that the schnellegeist, or snallygaster, had gotten her. Rumors of the mythical beast had been prelevant in the days leading up to her disappearance. Search parties were dispatched, but the girl returned on her own shortly thereafter. One of the search parties did not return. Weeks later, a group of hunters found the missing search party atop Coffin Rock, bound hand-to-foot in a ritualistic formation, their insides pulled from them into the center of that horrible circle. Strange marks had been made into their flesh. The hunters went into town to find help, but when they returned to Coffin Rock, the corpses were gone without a trace."
[cut to Elspeth closing the book]
DOC: [to herself] Finally, I've found someone in this little town that doesn't get on my nerves.
[she starts writing in her notebook]
DOC: [to herself] The town librarian, Peter Durant, is well educated and quite helpful. He also seems to be the sole link to the real history of Burkittsville.
[cut to another shot of Elspeth writing in her notebook]
DOC: [to herself] I tried to instill some doubt in him, but he's rock-solid in his beliefs. He gave me a book entitled "Frederick County Tales of the Supernatural" ... Eh, mostly superstitions and local folklore.
[cut to another shot of Elspeth writing in her notebook]
DOC: [to herself] The few entries that mention the Blair Witch don't offer anything beyond what Spookhouse has already gathered.
[she puts her notebook away, then takes the book back to the librarian behind the counter]
DOC: Is this everything that's been written concerning the Blair Witch?
LIBRARIAN: Believe any of it now?
DOC: Ah ha ... Interesting, but hardly conclusive.
[the player clicks on the librarian]
DOC: I was wondering if you might have a map of the forest.
LIBRARIAN: You should see about getting a map from the sheriff's office. They made one when they went out there to investigate Parr's house.

---

From citizendia.org:

Blair Witch Volume 1: Rustin Parr
Developer(s): Terminal Reality
Publisher(s): Gathering of Developers
Distributor(s): Take 2
Engine: Nocturne Engine
Platform(s): Windows PC
Release date: 3 October 2000 (US release)
Genre(s): Action adventure
Mode(s): Single player
Rating(s): ESRB Mature
USK: 16
Media: CD-ROM
System requirements: Pentium II, Windows 95 or newer, 64 MB RAM, OpenGL capable video card recommended
Input methods: Keyboard, Mouse, joypad

"Blair Witch Volume 1: Rustin Parr" is the first in a trilogy of computer games based on the film, which greatly expanded on the myths first suggested in the film. Released by Gathering of Developers in 2000 (but developed by different teams), each game focused on different aspects of the Blair Witch mythology: Rustin Parr, Coffin Rock and Elly Kedward, respectively.

While Volume 1 is intended to take place within the fictional universe of the Blair Witch Project, the game is technically also a sequel to Nocturne, the game for which the trilogy's engine was originally developed. Elspeth "Doc" Holliday was a minor character in Nocturne, and several other characters from that game also appear.

The story takes place in the year 1941. Elspeth "Doc" Holliday, a calm, collected research scientist, is dispatched to the town of Burkittsville by the Spookhouse, an fictional classified government agency charged with investigating paranormal occurrences.

It is reported that during the early 1940s a hermit named Rustin Parr abducted seven children from Burkittsville and, apparently without motive, murdered all but one in his basement. He forced the surviving child, Kyle Brody, to stand in a corner and listen to the screams of the children being tortured and killed. Afterwards Rustin Parr left his house in the forest, walked into town, and said to a local shopkeeper, "I'm finally finished. "

The player must guide Holliday through her investigations, to see if there is any truth to Parr's claims that he was under the influence of otherworldly forces when he committed the murders. The investigation includes conversing with inhabitants of the town and analysing clues. Action sequences occur intermittently in the woods where the legendary Blair Witch is rumored to live, as well as in nightmare sequences in which the inhabitants of the town seem to become Daemites (demonic zombies).

The story of Rustin Parr, minus the involvement of Holliday, was described briefly in the first movie, and more fully in the pseudo-documentary Curse of the Blair Witch, which accompanied the movie DVD.

Trivia
* With the exception of the opening section in the Spookhouse HQ, the game takes place over four "days".
* Some characters from Nocturne appear at the start of the game: Master Khen Rigzin, Coronel Hapscomb, General Biggs, an unnamed secretary, Svetlana Lupescu, and The Stranger. The Stranger reappears later in the game, on the fourth day, as the player's partner.
* Some enemies from Nocturne (the bat creatures, a werewolf) appear in the beginning of the game, in the training session.
* The Daemites later appear in the BloodRayne game.
* The main antagonist of the series is not exactly the Blair Witch, but a demon called Hecaitomix. It's explained through the game and the series that this demon controlled and possessed others, like Elly Kedward, and (through Kyle Brody) influenced Rustin Parr.
* The final scene of the first movie takes place inside Parr's house on the third "day", but from a different viewpoint. This scene also shows what may have happened to Heather and Mike, involving the game mechanic of magical time-travel.
* The shaman Asgaya Gigagei also appears as a much younger character in the third game, The Elly Kedward Tale.
* The character of Peter Durant appears in this game as an old librarian. In the second game (The Legend of Coffin Rock), he is younger and tells Lazarus some of the Blair Witch legend.

---

From hardcoregaming101.net:

In 2000, GoD had won the rights to video game adaptions of the then attractive Blair Witch franchise. In place of a nervous shaky cam, however, the static views of the Nocturne engine were chosen to draw a much less hysteric picture of events taking place in the history of the town of Burkitsville, or Blair, depending on the time period. Terminal Reality delivered not only the technical groundwork shared by all three episodes, which were to be released within weeks after each other, but also took care of creating the first story.

Since the developer then already had made a first experience in the world of interactive horror, a genius idea stood at the beginning of development: What if the Spookhouse was send to investigate the case of the mass murderer of children, Rustin Parr, whose claims that the Blair Witch had forced him to his evil deeds shocked the little secluded town even more so combined with the gruesome rituals he performed on the victims?

The Stranger isn't exactly enthusiastic about being sent on a hunt for myths and ghosts and prefers to stay at the Spookhouse headquarters as possible reinforcement, so Elspeth Holliday travels alone to Burkitsville. Using a fabrication about her niece being abducted from a nearby village as a cover story, she starts to question the inhabitants of the slightly backwards settlement with only 2 phone lines, but not all of them are cooperative. Wherever she goes, Holliday meets with a distinctly rural, uncomfortable atmosphere, especially the sheriff appears very suspicious of Elspeth and wants her out of his town all too eagerly. Many of the other citizens are only slightly more friendly. Yet she also finds allies in the inexperienced but eager deputy and especially the old librarian Peter Durant, who supplies her with much historical information about the town, its surroundings and the many myths associated with the location.

---

From gameboomers.com:

Burkittsville Day 3

You wake up in your Motel Room, and notice that you need more weapons/ammo before going back into the Forest. As you approach your Motel door, the Deputy knocks and you let him in. He hands over the Police Report on the child killings. He also gives you a Stick Figure from Parr's cell. Go through the Police Report before leaving your Motel room. Go speak to the InnKeeper if you haven't already done so about sending a telegram to Spookhouse.

In HARD PUZZLE MODE, The Deputy will visit you in your Motel Room, and give you the Police Report, but not the stick figure from Parr's Cell. Parr said Nev-ur-givn in his cell. You know two of the symbols from the sheet of paper, but not the order. You get "Nev" from the field notes, from Kyle's Coffin Rock Sketch. Solve the chemical analysis of the metals in your Motel Room. Use the eye dropper and use Test Tubes: 6, 1, and 4 on the metals. Then visit the General Store for Paint Stripper. Saturate the Twana with Paint Stripper.

Visit the Church and speak with Pastor Ascot (Schoolmarm's husband). Enter the Schoolyard and speak with the Little Girl, Mary Brown, sitting on the ground by the swings. She appears to be talking with someone, but who? After talking with her, you realize that she is missing some sort of pet.....Mister Brownie. You make a note to return it to her if you find it.

Leave the Schoolyard and head for the Burkittsville Historical Society Library and speak with Mr. Peter Durant, the Historian. He provides you with a book with information you jot down in your personal notebook. Return the book to Mr. Durant. After returning the book to him, use your "action" key on him and he will provide you with a book on Native American Folklore. After jotting down more notes in your notebook, return the book to him once again. Use the "action" key once again, and he will give you a little information on Robin Weaver. There's a note in your "To Do" list to find and interview Robin Weaver. That comes later.

Leave the Library and head back to your Motel.

---

From gameindustry.com:

When the Blair Witch movie went from a film student's basement cutting room to Hollywood blockbuster, it was inevitable that many people would be looking to cash in on the project. A video game tie-in was inevitable.

Now, as we approach Halloween this week, the lab dims the lights and sets out to review the first of three games based on the Blair Witch legend. The release of this game coincides not only with the spookiest holiday on the books, but also the release of the movie Blair Witch 2: Book of Shadows. The three planned games are being released separately, and all use the Nocturne game engine (and characters) from Terminal Reality. So expect a top-down third person interface with plenty of eye candy. The first game is The Blair Witch Volume 1: Rustin Parr.

I'm not sure what I was expecting, but its pretty safe to say it was not the Nocturne engine. I've got no problem with the engine, in fact the original game won great accolades from the GiN staff last year, including Adventure RPG of the year and a stellar 4.5 GiN Gem rating. It's just that when I think of Nocturne, I imagine The Stranger with his twin .45s blasting away at every imaginable night-borne monster. This is not exactly consistent with the movie, or the Blair Witch legend itself - which incidentally was completely made up by the film crew. Boiled down to its component elements, Rustin Parr is basically an additional scenario - though one that stands alone without the original game - for Nocturne.

But where as Nocturne had four blood-soaked missions, Rustin Parr only has one. It is being released as value software for about $20, and subsequent releases will come the same way.

The game is pretty solid, but it totally tries to hold your hand the entire time. It's obvious that this game is being angled at non-traditional gamers. The fact that there are huge amounts of people who saw the movie and might be tempted to get the game must be the logic used in the design. Unfortunately, this approach within the game is going to anger a lot of traditional gamers, especially ones who went all the way thorough Nocturne like I did. Thank you very much, but I don't need a tutorial on what the medkit does for me, or how I should use my pistol.

You play Doc Holiday, the woman who invented all the cool weapons The Stranger used in Nocturne. She is like Agent Q to his James Bond. It's 1941, and both Holiday and Stranger are still working for Spookhouse, the secret government agency charged with investigating and destroying paranormal threats in the United States. After a ridiculous training exercise, Holiday and Stranger are assigned to head to Burkittsville, Maryland where a strange hermit named Rustin Parr has just been convicted of torturing and killing seven children.

Your Spookhouse bosses suspect some type of occult activity, and you are supposed to investigate. Stranger gets angry at this point and refuses to go on the mission. He apparently went to Burkittsville once before and found no evidence of the supernatural. Since there is nothing to shoot at, he decides to stay at home. Holiday insists that her new equipment can detect unseen ghosts, so she heads up to the town by herself. This is where the player really takes over.

It is interesting to see Holiday take the spotlight, since I thought she did not get enough play in Nocturne. She is a poised British lady who has total faith in her creations. She is a bit less neurotic than The Stranger, but nonetheless has some interesting quirks.

The town of Burkittsville seems pretty realistic for an old one-horse town. I personally grew up in a town about seven miles from there and got a real kick out of seeing things like the Frederick Country School Building and a Maryland State Police car around town. This is actually where the adventure is best.

You are given mostly total freedom to explore the town, talking to different folks about the local happenings. You learn different snippets about the Blair Witch, though nobody seems willing to talk too much. There is an excellent cutscene in the town eatery where the local librarian starts to talk about the witch, only to have a storm start to brew outside in the night. In the middle of a lightning strike, you see for a brief second a woman, apparently the Blair Witch, sitting at a table watching you. Holiday does not notice and the game does not play it up much, so it's just plain creepy.

Unfortunately, it goes downhill from there, at least for gamers used to figuring out things themselves. Holiday keeps a "to do" list that basically tells the player everything to do in order to advance the game. Notes like "Talk to the sheriff" and "Research the Blair Witch in the library" get checked off as you do them. Follow your list and you can't lose.

The game even goes so far as to figure out puzzles for you. For example, the town sheriff is very nasty to outsiders and kicks you out of his office, even though his deputy wants to give you information. Later, you are at the town restaurant and the sheriff comes in to order lunch. I immediately knew this would leave the deputy alone and ran out to go talk to him. As soon as I got outside, a cutscene triggered where Holiday in a monologue says something like, "With the sheriff gone, I better hurry over and talk to the deputy." Well, no duh. Come on, I can think for myself here. Courting a non-gamer is one thing; assuming your audience is as brain dead as a Type IV zombie is something else.

Combat in the game does actually occur, though sometimes in annoying dream sequences. As with Nocturne, it is fast and violent, though you are mostly shooting dogs and stick people in the woods. It is pretty scary though and you learn things like how the kids from the original movie could have gotten lost. (The woods will change paths around to confuse people as it starts to get dark.) It's really the only way anyone could get lost around Burkittsville today. Walk more than a mile in any direction and you will come to a 7-11, or some other sign of civilization.

Anyway, it was pretty remote back in 1941 there, and the feeling of oblique danger pervades the woods as you explore. It's almost a relief to actually see something to shoot, because it breaks the tension somewhat. You can change the level of combat in case you find the monsters too difficult to takedown. This is for the nontraditional gamers I'm sure, but actually helps because a few creatures are nearly impossible to kill. I even found myself using the cheat codes at one point.

Oh, and The Stranger does eventually come and help with the shooting.

Taken as a whole, the game is good. It has a spooky feel to it that only a few games have been able to capture. In this manner, it is actually better than Nocturne, which seemed to be really too heavy with combat to advance the plot too much. It's a perfect (and inexpensive) gift for someone who likes horror movies but has not really gotten into computer games. Hardcore gamers will probably best avoid the title, as it might taint their fond memories of bloodletting in Nocturne. The game earns an above average 3.5 GiN Gem rating, with the caveat that for a nontraditional audience, the score would be much higher.

Case Study No. 1079: Unnamed Female Librarian (Taylor Bright)

Taylor Bright - Psycho Music Video Premiere
3:28
Psycho - Taylor Bright's New Original Song!

http://www.taylor bright.com
http:/www.twit ter.com/thetaylorbright
http://www.face book.com/taylorbrightpage
Tags: Psycho Main Edit v14 264 720p
Added: 2 years ago
From: TaylorBrightOfficial
Views: 56,904

[scene opens on a college campus, as a female student is carrying a stack of books when a male student bumps into her (causing her to drop the books to the ground)]
MALE STUDENT: Sorry.
[he helps her pick up the books, as she smiles at him and continues walking ... he turns to watch her leave, as his smile slowly fades into a scowl]
TAYLOR BRIGHT: [in voice over] Psycho, psycho ...
[cut to the female student by herself, singing]
TAYLOR BRIGHT: Don't call, don't text, leave me out of your mess ...
[cut to the student walking through the stacks of the college's library, as a female librarian (blonde hair, grey sweater) holding a book walks by, then back to the student singing]
TAYLOR BRIGHT: Lose my number real quick, I never signed up for this.
[cut back to the student searching through the library's stacks, then back to her singing]
TAYLOR BRIGHT: The situation's getting out of control, starting to regret that I didn't stay home ...
[cut back to the student in the library]
TAYLOR BRIGHT: [in voice over] Hello, goodbye. One lousy night ...
[cut back to the student singing]
TAYLOR BRIGHT: Is not a free pass to come into my life ...
[cut back to the student in the library, as she stops and smiles (apparently finding what she had been searching for), then back to her singing]
TAYLOR BRIGHT: Don't even know each other ...
[cut to a closeup of the shelf, as she pulls out a volume from "West's Pennsylvania Digest" ... and we see the male student standing on the other side through the open slot, staring at her coldly]
TAYLOR BRIGHT: [in voice over] Take a hint ...
[cut back to the student in the library, as she opens the book and looks through it (unaware of the male student watching her), then back to her singing]
TAYLOR BRIGHT: If I don't call you back, it means I never will ...
[cut back to the student in the library, as she looks up and (finally seeing the male student) drops the book and backs up in fright, then back to her singing]
TAYLOR BRIGHT: Psycho! Got it twisted, acting like you're my Romeo ...
[cut back to the student in the library, as she runs over to the other side of the bookshelf ... only to find that the male student is gone]
TAYLOR BRIGHT: [in voice over] "Stop calling" doesn't mean blow up my cell phone ...
[cut back to the student singing]
TAYLOR BRIGHT: Started innocent, now I'm in the twilight zone. Out of all the pretty boys, I ended up with ... psycho.
[cut to a shot of the male student, then back to the female student singing]
TAYLOR BRIGHT: Psycho, psycho ...
[cut back to the student in the library, as she looks around the empty stacks for the male student, then back to her singing]
TAYLOR BRIGHT: Psycho, you're such a psycho! Started innocent, now I'm in the twilight zone. Out of all the pretty boys, I ended up with ...
[cut to the student sitting in a classroom, listening to the young male professor's lecture]
TAYLOR BRIGHT: [in voice over] Its just my luck, had about enough ...
[cut back to the student singing]
TAYLOR BRIGHT: Stupid cupid! Get its right, what's up?
[cut back to the student in class, as she checks her cellphone and finds a message from "Psycho" reading "Look out the window :)"]
TAYLOR BRIGHT: [in voice over] I can't take another creepy pick up line ...
[she looks out the window, and see the male student staring coldly at her]
TAYLOR BRIGHT: [in voice over] Now all I want to do is run and hide ...
[cut back to the student singing]
TAYLOR BRIGHT: Psycho! Got it twisted, acting like you're my Romeo ... "Stop calling" doesn't mean blow up my cell phone! Started innocent, now I'm in the twilight zone. Out of all the pretty boys, I ended up with--
[cut to a shot of the male student, then back to the female student singing]
TAYLOR BRIGHT: Psycho! Psycho, psycho ...
[cut to the female student walking up a darkened stairwell, when she sees the shadow of the male student on the wall in front of her]
TAYLOR BRIGHT: [in voice over] Psycho ... You're such a psycho!
[cut back to the student singing]
TAYLOR BRIGHT: Started innocent, now I'm in the twilight zone. Out of all the pretty boys, I ended up with ... Psycho!
[cut to the female student sitting outside and talking with some friends]
TAYLOR BRIGHT: [in voice over] You're so tired, retire already ...
[cut to the student singing, then back to her with her friends as she suddenly looks pensively at something off camera]
TAYLOR BRIGHT: [in voice over] Hired and fired already ...
[cut back to the student singing]
TAYLOR BRIGHT: Retire already ... you're such a psycho!
[cut back to the college campus, as the male student is hiding behind some bushes, then back to the student singing]
TAYLOR BRIGHT: You're so tired!
[cut back to the student on campus, as she tries to tell her friends about the male student watching them]
TAYLOR BRIGHT: [in voice over] Retire already ...
[cut back to the student singing]
TAYLOR BRIGHT: Hired and fired already ...
[cut back to the campus, as the student's friends look over and see that no one is in the bushes]
TAYLOR BRIGHT: [in voice over] Retire already ...
[cut back to the student singing]
TAYLOR BRIGHT: Psycho! Got it twisted, acting like you're my Romeo ... "Stop calling" doesn't mean blow up my cell phone. Started innocent, now I'm in the twilight zone. Out of all the pretty boys, I ended up with psycho! Psycho, psycho, psycho, you're such a psycho! Started innocent, now I'm in the twilight zone. Out of all the pretty boys--
[cut back to the library, as now the male student is the one who is pulling a book from the shelf]
TAYLOR BRIGHT: [in voice over] I ended up with ...
[cut to a closeup of the shelf, as he pulls out the same volume from "West's Pennsylvania Digest" ... only this time, it is the female student standing on the other side, as she stares at him coldly]
TAYLOR BRIGHT: [in voice over] Psycho!
[cut to a shot of the male student, as he drops the book and backs away in fright, then the camera pans over to the female student, who smiles and walks away confidently as the scene fades to black]

---

From musiciansopposedtobullying.com:

PHILADELPHIA (Aug. 22, 2011) - TAYLOR BRIGHT is launching her return to the international music spotlight with an uplifting first single and state-of-the-art music video which combine to deliver a high-energy message of self-empowerment to her fellow teens.

The 18-year-old Philadelphia pop artist, who was introduced with a splash last year on the Billboard dance charts and in the British press and has been capturing the attention of major labels and television producers, announces the release of PSYCHO, a song with indelible hooks and irresistible beats whose music video epitomizes her evolution as an exciting new pop artist with purpose. PSYCHO, the leadoff track from Taylor's upcoming EP, Mixtape Love, was penned by RoboPop (Gym Class Heroes, Maroon 5, Neon Hitch, Cash Cash), the songwriting-production team which also produced all six cuts on the EP, many of which were co-written by Taylor.

The PSYCHO music video, directed by Caesar Augustus of Augustus Films and produced by Mathew Hayden and Donald J. Kugelman of Cinipix LLC, makes its world premiere today on YouTube.

"We saw something very special in Taylor," says Augustus. "She's a very talented artist, and after hearing the track, we immediately knew this would be a great project to be a part of. We built a great team around her and she was great to work with. Not only can she sing, but she's a great performer, too. It will be exciting to see how far she goes from here, and to know that we're a part of it."

The PSYCHO video, filmed on the West Chester University campus, reveals a darker edge as it follows Taylor being followed by a male student who quickly evolves from prospective romantic interest to stalker. Stalking is an issue which Taylor feels is too often hidden, and which teens and young women, especially, should not take for granted.

"I definitely know girls who have had this problem, and you can hear them talking about it all over the Internet through various social networks," says Taylor, who starts college as a freshman this fall. "Lots of girls have these guys chasing them and they don't have any way of warding them off. Even though they drop clues, the guys keep chasing them.

"Stalking is really another way of bullying, and that's so relevant to what we hear more about in the media, especially cyber-bullying. That, combined with the energy in the song, it's a great message to get out to both guys and girls. There are psychos out there and you need to be careful. You are not alone in this situation."

PSYCHO exemplifies the considerable maturity Taylor's music has taken in the two years since her youthful pop-rock debut, "Striped Socks," with its sweeter, more innocent sound, made an impact on teens and the Billboard dance charts. With her online fan base exploding as she begins her college career this week, Taylor is re-introducing herself as a complete artist with a much edgier approach in her songwriting and a freshness and energy which clearly know no bounds.

"I've been working hard and waiting so long to release new music and unveil my new sound," she says. "The video shows a whole new side of me and an entirely new look. I was 14 when I wrote 'Striped Socks.' And when you're a teenager, the growth that happens over four years is enormous. For me, it's been life-changing."

Case Study No. 1078: Unnamed Male Librarian (RasheedaTV)

The Jungle
3:28
In today's technology age, students (including myself) are spoiled by the internet. We use Amazon.com to order text books or do our research for terms papers strictly ONLINE sometimes. What about the students of yesteryear, who actually had to go to the L-I-B-R-A-R-Y? I know a few people (ahem) who wouldn't even know where to start at the library. With that said, if you've ever had trouble finding a book in the stacks, then you'll definitely be able to relate to this video...
Tags: library jungle comedy books lost rasheedatv xiaoxing guns and roses
Added: 5 years ago
From: rasheedatv
Views: 214

[scene opens with a male and female student talking to each other]
RASHEEDA: Good job! Okay, now it's my turn.
KENGI: What's Plato's about?
RASHEEDA: "Allegory of the Cave!"
KENGI: Well, let's move to Descartes ... So, you have the book?
[the female student covers her mouth in shock]
RASHEEDA: I must've left it on the bus!
KENGI: What?! You don't have the book? We're gonna fail tomorrow!
RASHEEDA: I'm so sorry!
[she shakes her head]
RASHEEDA: W-We're not gonna fail! I'll ... Uh, even if I have to go to the library! I'm gonna find that book!
[cut to the female student standing outside of the school library (as jungle sound effects play in the background), then cut to the reference desk as she walks up to a young male librarian]
LIBRARIAN: Hi, how are you doing?
RASHEEDA: I need a book, and it's called "Discourse on Method" by Descartes ... Please tell me you have it! Please!
LIBRARIAN: Okay, "Discourse on Method" ...
[he types on his computer]
LIBRARIAN: Yep, we have it. It's, um ...
[he points off camera]
LIBRARIAN: Actually, it's right over there. You just take a left, and it's ... um, it's right near "B"--
[he checks the screen again]
LIBRARIAN: "B-Twenty-Three-A" ...
RASHEEDA: Um, I haven't been to the library in a minute, do you know what I mean? Like, I ... I usually order my books online, so this is kinda like a new thing for me. Could you help me?
[the librarian rubs his head in frustration at the request]
LIBRARIAN: Listen, it's super busy right now ...
[cut to a shot of the empty library (with cricket sound effects playing in the background), then back to the reference desk]
LIBRARIAN: I mean, right over there, you just take a left, dude. It's at "B-Twenty-Three-A," you're gonna see it right there. Just to the left, okay?
[the student gives him a sarcastic smile]
RASHEEDA: Thanks ...
LIBRARIAN: Take it easy, alright?
[she starts walking away]
RASHEEDA: Thanks for all the help, I'll find it all by myself ...
[cut to the female student standing in the middle of the stacks with a frightened look on her face, as Guns 'N Roses' "Welcome to the Jungle" plays in the background]
[cut to the student searching shelf after shelf for the book, as she becomes increasingly frustrated]
[cut to the student stopping in yet another section of the stacks, as she checks her wristwatch, horrified to realize how long it's taking her to find this book]
[cut to the student running through the stacks (her hair all frazzled), as she stops at another shelf and pulls out a book, only to discover it's not the one she's looking for]
[cut to the student pulling books off the shelf as she slowly slides down to the floor, throwing her hands up to the heavens in frustration]
[cut to the student kneeling in front of a pile of books, tearing pages out and attempting to eat them (as the sound of a lion roaring plays in the background)]
[cut to a closeup of the student's face (her hair a complete mess), as she stomps her feet and is on the verge of tears]
RASHEEDA: I'm never gonna find this book!
[cut to the student crawling on the floor, when the song ends just as she collapses in exhaustion]
[cut back to the reference desk, as the student crawls over and claws at the librarian's computer, crying]
RASHEEDA: I couldn't find the book!
LIBRARIAN: Oh my god ...
RASHEEDA: Where's the book "Discourse on Method?!"
[he starts typing on his computer]
LIBRARIAN: Oh, well ... I'm sorry about the mixup.
[he rubs his head]
LIBRARIAN: Oh my god, it's ten o'clock right now? Um, I didn't know you were looking that long. We ... That was a month ago. Someone, someone took it out a month ago, so it's gonna be back in about a month. I'm sorry about that, miss.
[she starts crying again]
RASHEEDA: No ... Nooooo!
[she faints, as the camera zooms in on her prone body on the floor]

The Jungle

Starring
Rasheeda
Kengi Chen
Patrick Clark

Produced by
Xiao Xing and RasheedaTV

Written by
Rasheeda

Music by
Guns-n-Roses
"Welcome to the Jungle"

A XiaoXing and RasheedaTV Production

Friday, October 25, 2013

Case Study No. 1077: Starfish Minister (Wannabe Librarian)

Spongebob-Rule of Dumb
3:16
Patrick becomes the king, but censored.

Disclaimer:I do not own anything from the Spongebob cartoon and is owned by Nickelodeon and viacom. This was purely for fun and laughs.
Tags: censored spongebob patrick rule of dumb bleeped censor bar squarepants king nickelodeon viacom swear star mr crabs squidward gary snail
Added: 2 years ago
From: Canon98
Views: 13,125

[the Starfish Minister approaches Patrick's house (i.e. his rock) and knocks on the "door", as Patrick lifts up the rock and peeks out with a blank expression on his face]
PATRICK: Yeah?
STARFISH MINISTER: Good day, sir! I am--
[Patrick suddenly gasps in fright]
PATRICK: I know exactly who you are!
[he slams the "door" shut, then cut to the interior of Spongebob's house, where he is watching television with his pet snail Gary]
SPONGEBOB: Ah, there's nothing like spending some quality time with my Gayr-Gayr!
[Spongebob is calmly watching a soap opera on the TV, when Patrick's face suddenly bursts through the screen]
PATRICK: Spongebob, help! He's onto me! I don't have much time!
[Patrick runs and starts a fire in the middle of the living room, then starts throwing a pile of books - including a copy of "Richie Salmons' Guide to Fitness" - into the flames]
SPONGEBOB: Patrick, what're you doing?!
[he grabs another book (entitled "How to Read") to throw in the fire]
PATRICK: I have to get rid of these books!
SPONGEBOB: Why?
PATRICK: I'll show you why!
[he grabs Spongebob and presses his face against the window, pointing at the minister (who is still waiting outside of the rock)]
PATRICK: See him? He's from the library! He knows about my overdue books!
[Spongebob gasps, and Patrick nods his head]
PATRICK: Uh huh! Which means I'm gonna get thrown in the big house! And you know what that means ...
SPONGEBOB: Small portion meals?
PATRICK: Exactly!
[he starts to cry]
SPONGEBOB: Patrick, don't you worry! I got your back, man!
[cut to Spongebob walking up behind the Starfish Minister, as he clears his throat to get his attention]
SPONGEBOB: Hi there!
STARFISH MINISTER: Salutations, young one! Say, you wouldn't happen to know the starfish that lives under this rock, would you?
SPONGEBOB: [nervously] Huh?! No, I don't know any starfish! Even if I did know this "alleged" starfish, Patrick wouldn't owe any overdue library books!

---

From wikia.com:

"Rule of Dumb" is a SpongeBob SquarePants episode from season four.

A starfish from the Royal Ministry comes to visit Patrick for a delivery. After Patrick opens, he thinks the starfish is a librarian and has come for overdue library books. Patrick runs to SpongeBob's house and cries about it. SpongeBob covers for Patrick by coming up to the man and greeting him. The starfish then asks SpongeBob if he knows Patrick, but SpongeBob lies and says, "No, I don't know any starfish!" in surprise. When the starfish announces he has a gift for Patrick, which is a crown, Patrick dashes out of SpongeBob's house and grabs his gift. He starts chewing it and licking it, and announces it's a terrible-tasting gift. The starfish explains it's an item to wear, not to eat. Patrick is pleased when he gets the shiny crown. SpongeBob becomes Patrick's servant and shows a treaty to the citizens of Bikini Bottom whenever Patrick takes something from them.

Case Study No. 1076: Indy Pro Wrestler Paige Turner

Paige Turner Interview 8 16 2013
18:04
Interview with Indy Pro Wrestler Paige Turner (Texas)
Tags: Paige Turner wrestler wrestling interview texas Triple Threat Wrestling Radio
Added: 2 months ago
From: TTWRadio
Views: 122

KENNY CUMMINGS: What made you decide to be a professional wrestler?
PAIGE TURNER: Well, I started watching the WWE around 2000, and at first I thought it was kinda dumb, but my brother was watching it all the time and I started paying attention to it, and I thought it was kinda cool. And then I noticed that on one of the local channels, there was an indie show on there called NWA Southwest, and we started watching that. And at one point they had a kids' camp, I was fifteen at the time so I asked my parents, "Hey, can I do this kids' camp?" And they took me and I really enjoyed doing it and we did, like, we did a little show for the parents and the families and it was really fun.
KENNY CUMMINGS: What was that experience like? Going through the training, going through the boot camp learning these moves and things of that nature.
PAIGE TURNER: [pause] It hurt, I felt like I had whiplash the next day.
[she laughs]
PAIGE TURNER: I had trouble getting up in the morning.
KENNY CUMMINGS: Ouch. Um ...
[she laughs]
KENNY CUMMINGS: And did you have that mindset of "Oh my goodness, what did I get myself into?"
[she laughs]
KENNY CUMMINGS: Or you just wanted to pull through?
PAIGE TURNER: I think I did at first, that it was kind of scary ... uh, just letting yourself fall.
KENNY CUMMINGS: Mm. So, um, do you remember your first wrestling match that you ever had? And if so, who was your opponent or opponents, and what company did you work for?
PAIGE TURNER: Um, it was actually at a military base in Watson, Oklahoma ... and I wrestled Angel Blue one-on-one, and I was extremely nervous. I was pacing like crazy before the match, started just going over it and over it in my head. And it actually went really well, I was very happy with it. She was very happy with it, which I thought was really important, and so if she was happy I was happy.
KENNY CUMMINGS: Hey, that's what it's all about, when it's all said and done. I mean, obviously, there's gonna be a hostile crowd, but I don't think a lot of fans get that ... quite understand that it's very important for wrestlers to be on the same page when they are in the ring, regardless if they are heel or babyface. I mean, they have to look like they know, they have to look like they're kinda speaking a silent language without even talking to each other. They gotta know what moves they're gonna do towards each another, and I guess that's something that maybe some fans may get, but others don't quite get it.
PAIGE TURNER: Yeah, definitely.
KENNY CUMMINGS: Now, the state of Texas, I gotta say, is ... there's a lotta well-known wrestlers in that state. Um, and not just, y'know, the males, but the females. I mean, you mentioned Angel Blue. There's Brianne, there's Claudia, there's Athena. Uh, Barbi Hayden. Uh, Rachel Summerlyn which, from my understanding, she's retired. Uh, I feel like the state of Texas, not just known for the male wrestlers but known for the female wrestlers. And with that said, how does it feel, y'know, to get a chance to work with those women, being so close to the Texas area?
PAIGE TURNER: I mean, it's great. Texas is a really big state, so there's a lotta talent here. Um, and I mean, it's ... I suppose it's a close area, but some of it you do have to drive a couple of hours to get to it, but I'm very happy that I have all that talent to work with here, so I can learn better and get better, um, just from working them.
KENNY CUMMINGS: And it's also to see how, y'know, Texas has evolved as far as womens' wrestling is concerned. So, lemmee ask you this, what do you consider as the highlight of your career thus far? It could be a match that you had. Maybe astoryline, angle. Or anything in particular, what do you consider as the higlight of your wrestling career?
PAIGE TURNER: Um, that's a very good question. Lemmee think about this.
[she pauses]
PAIGE TURNER: Um, I would say so far, um, working with Athena. Just because she is so well-known, and she's very good, and she teaches me a lot. I learn so much when I work with her. I mean, she ... she works WSU, she works SHIMMER, so it's just, it's great to work with her because I learn so much.
KENNY CUMMINGS: I got a lotta respect for Athena, as well. She certainly has made a name for herself, not just in the womens' scene, but she also has made a couple of appearances in Ring of Honor, uh, so ... I mean, she-she's going places. And she's definitely, maybe she's the standard for womens' wrestling in Texas right now. I mean, would you say?
PAIGE TURNER: Yeah, I would say so. Definitely.
KENNY CUMMINGS: Of all the women wrestlers in Texas, you have a different style, as far as the way that you dress. Um, I've seen your photos, you look great ... You look like a librarian? I guess that's how you try to portray your character?
PAIGE TURNER: [pause] Yes.
[she laughs]
PAIGE TURNER: Um, yeah, that's where the name "Paige Turner" came from. I actually got it from a childrens' book I was reading, a book about a library, and it was in there. I'm like "Hey, that's a really cool name." And I'm actually a librarian as well, that is actually my job, and so I really enjoy putting that in there, because I do ... uh, shush the kids at work, and I take that into the ring with me as well. So, that's what I do.
KENNY CUMMINGS: That is very interesting. Um, not only are you a librarian character, but you're a librarian in real life. Not many people can say they portray something as a character in real life. Um, when you started this, was it kinda awkward for you or did it take some time to get used to?
PAIGE TURNER: Um, just wrestling a girl, or the character?
KENNY CUMMINGS: The character. Was it kinda awkward, per se? Because, I mean, that ... like you said, that's your real job.
PAIGE TURNER: Yeah, I just kinda had to figure out how to do it, because ... I know at first, I was like "Well, I don't really know what to do, what to make my entrance like." Uh, a lotta people helped me. Y'know, I shushed the crowd a lot. But yeah, it was kind of awkward at first, just trying to figure out what to take from my actual job, and taking it into the ring with me to make it work.
KENNY CUMMINGS: Well, all I can say is that you do it very well and ... um, and much props to you. Um, you obviously have wrestled throughout the Texas area and Oklahoma as well. Um, what do you consider some goals you'd like to accomplish? Would you like to do some more travelling, have more matches? Uh, like, what are some other goals you'd like to accomplish in your wrestling career?
PAIGE TURNER: Well, I definitely wanna have a lot more matches, um, to kinda help me ... Working a lot more people, working in front of a lot more crowds, I think will really help me grow as a wrestler. And I definitely wanna travel more, I would love to wrestle in every state if I could. I mean, I dunno if Alaska and Haw--
[she pauses]
PAIGE TURNER: Uh, Hawaii probably has it, too. But I would love to wrestle in every single state. And I would eventually like to be good enough to be at SHIMMER, WSU ... Uh, TNA. Something like that.
KENNY CUMMINGS: So, if you can have a dream match, and it could be against anyone. It could be male, it could be female ... uh, dead or alive, what would your dream match be? Who would your opponent be?
PAIGE TURNER: Hmm. Well, let's see. Uh, I know one of my ... Two of my favorite wrestlers are--
[she pauses]
PAIGE TURNER: Well, they don't really wrestle anymore, are Lita and Chyna, and I know Chyna kind of wrestles guys mostly. So, maybe Lita, I would think. Because I always loved her style, and unfortunately, I can't really wrestle like her, because I'm too afraid to do moonsaults and things like that, and to fly, but I think it would be really cool to have a match with her.
KENNY CUMMINGS: I like the sound of that, considering ... you know, Lita was a risk taker. She definitely breaks the mold of "You don't have to be more than just what you look or what you're perceived as." I mean, she definitely was opposite towards Trish Stratus, which was her biggest rival, and they worked with each other very well. And as for Chyna, I mean, she was a woman among men, just showing that, "Hey, woman can hang with the fellas too!" So kudos to them both. Now Paige, do you have any upcoming wrestling matches, or wrestling shows for that matter, that you would like to promote?
PAIGE TURNER: Um, yeah. Actually, next Saturday ... I can't remember the exact date. I think, oh, the Twenty-Fourth. Uh, I have a match at TOP, Texas Outlaw--
[she pauses]
PAIGE TURNER: Uh, I don't remember what the "T" stands for.
[she laughs]
PAIGE TURNER: But, um, it's in Mineral Wells, and that's against Diamond Icee. Um, I've never actually worked with her before, so I'm excited to work with her. And then, um, the week after that I am extremely excited because I get to wrestle in Arizona for the first time, at SlamU! And it's an "over-twenty one" show, so it should be really fun.
KENNY CUMMINGS: Over twenty one. Translation, anti-WWE "PG" crowd. They're gonna be, that sounds like it's gonna be a very crazy show right there. And SlamU!, that says it all. So make sure y'all go check that out, most definitely ... Uh, who do you consider influences in your wrestling career?
PAIGE TURNER: Um, let's see, definitely Chyna and Lita. Um, let's see. Uh, I really like Molly Holly ... I like the wrestlers, y'know? Not necessarily the, y'know, the models that go in there to shake and bump. I like women who wrestle, like, I like Natalya. I really like a lot of the women in SHIMMER, 'cause they're wrestlers. And y'know, I like a lot of the men, too. Uh, Dirty Danny Dalton's really good. Uh, Jiggilo James Johnson. Oh, Robert Evans is great. Uh, I like, y'know, I like watching all of them, and kinda learning from that.
KENNY CUMMINGS: Those are some awesome choices there. I-I'm a fan of them as well. Y'know, like you said, wrestlers. Regardless of nicknames, Knockouts, Divas, Superstars, they're wrestlers. That's what they do, that's their job description! To perform, to entertain ... And the big story in professional wrestling is Darren Young of the WWE putting it out there that he is gay. Um, my thoughts is "Good for him!" Um, long as he's comfortable within himself and he can do his job, conduct himself well, I mean people should only judge him for what he does in the ring and how he entertains. And you liked my status when I posted about that, and now that you've heard the story and everything, what was your reaction when you heard what Darren said?
PAIGE TURNER: Y'know, I was surprised, but I thought it was great! Y'know, really good for him that he's so comfortable enough to do that and brave enough to do that, and so happy that the WWE is fully supporting him and that he can talk to the kids about being who you are and not worrying about what others think of you, and I just thought it was really great!
KENNY CUMMINGS: And not just WWE but his colleagues, from Cena to Triple H to Stephanie to his tag team partner Titus O'Neil, the Prime Time Players ... Just embracing him and show their encourage--
[he pauses]
KENNY CUMMINGS: They show their support, I mean, because we all know wrestling, it's gonna be, it's a cold ... It's a tough business, and I guess my concern is what's gonna happen from here. He's gonna go to shows, and there's gonna be some idiots hitting him with the homophobic slurs, the anti-gay slurs. I mean, wrestlers, they-they're under a microscope as it is, and now that he put this out there, he's gonna be under a bigger microscope. But, I guess as long as he can just do his job, then I guess he'll do just fine. But, I guess my concern is how fans are gonna look at him goin' forward, I guess.
PAIGE TURNER: Yeah. Well, hopefully, it won't be too bad. And y'know, he'll ... I mean, I'm sure he'll just kind of take it with a grain of salt, because he's comfortable with who he is and he's not, it's not going to matter to him what they think. As long as, y'know, he's entertaining and he has great matches, I think it should be fine.
KENNY CUMMINGS: Yeah, it's going to be interesting to see if ... if they're still gonna be the Prime Time Players after this. Because, I mean, they're both "millions of dollars!" Attitude, swagger, things like that. Uh, it's gonna be interesting to see if they hang onto that or not. Well Paige, my last question for you is how can people get in touch with you social media-wise? Facebook, Twitter, or any other links people need to know.
PAIGE TURNER: Okay. Well, on my Facebook, it's "facebook dot com slash" and then "real dot paige dot turner." And then, um, my email address is the same, "real dot paige dot turner at gmail dot com." And then my Twitter, um, I really like the username for that one, because it's "PaigeTurner" and then "Shhh." It's S-H-H-H.
[she laughs]
KENNY CUMMINGS: That's a very clever Twitter name, PaigeTurnerShhh! You gonna, you gonna make me think of that Lori Beth Denberg character on All That!
[he laughs]
PAIGE TURNER: Y'know, I've actually been told that before! Not too long ago, that as soon as ... one of the referees, as soon as he saw what my gimmick was, that immediately came to his mind! And then he sent me the video, he posted it on my wall, and it's so funny!
[he laughs]
KENNY CUMMINGS: That, that's definitely gonna be poppin' up in my mind when I think of Paige Turner.
[she laughs]
KENNY CUMMINGS: But other than that, you are a sensational wrestler. Uh, and I wanna thank you for being on the show, and again, my apologies for my mishaps, so feel free to "shhh!" on me!
[she laughs]
KENNY CUMMINGS: Uh, but I wanna thank you for being on the show. Much respect to you, and best success goes out to you going forward.
PAIGE TURNER: [pause] I'm sorry, what was that last part?
KENNY CUMMINGS: Oh, uh ... best success goes out to you.
PAIGE TURNER: Oh, thank you so much, and thank you for having me on here.
KENNY CUMMINGS: You're welcome, you have a good night.
PAIGE TURNER: You too, thank you.
KENNY CUMMINGS: Alright, bye bye.
PAIGE TURNER: Bye.
[she hangs up]
KENNY CUMMINGS: That was Paige Turner, joining me here on Triple Threat Wrestling Radio.

---

From queensofwrestling.com:

Paige Turner

Hometown - Dewey, IL

Age - ??

Training - Lance Hoyt, Wally Darkmon

Debut - 2012

Height - 5'6"

Weight - 165 pounds

Special Moves - Dewey Decimator (Chokebomb),Senton, Fallaway Slam, Epilogue (Spinning Heel Kick), Spinning Neckbreaker, Samoan Drop

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From blogspot.com:

Today we get only the second female to be Pinned Down but a very interesting one to be sure. Paige Turner is a librarian wrestler who truly has a Master's in Library Science. Smart and Tough, a deadly combo. This woman is well read and knows her stuff, if she can't out wrestle you, she will out smart you.

She was brought into wrestling by her siblings in 2000. They were hooked first and she thought it was dumb but as they watched more, and she paid more attention she begin to enjoy it. At 15, NWA Southwest was in North Richland Hills and had its own tv show, and then they put up an ad for a kids kamp. This would have been run by Hotstuff Hernandez and Mini Stuff now known as Hernandez and BJ Turner.

The camp was all day and taught you basic moves and bumps. They teamed you up with partners and Paige got BJ Turner, afterwords they put you in a show for friends and family. Paige had alot of fun according to her. Sadly it was not till years later, 2006, that she had the money and time to train. This was a PCW in Arlington and she trained with Lance Hoyt and Wally Darkmon, and while this was fun and she learned alot but her grades started slipping.

For awhile she focused on school and finished in 2010 with the Master's. She restarted her training in 2011 at MPX and stuck with it this time getting a few matches in 2012 and finally taking off in 2013 going out to other promotions and bringing the joy of reading to wrestling workers and fans everywhere. Though she is starting to make a name for herself, she knows she has more to learn and looks forward to it.

So how does a Master in Library Science answer random questions? Lets find out folks, READ ON!

1. What was the toughest thing to give up or sacrifice to be part of the wrestling world?
Definitely my free time. I've missed family birthday dinners and I haven't seen my non-wrestling friends in a while. One of my friends has a birthday coming up and scheduled her dinner around my schedule so I'm very happy about that.

2. Do you think its harder or just equally as hard to get to the big leagues of wrestling as it is say Basketball or Football?
I think it takes a lot of hard work to do either, but I think wrestling may be a little harder. In football or basketball, you just have to be really good. In wrestling, you have to look good, be good, and be able to cut promos. It's especially harder for the females because some places will take models who can't work over good workers just because they look better.

3. Do you feel that wrestling has more premature or just a surprising number of earlier than expected deaths compared to other sports and does this influence you in any way?
I would say so. It doesn't seem to be as bad as the music industry, but there is a lot of drug abuse. It doesn't really influence me because I stay away from drugs to begin with. There are also wrestlers that live a really long time and I plan to be one of them.

4. If you had the power to make any gimmick work, no matter how weird or normal it may be, what would you do?
Sadly, I do not have an answer for this question. I know somebody that has something ridiculous as a gimmick idea but I'm not going to steal it to put it on here.

5. If you could change anything about the indy wrestling industry what would it be? What about TNA/WWE?
I'm not really sure what I would change about the indy wrestling industry but I would love it if the WWE in particular took female wrestling more seriously. I get tired of seeing terrible female matches on there when there are so many talented female wrestlers in the indies that they could hire instead.

6. once you retire from being in the ring, do you see yourself walking away fully or would you become a manager or commentary or announcer, keep involved in some way or is it once you can't work in the ring you have no desire to be there?
I used to help run sound at PCW and MPX so I wouldn't mind still helping with that aspect. I think I would take a break for a bit and then probably still be involved in some way.

7. Do you handle crowds differently depending on size?
Not really, but I have noticed that it's more fun to mess with smaller crowds even though you're not going to get as loud a reaction.

8. How do you handle going from say going from a no rules wrestling show to a family first show. Do you change alot about how you handle things and what you say or do you just try and act the same no matter what the show?
I actually do not use profanity in my everyday life and my character isn't the type to be dirty, so I don't have to change anything I do.

9. Was there every a moment when you truly felt you had had enough, that maybe wrestling wasn't for you? Was it a crowd? Just one guy/gal? A losing streak? Too many broken bones?
When I was first training, I started getting really bad at both wrestling at school because I was always thinking about wrestling at school and school while trying to train. I felt like I was not going to get any better and really, school was more important to me so I decided to stop wrestling. I'm glad I had a place to train after I finished school and was able to start again!

10. Say you were picked up by TNA or WWE and given a over the top gimmick? How would you play it, go through the motions and hope it fails so you can move on to something better or really try to sell and play up the gimmick?
I would try my hardest to play up the gimmick. What's the point of making it on there if you're not going to try and do well?

11. What promotions do you feel are breaking down the walls separating Men Wrestling from Women Wrestling and just making it all Wrestling? How do you feel they are doing that?
ACW. I don't believe I've seen anywhere else that does that without the female being somebody the size of Chyna.

12. Do you feel tag team wrestling has become a dying style/art?
I've noticed a decline in tag team wrestling in the last couple of years. It's upsetting because I really enjoy it. I like real tag teams with matching gear and a tag team name. I think it's coming back a little bit though, especially around Texas. I know MPX is trying really hard to build their tag team division and I've seen flyers for other shows in the area where they are having tag team tournaments so I'm excited about that.

13. How is your campaign going to bring literary goodness to wrestling going? What is your next step?
It's not going too badly. People like buying my bookmarks and some have posted pictures of them actually in books so I'm excited about that. I'm not sure what my next step is at this point but hope to come up with something soon.

14. What are your favorite books and favorite writers?
I love Rick Riordan and DJ McHale. Neal Shusterman is pretty awesome as well. I love the Percy Jackson series and the Pendragon series. I am also a huge fan of most dystopian novels.

15. As a wrestler who has been to several promotions and a female what advice would you give to upcoming female wrestlers knowing that not all companies treat female wrestlers the same?
Don't be discouraged. Try looking up and contacting every promotion you can near you, especially if you see females on there. There are places that think female wrestling is a joke, but not all of them do.

16. What do you think of wrestlers who have written books?
I always think it's awesome when wrestlers write books, especially because wrestling fans who wouldn't normally read books take the time to read them. I've read a couple of wrestling autobiographies and have read all of Mick Foley's books (including fiction and children's), except for his most recent one, which I plan on reading soon.

Bonus Questions:

Do you have a name for your finisher?
The Dewey Decimator

Chocolate or Vanilla?
Chocolate milk, chocolate cake, vanilla pudding. I can't decide on the ice cream.

Submission or High Flying?
I love high flying. Even though I can't fly, I am a huge gymnastics fan and always love watching people wrestle that style.

Cats or Dogs?
I LOVE dogs. If I go somewhere and see one, I will immediately head over to it. That being said, I love my cat more than my two dogs because she loves to cuddle and is always in my lap. I also trained her to use the toilet and it still amazes me to this day every time she uses it.

Beer or Liquor?
I am straight edge, so neither.

Light Side or Dark Side?
I'm going to go with light even though it's fun to be the villain.

Favorite Opponent EVER?
I'm going to have to say Angel Blue. I had my first match against her and I always enjoy working with her. I love learning from her because she is one of the best heels I know.

A very unique perspective today, a rare worker that put something above wrestling first then still came back and finished what she started. She has one of the most cleverly named finishers I have heard of and has trained a cat to go to the bathroom.

She has a love of Dystopian novels and the Percy Jackson series. She even got The Great Depression to come to a book fair. Impressive stuff. While her choice of great heels is in doubt overall this was fun glance at a person who modeled life after art and vice versa.

Case Study No. 1075: Kysira Fairbairn

Metamorphosis: The Emerging Librarian
1:04
NLS5 Competition
Tags: nls5 competition
Added: 2 years ago
From: klfair
Views: 109

Metamorphosis: The Emerging Librarian

The action or process of
changing in form, shape, or
substance; esp. transformation
by supernatural means

[scene opens with a shot of the branches of a large tree, then cut to a young female librarian lying on the ground (holding a notepad in one hand and a trumpet in the other)]
[the image slowly rotates frame-by-frame, then cut to another shot of the tree]
[cut to the librarian sitting in the middle of a park, as the camera zooms in frame-by-frame on the whiteboard she is holding (which reads "I was the library user")]
[cut to the librarian sitting in a library, typing on a laptop, as the camera again zooms in frame-by-frame]
[cut to the librarian standing outside of the State Library of Queensland, as the camera zooms in frame-by-frame on the whiteboard she is holding (which reads "I was the writer, the content creator")]
[cut to the librarian standing motionless in the stacks of the library, holding a book out in front of her as the camera slowly zooms in frame-by-frame ... when the camera reaches the book, she places it back on the shelf]
[cut to the librarian sitting on the steps outside of the library, as the camera zooms in frame-by-frame on the whiteboard she is holding (which reads "What kind of librarian will I be?")]
[cut to another shot of the tree, then back to the librarian lying on the ground]
[the entire film suddenly plays in reverse, until it cuts back to the image of the tree]
[cut to the librarian standing outside, as the camera zooms in frame-by-frame on the whiteboard she is holding (which reads "NLS5: Progression of my career, our network, and the profession")]
[the writing on the whiteboard suddenly changes to read "Bring it on."]

Starring
Kysira Fairbairn
The Whiteboard
Trumpy Hornsy
Brisbane Square Library
State Library of Queensland
Brisbane Botanical Gardens
QUT Gardens Point Campus

With
"metamorphosis, n." OED Online.
June 2011. Oxford University Press.
www dot oed dot com dot ezp01 dot library dot qut dot edu dot au slash view slash Entry slash 117313?redirectedFrom=metamorphosis
(accessed June 30, 2011).

Created with the help of
Maxine Tham
SLQ's The Edge
Caffeine

---

From blogspot.com:

The New Generation Advisory Committee (NGAC) is excited to offer the chance to win free registration for a new graduate or student to the ALIA 5th New Librarians Symposium (NLS5), held in Perth from 16-18 September 2011.

conferences. alia.org.au/ nls5/

As part of the ALIA Board of Directors and NGAC's commitment to providing opportunities for professional development, this competition is designed to enable a new graduate ALIA Associate member or student member currently undertaking an ALIA-recognised tertiary LIS course, who would not otherwise receive funding from their organisation, the chance to attend NLS5.

Competition brief:
"Tell us your story using the NLS5 theme of 'Metamorphosis: what will you become today?' using any form of multimedia/new media/digital storytelling, eg. video, podcast, blog entry, Prezi presentation [etc.]. Be creative! Play with the theme! Learn about a new tool! Points are awarded for content and creativity."

Entry Requirements:
Applicants must:
1. Complete an application form (please email aliangac@gmail.com.nospam (remove no spam) for the application form).
2. Be personal, financial Associate or student members of ALIA.
3. Have no more than five (5) years since graduation from an ALIA-recognised LIS course.
4. Use freely accessible media/hosting (eg. no payment required to view your entry).
5. Ensure audio/visual entries do not exceed 2 minutes playing time.
6. Include a written rationale/summary of your entry/response to criteria of no more than 50 words.

Criteria:
A panel made up of the NGAC conference sub-committee, ALIA Director: Member Services and an ALIA Board Director will decide the successful applicant using the following criteria:

* How will attending NLS5 enhance your career development? (points/10)
* What contribution will you make to the wider LIS sector as a result of attending this event? (points/10)
* Engagement with the theme of "metamorphosis" (points/5)
* Creative/innovative use of resources available (points/5)
All eligible applications will be considered on merit, and judged anonymously.

Important:
- Email aliangac [at] gmail.com.nospam (remove nospam) to get an application form (required for entry!)
- Applications close Monday 4th July 2011.

---

From wordpress.com:

This is my entry for the New Librarians Symposium 5 (NLS5) competition.

As it went through several stages of production, I was struggling with the notion of being conclusive in the entry. But it occurred to me that the theme, metamorphosis, isn't conclusive but rather about evolution. I wanted to explore this theme by displaying the progression of my personal career and how that will lend itself to my future. As new technology evolves, we are able to create, enhance and enable our professional social spheres, and to me, NLS5 is about utilising our joint understanding of knowledge and creating a new social wisdom for our generation. It is an opportunity to learn HOW to contribute to the sector and express our ideas in the future. I am overwhelmed with the idea of presenting my research and knowledge at a professional level, however I feel like as I am about to undertake a large scale research project in response to this assignment (as found on the Findings page), I need to know how to present my work. I hope NLS5 will also expand my network of library professionals and furthermore, I can hone my writing skills by reporting on the event. I feel that, because of my writing background, I have ideas and skills that can be utilised in the library community. I hope NLS5 will help me express them.