Monday, February 25, 2013

Case Study No. 0809: Nina Kramer

Groucho Marx - You Bet Your Life - inc librarian and newly married
24:53
In part one Groucho meets a good looking 19 year old librarian and decides he might take up reading again - he says he once belonged to Crook Of The Month. Then when a newly married woman comes on - she got married 4 months ago - Groucho asks if it's her first night out
Tags: public domain
Added: 2 months ago
From: pdcomedy
Views: 31

[host Groucho Marx is starting the show with George Fenneman]
GEORGE: Just before we went on the air, we asked if there were any young single people present tonight, and our studio audience selected ... Miss Nina Kramer, Mister Clarence Allen. And here they are. Folks, come on in here and meet Groucho Marx.
[a young man and a young woman walk out on stage]
GROUCHO: Well, welcome. Welcome for the DeSoto Plymouth dealers. And you say the secret word, you'll divide a hundred dollars. It's a common word, something you'll find around the house ... You're both single, eh? And would like to get married someday?
[cut to a closeup of Miss Kramer]
GROUCHO: Miss, uh ... "Nee-na," is that the way you prounounce it?
NINA: "Ny-nah."
GROUCHO: "Ny-nah?"
NINA: Mm-hmm.
GROUCHO: Oh ... I used to know a tenor named "Ny-nah."
[she laughs]
GROUCHO: Uh, where are ... where are you from, Nina?
NINA: I'm originally from Chicago.
GROUCHO: Uh huh ... How original were you in Chicago?
NINA: Nineteen years ago.
GROUCHO: Nineteen years ago? Then you've been here about two years, is that right?
NINA: No, I've been here about ten years.
GROUCHO: [pause] Oh, you're not twenty nine, are you?
[she laughs nervously]
NINA: Now you've got me confused ... No, I'm nineteen.
GROUCHO: [pause] You left Chicago nineteen years ago and you're nineteen years old?
NINA: No, I was nineteen--
GROUCHO: How did you come out, by bassinet?
[she laughs]
GROUCHO: Would you mind repeating that whole thing again?
NINA: Well--
GROUCHO: How old are you?
NINA: I'm nineteen.
GROUCHO: Nineteen?
NINA: Yes.
GROUCHO: How long, uh, since you left Chicago?
NINA: Oh, uh ... about ten years.
GROUCHO: Oh, I see. That would make you ... fourteen years old.
[she laughs]
NINA: You can leave it at that.
GROUCHO: Okay, leave it at that.

[...]

GROUCHO: What sorta work do you do?
NINA: I'm a librarian.
GROUCHO: A librarian, really? Is that so? I didn't realize librarians came this young.
NINA: Oh well, there are lots of young girls in librar--
GROUCHO: Aren't you unusual ... uh, what's that?
NINA: There are lots of young girls in libraries.
GROUCHO: Oh, is that so?
[he raises his eyebrows, and the audience laughs]
GROUCHO: I guess I'll hafta start reading again!
[she laughs]
GROUCHO: I used to belong to the Crook of the Month, is that, uh--
[she laughs]
GROUCHO: Now what, what library do you work for?
NINA: The Beverly Hills Public Library.
GROUCHO: Really? I-I live in Beverly Hills ... I don't think I've been there. Where is it located?
NINA: Well, it's in the City Hall ... uh, right next to the polic station.
[the audience laughs]
GROUCHO: Oh, I've been there alright!
[she laughs]
GROUCHO: On the other hand, maybe it was the library ... As I recall it, they booked me at the time.
[she laughs]
GROUCHO: Now let's see how well you work together as a team. Now, in just one minute, you're gonna play "You Bet Your Life" for a chance at two thousand five hundred dollars. But first, there's something I want you to pay close attention to. It'll prove invaluable in your marriage.
[he checks his card]
GROUCHO: You selected "Animals and Nursery Rhymes" ... Here's your first question, how much will you bet?
[she looks over at her partner]
NINA: Eighteen?
CLARENCE: Eighteen sounds good.
GROUCHO: Eighteen ... Alright, what kind of a pet did Old Mother Hubbard have?
NINA: A dog.
GROUCHO: A dog is correct!
[the audience applauds]
GEORGE: Well, you're on your way, you have thirty eight dollars.
GROUCHO: Remember, you're going for twenty five hundred dollars tonight. Now, how much of the thirty eight you gonna bet on this one?
[she turns to her partner again]
NINA: Thirty five?
CLARENCE: Thirty six.
GROUCHO: Thirty six ... What ran after the farmer's wife?
NINA: Three blind mice.
GROUCHO: Three blind mice, that's right!
[the audience applauds]
GEORGE: I can say you are doing mighty well, you have seventy four dollars!
GROUCHO: Seventy four dollars, here's your third question. How much you gonna go for?
[she turns to her partner again]
NINA: Seventy?
CLARENCE: Seventy three.
GROUCHO: Seventy three ... What did Bo Peep tend?
NINA: Sheep.
GROUCHO: Sheep is right!
[the audience applauds]
GROUCHO: Sheep at half the price! Sheep at half the price, I guess there's nothing there ...
GEORGE: You have one hundred and forty seven dollars!
GROUCHO: Here's your last chance to beat the other couples. How much you gonna bet?
CLARENCE: Hundred and forty seven!
[he quickly turns to his partner]
CLARENCE: How does that sound?
NINA: Alright.
[Groucho turns to his announcer]
GROUCHO: How much have they got?
GEORGE: A hundred and forty seven, they're betting the whole thing!
CLARENCE: Okay, whole thing!
GROUCHO: Okay ... What did Tom the Piper's Son swipe?
NINA: Pig!
GROUCHO: A pig is right!
[the audience applauds]
GEORGE: And you two wind up with a grand total of two hundred and ninety four dollars!

[...]

[after the other contestants play the game, Miss Kramer and Mister Allen wind up having the highest total]
GEORGE: And you wind up with a grand total of two hundred and fifty dollars, and that means the librarian and the geologist - with two hundred ninety four dollars - get the chance at the DeSoto Plymouth two thousand five hundred dollar question!
[the audience applauds, as Miss Kramer and Mister Allen return to the stage]
GROUCHO: Alright now, we find out you've been hanging around those books all these years, we find out if you really know anything!
[she laughs]
GROUCHO: Here we go, for two thousand five hundred dollars, I'll give you fifteen seconds to decide on a single answer between you, so think carefully and please, no help from the audience ... Here it is.
[he looks down at his card]
GROUCHO: If the President of the United States and the Vice President should both resign, who is next in line to succeed to the office of Chief Executive?
NINA: The Secretary of State.
[as the clock begins ticking down, her partner leans in]
CLARENCE: [whispers] Are you certain it's the Secretary of State, or the Chief Justice?
NINA: [whispers] I think it's the Secretary of State. Which do you think?
CLARENCE: [whispers] I'm thinking--
GROUCHO: One answer between you. Talk it over.
[they continue whispering amongst themselves]
GROUCHO: Talk it over. We want one answer between you.
[the buzzer sounds]
GROUCHO: Alright, what is the answer you two have decided upon?
CLARENCE: We'll say the Secretary of State.
GROUCHO: No, I'm sorry. According to law passed in 1947, the Speaker of the House of Representatives.
[they both smile and laugh]
NINA: Oh!
CLARENCE: Okay, so both of us were wrong!
GROUCHO: So that means the big question next week will be worth three thousand dollars! Well, you lost the big money, but you won ...
[he turns to his announcer]
GROUCHO: How much?
GEORGE: Two hundred and ninety four--
GROUCHO: Two hundred and ninety four dollars in the quiz! Congratulations and thanks to both of you, and to all of our contestants on the show tonight!
[the audience applauds]

---

From imdb.com:

You Bet Your Life: Season 7, Episode 5
Episode #7.5 (1956)
TV Episode - 30 min - Comedy | Family | Game-Show

Groucho Marx ... Himself - Host
George Fenneman ... Announcer / Straight Man
Clarence Allen ... Contestant
Ross Crossley ... Himself (as Major Ross Crossley)
Nina Kramer ... Herself
Yucca Salamunich ... Contestant
Silvia Sparks ... Contestant
Norma Welch ... Herself

Case Study No. 0808: "Librarians as seen by the media"

Librarians as seen by the media
3:33
Video done originally for a presentation I did at the Tri-Association Annual Educators' Conference of the Association of American Schools of Central America, Colombia, Caribbean and Mexico.http://www.tri- association.org/ on 14th October 2010 .. venue Monterrey Mexico.

I was presenting virtual from Thailand

Images of librarians as seen in Hollywood, on TV and in the media.
Do you recognise the movies, TV programs, publications? This video could also be a catalyst on discussions about librarian stereotyping (or not).
Plus ... I offer it as some fun ... enjoy.
- created at http://animoto.com

To download a good quality (mp4) version of this video 50MB go to http://dl.drop box.com/u/5852705/ librariansinmedia%28animoto%29.mp4

If you like this or use it then please also tell please about the page on the Shambles website designed specifically to support library staff and teacher librarians at http://www.sham bles.net/librarian/
Tags: animoto shambles shamblesguru folletts ifollett library librarian stereotype role model libraries librarians books book mexico tri-association follett international
Added: 2 years ago
From: shamblesguru
Views: 4,632

[scene opens with a still image of a sign reading "Librarian Parking Only, All Others Will Be Overdue"]
["How does the media portray librarians?" appears on screen]
[cut to a still image from the movie "It's a Wonderful Life" with the caption "A wretched alternate fate is revealed for Mary Hatch Bailey (Donna Reed) in It's A Wonderful Life (1946): 'She's closing up the library!'"]
[cut to a still image of an elderly female librarian sitting at the reference desk, with the caption "Reference librarian from a DHL television commercial (2006)"]
[cut to a still image of a book cover (featuring a young woman holding a book) with the title "Jinny Williams Library Assistant, A Career Romance for Young Moderns"]
[cut to a still image of a 1950s pinup drawing (featuring a young woman holding a book while leaning up against a stool in front of a bookshelf)]
[cut to a still image of a poster advertising the book "Revolting Librarians Redux" (featuring a picture of a hammer next to a pile of books with the caption "Just when you thought it was safe to go back in the library ... ")]
[cut to a still image of the book "Unshelved" by Bill Barnes and Gene Ambaum]
[cut to a still image of a poster featuring James Franco holding a book with the caption "Read"]
[cut to a still image of a caricature featuring a young female librarian with eight arms doing multiple tasks (shelving books, typing on the computer, answering the phone, etc.)]
[cut to a still image from the New Jersey State Library's comic book "Super Librarian" (featuring a young female librarian wearing purple tights and a yellow cape while holding a book)]
[cut to a still image of a fantasy illustration featuring a young woman leaning on a pile of books as a dragon breathes fire in the background]
[cut to a still image of a cartoon female librarian with the caption "She Blinded Me With Library Science"]
[cut to a still image of a young female librarian wearing a bellydancing outfit with the caption "The Bellydancing Librarian"]
[cut to a still image of a young woman standing on a stepstool with the caption "'Shelving in Silhouette,' winner of the 2005 A Day in the Life of the Law Library Community Photo Contest"]
[cut to a still image of former First Lady Laura Bush reading a book with a young girl, with the caption "Laura Welch Bush, who was an Elementary School librarian before marrying George W. Bush, has advanced several literary initiatives as First Lady of the United States."]
[cut to a still image from the movie "The Day After Tomorrow" with the caption "Where else can people flee to from rapidly melting polar icecaps causing giant tidal waves but the Manhattan Public Library. From The Day After Tomorrow (2004)."]
[cut to a publicity still of Noah Wyle with the caption "Noah Wyle stars as a curator of magical artifacts in the TNT Action Movies The Librarian: Quest for the Spear (2004) and The Librarian: Return to King Solomon's Mines (2006)."]
[cut to a still image of the movie poster for "The Pagemaster" with the caption "Richard Tyler (Macaulay Culkin) is led on a fantastical adventure through a library by Mr. Dewey (Christopher Lloyd), AKA The Pagemaster (1994)."]
[cut to a still image from one of the Harry Potter films with the caption "The library at the Hogwarts School for Witches and Wizards. - Harry Potter series (1998-2007)"]
[cut to a still image from the movie "Sophie's Choice" with the caption "'Do you want me to draw you a map?' barks a staggeringly rude and unhelpful librarian (John Rothman) at Sophie Zawistowski (Meryl Streep) in Sophie's Choice (1982)."]
["How does the media portray librarians?" appears on screen]
[cut to a still image from the "Buffy the Vampire Slayer" television series with the caption "Librarian Rupert Giles (Anthony Head) kept a careful watch over Buffy the Vampire Slayer (1997-2003)."]
[cut to a still image from the movie "UHF" with the caption "'Don't you know the Dewey Decimal System?!' demands Conan the Librarian in UHF (1989)."]
[cut to a still image from the "Seinfeld" television series with the caption "Lt. Bookman, a library cop, is hot on the trail of Jerry's overdue book in the Seinfeld episode 'The Library' (1991)."]
[cut to a still image from the original "Star Trek" television series with the caption "Mr. Atoz (Ian Wolfe) and his clones oversee an historical library on a doomed planet in the Star Trek episode 'All Our Yesterdays' (1969)."]
[cut to a still image of an orangutan holding a book, with the caption "A depiction of The Librarian of Unseen University from Terry Pratchett's Discworld series of fantasy novels."]
[cut to a still image from the "Monty Python's Flying Circus" television series with the caption "The 'Gorilla Librarian' sketch from Monty Python's Flying Circus."]
[cut to a still image from the "Married With Children" television series with the caption "Al Bundy (Ed O'Neill) pulls off a typical claims returned trick on an old and bitter librarian in the Married... with Children episode 'He Thought He Could' (1988)."]
[cut to a still image from the movie "Scent of a Woman" with the caption "Circulation desk worker Charlie Simms (Chris O'Donnell) breaks the rules and lets his fair-weathered friend George Willis, Jr. (Philip Seymour Hoffman) take a reserve book out of the library. From Scent of a Woman (1992)."]
[cut to a still image from the movie "The Music Man" with the caption "Shirley Jones as the no-nonsense 'Marian the Librarian' in The Music Man (1962)."]
[cut to a still image from the movie "The Time Machine" with the caption "Vox (Orlando Jones), a holographic entity possessing a 'compendium of all human knowledge.' Where does Vox work? A futuristic New York Public Library. From The Time Machine (2002)."]
[cut to a still image from the movie "The Lord of the Rings" with the caption "An archivist guides Gandalf (Ian McKellen) through ancients scrolls, to a most important discovery. - The Lord of the Rings: The Fellowship of the Ring (2001)."]
[cut to a still image from the movie "Philadelphia" with the caption "In Philadelphia (1993), a librarian (Tracey Walter) encourages an ailing Andrew Beckett (Tom Hanks) to use a private study room."]
[cut to a still image from the movie "Major League" with the caption "'Books are my life now,' explains librarian Lynn Weslin (Rene Russo) in Major League (1989)."]
[cut to a still image from the movie "Foul Play" with the caption "Goldie Hawn stars as a librarian (Gloria Mundy) in the screwball thriller Foul Play (1978)."]
[cut to a still image of a poster featuring Yvonne Joyce Craig in full costume with the caption "Batgirl Was a Librarian"]
[cut to a still image from the movie "The Mummy" with Rachel Weisz holding a torch]
[cut to a still image of a movie poster for "Party Girl" with the caption "Mary (Parker Posey) is the ultimate Party Girl (1995) who discovers, 'I want to be a librarian!'"]
["And librarians never ... ever ... never ... forget" appears on screen, then cut to footage of librarians bathing elephants in a river]
[cut to a still image from the "Every Time We Touch" music video with the caption "Cascada cuts loose in the library in the 2006 disco hit 'Every Time We Touch.'"]
[cut to a still image of the album cover for "Tales of a Librarian" with the caption "In 2003 singer Tori Amos released a compilation album entitled 'Tales of a Librarian.'"]
[cut to a still image from the movie "The Gun in Betty Lou's Handbag" with the caption "Betty Lou Perkins (Penelope Ann Miller), a shy librarian, makes a discovery in The Gun in Betty Lou's Handbag (1992)."]
[cut to a still image from the movie "Desk Set" with the caption "Bunny Watson (Katharine Hepburn) teaches Richard Sumner (Spencer Tracy) a few things about modern research methods in Desk Set (1957)."]
["How does the media portray librarians?" appears on screen]
[cut to a still image from the movie "Ghostbusters" with the caption "Dr. Egon Spengler (Harold Ramis) leads fellow Ghostbusters (1984) Dr. Raymond Stantz (Dan Aykroyd) and Dr. Peter Venkman (Bill Murray) through a haunted New York Public Library."]
[cut to a still image from the movie "Eternal Sunshine of the Spotless Mind" with the caption "Joel Barish (Jim Carrey) talks with Clementine Kruczynski (Kate Winslet), who works at a Barnes & Noble store, in Eternal Sunshine of the Spotless Mind (2004)."]
[cut to a still image from the movie "Black Mask" with the caption "Jet Li is a librarian/supersoldier in the Hong Kong action film Black Mask (1996)."]
[cut to a still image from the "Twilight Zone" television series with the caption "In an Orwellian future, a librarian (played by Burgess Meredith) fills the title role of 'The Obsolete Man' (1961) in an episode from The Twilight Zone."]
[cut to a still image of red-garbed male librarian marching around a grey library, with the caption "Musclebound, uniformed librarians march and shush library patrons in a Packard Bell commercial for home computers (1996)."]
[cut to a still image from the movie "The Name of the Rose" with the caption "Brother William of Baskerville (Sean Connery) investigates a series of mysterious deaths in a medieval monastery - apparently involving a vast secret library and a book that kills - in The Name of the Rose (1986)."]
[cut to a still image from the movie "Storm Center" with the caption "As a librarian in a small town, Alicia Hull (Bette Davis) befriends Freddie Slater (Kevin Coughlin) - while combating challenges to her collection development decisions during the height of the Red Scare - in Storm Center (1956)."]
[cut to a still image from the movie "The Shawshank Redemption" with the caption "The prison library in The Shawshank Redemption (1994)."]
[cut to a still image from the movie "Indiana Jones and the Last Crusade" with the caption "A librarian stamping books in Indiana Jones and the Last Crusade (1989)."]
[cut to a promotional image from the "Stacked" television series with the caption "Pamela Anderson starred in the FOX Television comedy Stacked (2005-2006)."]
[cut to a still image of a poster featuring Lucy Liu sitting on the lap of a young female librarian ("For incredible movie experiences in your lap, get Intel Centrino in your laptop"), with the caption "Intel ad with Lucy Liu in the lap of a librarian (2005)."]
[cut to a still image of a poster promoting "The Library" (a bar in Manhattan), featuring two female librarians seductively looking into the camera while holding wine glasses ("Library Bar, 7 Avenue A NYC, librarybarnyc dot com, librarians Erinn & Elizabeth, photo Kristopher David Lett")]
[cut to a still image featuring two web ads for adult bars (one called "The Library Gentlemans Club" with a picture of a young brunette, the other called "The Library VIP Card" featuring a young blonde wearing glasses and a low cut blouse saying "With a Library Card ... You'll be checking out more than Books!") with the caption "Advertisements for The Library Bar (New York) and The Library (Las Vegas)."]
[cut to a still image of a poster featuring a young woman with the Bacardi logo tattooed on the small of her back ("Librarian by day, Bacardi by night"), with the caption "Magazine advertisement for Bacardi Rum."]
[cut to a still image of a poster featuring a woman wearing a blue bikini and kneeling on a diving board ("She's Not Your Typical Librarian. Laura Sophiea, 46, 2001 World Champion Masters Triathlete, full-time librarian, mother of three, and loyal Mack's Earplugs user"), with the caption "Magazine advertisement for Mack's Earplugs."]
[cut to a still image from the movie "Debbie Does Dallas" with the caption "Debbie gets friendly with a librarian in Debbie Does Dallas (1978)."]
[cut to a still image from the movie "Tomcats" with the caption "Heather Stephens plays Jill, the awkward librarian (and closet dominatrix), in Tomcats (2001)."]
[cut to a still image from the January 1959 issue of "Playboy Magazine" (featuring a young woman - fully clothed and with a bun in her hair - standing in the library), with the caption "Librarian and Playmate of the Month Virginia Gordon."]
[cut to a still image from the comic strip "Family Circus", featuring Billy and Dolly walking out of the library while the young girl puts a finger to her lips and says "To be a librarian, all you have to learn is how to say 'SHH!'"]
[cut to a still image from the comic strip "Mother Goose and Grimm", featuring Ham the Pig holding a book and standing at a table marked "Overdue Books" (where a very large man is sitting) with the caption "Conan the Librarian"]
[cut to a screengrab from the "Lipstick Librarian" website, featuring a young woman in a gown holding a book with the caption "The Lipstick Librarian!"]
[cut to a screengrab from the "Library Avengers" website, featuring a drawing of a young woman saying "Look it up!" ("Why you should fall to your Knees and worship a librarian ... ") with the caption "From librarianavengers dot org"]
["With acknowledgement" appears on screen, then cut to a screengrab of the TK421 "Librarians" photo gallery (www dot tk421 dot net slash photos slash v slash librarians)]
["This is the very ... very ... very ... end of a jumbo project" appears on screen, then cut to more footage of the elephants in the river]
["I hope you enjoyed it ... Shamblesguru" appears on screen]
["Please inform me of any copyright infringements" appears on screen]

Librarians as seen by the media
Created by Shamblesguru
Soundtrack: Granada Tropical
Artist: Roger Espinoza

---

From tk421.net:

Librarian stereotypes in popular culture support the image of a librarian as a shushing school marm who does little more than stamp and shelve books. Maybe that's all you've seen librarians do. However, this perception is about as inaccurate as believing that Federal Reserve Chairman Alan Greenspan is nothing more than a glorified bank teller.

The technology may change but the mission of the profession remains the same: organize information and help people find it. Libraries have been around a lot longer than the Internet, and provide answers to questions about almost anything. A library is sometimes much more useful for researching information than the Intenet.

Today librarians not only administer Web servers and dynamic databases to help manage large digital collections and thousands of electronic resources, they teach people how to use library systems. And the library profession not only is part of the Open Source and Open Access movements, but also has a long history of staunchly defending freedom - from book burnings to the FBI's Library Awareness Program to the latest privacy and copyright battles and almost all other current issues in intellectual freedom.

Friday, February 22, 2013

Case Study No. 0807: Unnamed Female Librarian (Oreo)

OREO - Whisper Fight
0:35
When grown men whisper-fight about OREO cookies in a library, everyone wins.
Join the fight on Instagram... We might just re-create your photo using your favorite part of the OREO. http://o reo.ly/11aUgGf
Tags: oreo oreo cookie commercial library whisper fight cremethis cookiethis oreo creme voting funny ad Oreo Whisper Fight Cookie creme Whisper Super Bowl Commercial Ad Library Cops cream
Added: 1 month ago
From: Oreo
Views: 2,023,044

[scene opens in a public library, as two male patrons are sitting at a table across from one another (one of whom is holding an Oreo cookie)]
PATRON 1: [whispers] I've always preferred the cream part of an Oreo.
PATRON 2: [whispers] That's crazy, the cookie's the best part.
PATRON 1: [whispers] Cream!
PATRON 2: [whispers] Cookie!
PATRON 1: [whispers] Cream!
[he loudly slams the book in front of him shut]
PATRON 2: [whispers] Cookie!
[he gets up and flips their table over, then a female patron walks up behind him holding a chair]
PATRON 3: [whispers] Cream!
[she smashes him in the back with the chair, then cut to another male patron standing in front of a bookshelf]
PATRON 4: [whispers] Cookie!
[he pushes the shelf down (as it loudly takes down the rest of the bookshelves dominoes-style), then cut to an older male patron holding an old-style PC monitor]
PATRON 5: [whispers] Cream!
[he throws the monitor across the room, then cut to another female patron holding a reading lamp (as she ducks and the monitor goes over her head and through a stained-glass window behind her)]
PATRON 6: [whispers] Cookie!
[she throws the lamp against a nearby brick wall, then cut to two other male patrons wrestling on the floor above them]
PATRON 7: [whispers] Cream!
PATRON 8: [whispers] Cookie!
[they end up smashing through the railing and falling on a table below them]
PATRON 7: [whispers] Creeeeeeamm!
[the table smashes loudly beneath them upon impact, then cut back to the broken lamp which burts into flame and sets a nearby drape on fire (causing the fire alarm to go off)]
[cut to the nearby exit, as two firemen break down the door and begin spraying the premises with a firehose]
FIREMAN: [whispers] Fire!
[the camera zooms out to show the ensuing carnage (bookshelves on fire, patrons hitting each other with furniture, books all over the floor) ... however, everyone is still whispering either "Cookie!" or "Cream!"]
[cut to the female librarian (red hair, eyeglasses around her neck, red and yellow caridgan sweater) at the information desk, as she picks up the telephone]
LIBRARIAN: [whispers] I'm calling the cops!
[cut to a police car smashing through the brick wall, as a male police officer steps out and speaks into his megaphone ... but he also whispers]
POLICEMAN: [whispers] You guys have to stop fighting! We're the cops!
[cut to an Oreo cookie, as "Something we can all disagree on" appears on screen]
ANNOUNCER: [whispers] Choose your side on Instagram, at Oreo.

---

From time.com:

The Best and Worst Super Bowl Commercials of 2013

1st Quarter
Oreo, Whisper Fight (34 sec)

The cookiemaker tries to make some noise by making very little, with a spot premised on an all-out but whispered cream-vs.-cookies brawl in a library. The idea's better than the execution, which could have been more spectacularly produced and visually funny for the Big Game. But I can give the concept at least quiet appreciation.

Grade: C

---

From bleacherreport.com:

My, my look who is back? Oreos!

The old, classic cookie comes out with its own Superbowl commercial late in the first quarter. The setting is a library - remember what those are, kids?

Basically, two guys start arguing about the what is the best part of the Oreo cookie: Is it the cookie or is it the cream?

Everyone knows the answer to that, I mean, you cannot lick the cookie, sheesh.

What starts out as a whisper disagreement turns into a huge fight, with chair tossing and lamps breaking - and that's just the first 10 seconds.

Soon after the fire trucks show up, an old fashioned riot breaks out - without any looting, of course.

While hoses are blasting at rising fires, one woman whispers that she is going to call the cops.

Cops break through the library's brick wall and pull out the megaphone.

Which means all the whispers stop, right?

Of course not.

See, the cop whispers through the megaphone. These are fun times.

In the end you have to choose sides: Are you team cookie or team cream?

Then, go check its Instagram page for validation.

I personally love the commercial, but then again, I've lived in L.A., where folks riot just because it's Wednesday.

I'm pretty sure this one will trend, as it is definitely one of the winners.

What say you, folks? Are you team cream, team cookie?

---

From ign.com:

Oreo: "Whisper Fight"
The idea of an argument over which part of an Oreo is better -- the cookie or the cream -- turning into a giant brawl is funny. But what really elevates this ad is the commitment to the setting, as all the participants honor the fact that they're inside a library and should keep quiet, even while kicking each other's asses. Plus, Oreos are delicious!

Case Study No. 0806: Ninja Librarian (Heather Bernardin)

Ninja Librarian
0:23
My first flash animation
Tags: Ninja funny animation Humour
Added: 1 year ago
From: tigereyes
Views: 40

[scene opens with a young boy in the library, reaching for a book on the top shelf, when his cell phone starts ringing]
BOY: Oh!
[he reaches into his pocket and answers it]
BOY: Hello!
[a pencil suddenly flies in from off camera, impaling the phone and embedding it into the opposite wall]
BOY: Ahh!
[this is followed by another pencil flying through the air and lodging itself into the wall right next to the phone, only this one is attached to a sticky note which reads "Shhh ... "]
BOY: Gasp!
[he turns around to find an elderly woman (grey hair in a bun and cat-eye glasses) wearing a ninja costume, who puts a finger to her lips and shushes him]
LIBRARIAN: Shh! This is a library!
[she throws a smoke bomb to the ground and disappears in a cloud of yellow sticky notes, then cut to the boy with mouth agape]
BOY: Uh ...
NARRATOR: Ninja librarian!
["Made by Heather Bernardin" appears on screen]

Case Study No. 0805: Devin McKenzie

Nerdlocker Comic Book Review - The Answer #1
1:25
http://www.nerdlocker.com - Bobby reviews the first issue of The Answer!

The Answer #1
Writer: Norton, Mike
Artist: Norton, Mike
Cover Artist: Englert, Mark
On Sale Date: January 23, 2013
Publisher: Dark Horse Publishing

If you've read it let us know what you think in the comments below!
Tags: Season1 Ep100i theanswer las vegas vegas nerd locker nerdlocker reviews comic books dark horse publishing The Answer #1 the answer mike norton mark englert
Added: 1 month ago
From: nerdlocker
Views: 77

[scene opens with a young man speaking directly to the camera]
BOBBY DRAPER: A new number one this week for me, "Answer No. 1" written by Mike Norton and Dennis Hopeless. The book kinda seems like it would be a play on the DC character The Question, and it kind of is.
[he shrugs]
BOBBY DRAPER: Um, this woman can solve all these incredible puzzles, and she's gotten one as a present for her birthday from her mother, and she solves it pretty much immediately, and it opens up a whole bunch of questions for this book!
[he shrugs]
BOBBY DRAPER: And I wonder what superhero will be able to answer that ... None other than The Answer himself. The character seems silly, and they really didn't even bring up the superhero until the end of the book, so most of it you're just reading about this woman who's really good at solving puzzles.
[he shrugs]
BOBBY DRAPER: Honestly, she wasn't all that boring. She was kinda fun to read about her, so I think you might need to check this book out, if not for the character The Answer, maybe for the supporting characters ... Check it out, I'm gonna give it four out of five nerd skulls.
[cut to an image of the cover for "The Answer #1", featuring librarian Devin McKenzie (red hair, glasses) holding some kind of puzzle box while The Answer (black costume, mask with an exclamation point over the face, white boots and white gloves) poses on top of a building above her]

The Nerdlocker Show

Creators
Jim Palquist
Patrick Hayes

Producer/Director/Editor
Jim Palquist

Hosts
Brandon Zitch
Bobby Draper
Chris (Cubby) Guerrero
Hayley Etter

Music
Jim Palquist
Ryan Brunty

---

From whoistheanswer.com:

"Answer #1"
On Sale January 23rd, 2013

Devin McKenzie is an insomniac librarian with a knack for solving puzzles. The Answer! is a masked crime fighter with a giant exclamation point on his face. Aside from a penchant for late nights, they share nothing in common . . . until both become embroiled in a deadly mystery surrounding a sinister motivational speaker!

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From dennishopeless.com:

4-issue mini-series

Coming Jan 2013 from Dark Horse

Art: Mike Norton

Sometime in 2008, Mike Norton told me about The Answer. It was an weirdly involved superhero mystery he had been putting together in his head for years but could never get together. It stuck got stuck in my head and within a few weeks I had convinced him to let me write it.

Basically, it's the story of a brilliant research librarian who goes on the run with a enigmatic super hero when she finds herself at the center of a cult leader's bizarre scheme. Weird, right? Just imagine The Divinci Code with super heroes starring Velma from Scooby Doo.

---

From newsarama.com:

What do you get when you cross a librarian and a masked hero with a giant exclamation point taking up the majority of his face? You get The Answer, a creation straight out of the mind of Mike Norton, with writer Dennis Hopeless along for the ride. The Answer will be starting with a four issue mini series on January 23rd, from Dark Horse Comics.

The way the story is set up is, The Answer is a hero who might be crazy, or not, he's just good at making sure that Devin, the librarian, stays safe. The fact of the story is, the main character of the tale isn't The Answer, Librarian Devin McKenzie is actually the main character. She's a bigger force in the world than she realizes, The Answer knows this though, and he's there to make sure no harm comes to her.

The concept by Mike Norton and Dennis Hopeless sounds compelling. I love the design of The Answer, the Steve Ditko comparisons make sense. Quirky, dynamic, and you can't help but be engaged. I can't wait to know more as to what role Devin McKenzie plays and what she'll end up contributing to the story. A clever idea that I can't wait to see where it takes us. Be sure to check this one out January 23rd, this looks like a fun ride.

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From avclub.com:

It's appropriate that a book called The Answer would be full of questions, but that's what makes the new miniseries by Dennis Hopeless and Mike Norton so alluring. The Answer #1 (Dark Horse) follows Devin McKenzie, a librarian who has a flawless Jeopardy! record and knows every crossword clue, but when she unlocks an extremely difficult puzzle ball in a matter of minutes, she ends up in a life-or-death problem that she has no idea how to solve. Her only ally is a superhero with an exclamation point on his mask and the ability to come back from a gunshot wound to the head. He helps her as she makes her escape from armed thugs that are somehow connected to a self-help group devoted to chaos. Hopeless' snappy dialogue gives Devin a sassy personality that doesn't undercut her intelligence, and the story he's crafted with Norton smoothly transitions between mystery, suspense, action, and humor. Norton is one of the industry's most reliable pencillers, and he provides sharp visuals that balance the script's various genre elements. Readers looking for an intriguing superhero tale outside of Marvel and DC will find it in The Answer, which, along with The Black Beetle, is ushering in a year of memorable costumed adventures at Dark Horse ...

Thursday, February 21, 2013

Case Study No. 0804: Herr Geheimarchivrath Fritzing

The Princess Priscilla's Fortnight (FULL Audio Book) part 1
1:45:02
The Princess Priscilla's Fortnight (FULL Audio Book)
by Elizabeth von Arnim (1866-1941)

The Princess Priscilla of Lothen Kunitz finds court life stifling and runs away to England with the elderly court librarian. Her intention is to live a pure and simple life filled with good works. But life among ordinary people in an English village is not what she expects it to be... (Introduction by Tabithat)
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Added: 1 month ago
From: rt20bg
Views: 13

From wikipedia.org:

Princess Priscilla's Fortnight is a 1905 comedy-drama novel by the British writer Elizabeth von Arnim, known at the time as Elizabeth Russell. It was turned into a play The Cottage in the Air in 1909.

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From wordpress.com:

I think I will always remember The Princess Priscilla's Fortnight by Elizabeth von Arnim as the book that made me want to get an e-reader. Just knowing it was out there and available for free was too tempting. A humourous fairy tale-like story from my beloved Elizabeth von Arnim? I had to read it. So, unsurprisingly, this was the very first book to be loaded onto my Kobo and it was the very first one to be read. And it was absolutely delightful.

The lovely Princess Priscilla of Lothen-Kunitz is adored by all who know her and has lived her life most comfortably in the lap of luxury. She is beautiful, young, and rich and should really have no reason to want anything more from life. She is perhaps a little too intelligent for her father's liking, but she does her best to conceal her attempts at education from him. The Grand Duchess had been similarly flawed:

"It was what had been the matter with the deceased Grand Duchess; she would think, and no one could stop her, and her life in consequence was a burden to herself and to everybody else at her court."

Both her sisters have been married off and now Priscilla is the only one left, with gentlemen falling over themselves to make her their bride. Before the novel begins, though, no really appropriate suitor had presented himself:

"They were however all poor, and Priscilla and her sisters were rich; and how foolish, said the Grand Duke, to marry poor men unless you are poor yourself. The Grand Duke, therefore, took these young men aside and crushed them, while Priscilla, indifferent, went on with her drawing. But now came one who was so eminently desirable that he had no need to do more than merely signify. There had been much trouble and a great deal of delay in finding him a wife, for he had insisted on having a princess who should be both pretty and not his cousin. Europe did not seem to contain such a thing."

The Prince, having resigned himself to not finding a woman both beautiful and unrelated to him, has resorted to looking among his cousins and decides that Priscilla would be quite perfect. Priscilla, having never given marriage much thought, does not agree with the perfection of this plan. So she decides, with the help of her dear friend and advisor, Herr Fritzing, the Royal Librarian, to run away:

"Priscilla wanted to run away. This, I believe, is considered an awful thing to do even if you are only a housemaid or somebody's wife. If it were not considered awful, placed by the world high up on its list of Utter Unforgivablenesses, there is, I suppose, not a woman who would not at some time or other have run. She might come back, but she would surely have gone."

She wants to run away from the charming castle she lives in, from her father the Grand Duke, and most especially from the proposed marriage with the prince. She is tired of her privileged and exhausting lifestyle and wants to live quietly and simply in the country. England, she says, is the only place to go, its picturesque cottages matching exactly the vision she has for her new life. So, with "the tremendous daring of absolute inexperience", Priscilla and the devoted Fritzi set off, with Priscilla's maid Annalise in attendance (Annalise having been chosen chiefly because her greed over promised wages made her the least likely to blab about the plan).

I really think it is a tragedy that so few of von Arnim's novels feature sea voyages because she writes rather wonderfully about seasick characters and those who come into contact with them. Fritzi does not do well on the short and very calm voyage from France to England, raising and then dashing the hopes of his fellow travellers:

"He clung to the rail, staring miserably over the side into the oily water. Some of the passengers lingered to watch him, at first because they thought he was going to be seasick with so little provocation that it amounted to genius, and afterwards because they were sure he must want to commit suicide. When they found that time passed and he did neither, he became unpopular, and they went away and left him altogether and contemptuously alone."

Once arrived in England, the three runaways settle down in a small village where, in a remarkably short period of time, they cause much confusion and several tragedies among the locals. Unsurprisingly, the lovely Priscilla, who came to England partly to escape male attentions, immediately attracts the admiration of two youths of her own age: the frail Tussie and the cheerful Robin. Equally unsurprisingly, the mothers of these two young men are less than thrilled by the arrival of the mysterious young woman and are irritated by the amount of chaos she has brought into their lives and the village in general.

With limited funds and very little practical knowledge, the deeply mismatched trio of Priscilla, Fritzi, and Annalise soon run into trouble. "Truly," the narrator reminds us as they stumble from crisis to crisis, "it is a great art, that of running away, and needs incessant practice." They made no plans for transferring their money from Germany, they buy completely impractical cottages that they have no idea how to manage and forget to hire housekeepers, maids or cooks (something they only recall when meal time arrives and there is no meal waiting – poor Priscilla has many hungry days). Priscilla, used to freely handing out money when visiting the people of Lothen-Kunitz, happily does the same in her new village – quickly earning their love and depleting Fritzi's reserves. Everything she does is done with the best of intentions and in completely innocent ignorance and, unfortunately, it quite often ends badly.

As usual with von Arnim, this is not a novel of brilliant characterization. I may have liked Priscilla and Fritzi and especially Annalise (she is wonderfully cold-hearted) but there is really no attempt to make them anything other than amusing, fairy tale characters. The joy of von Arnim's writing is in the narrator's sharp-witted comments. I adore her sense of humour and there was something to make me smile on every page. There are a marvellous number of generalisations about both the English character and the German one and the prejudices these two groups feel towards one another. The misogynistic Grand Duke's rules for raising his daughters are also particularly fabulous:

"The Grand Duke's idea about his daughters was that they should know a little of everything and nothing too well: and if Priscilla had said she wanted to study Shakespeare with the librarian he would have angrily forbid it. Had she not had ten years for studying Shakespeare? To go on longer than that would mean that she was eager, and the Grand Duke loathed an eager woman."

I think a large part of why I enjoyed this so much was that it reminded me of von Arnim's Christopher and Columbus. Christopher and Columbus is a better, more complete novel but the spirit is very much the same and there are definite similarities, particularly in each set of characters' ability to quite innocently entangle themselves in local scandal. The Princess Priscilla's Fortnight is a fun little story and I am so glad to have finally had the chance to read it!

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From blogspot.com:

Elizabeth von Arnim is rather noted for the enchantingness of her books. Elizabeth and Her German Garden is one that stays with you despite its overtones of unhappiness - for the protagonist and, by implication, the author - in the writing, and Enchanted April is just beguiling. At the start, Princess Priscilla has a fairytale quality. It reminded me, with its middle European setting, of Thackeray's The Rose and the Ring, or Andrew Lang's varicoloured Fairy Books. Lothen-Kunitz is in the fairytale heart of Europe - not the lands of great forests and lakes, but a soft, flower-filled haven where no one is ever unhappy. Or, at least, that ought to be the case, but Princess Priscilla is deeply unsatisfied. The youngest of three sisters, she's received a better education than princesses usually have. This isn't intentional - her father thinks she's studying the ladylike accomplishments of music and drawing, but his librarian, Fritzing, adores young Priscilla and her reading list of more appropriate for a young prince, a person for whom action will be paired with study. So it's not exactly surprising when her life of luxury and inaction begins to pall. When her father announces that it's time for her to marry an entirely suitable prince , a cousin from a neighbouring kingdom, she decides that she will put up with it no longer and instructs Fritzing, who can deny her nothing, to set in train her plans for running away.

Posing as uncle and niece, the pair flee to England, whose virtues Fritzing has extolled to his pupil. Here they will take up the simple life, in a country cottage. Unfortunately, neither is suited to such an existence - Fritzing's experience of the English countryside is of getting himself around as a single and comfortable off young man on a walking tour - and their descent on the Somerset village of Stymford rapidly becomes little short of disastrous.

From the start the reader can see that it's very unlikely to work out - Priscilla hasn't the knack of relating to people on an ordinary level and she deals with her new acquaintances with a combination of warmth and imperiousness which makes both friends and enemies. The most implacable of the latter is Mrs Morrison, the vicar's wife, who thinks she's a designing hussy. Mrs Morrison's son Robin, on the other hand, falls instantly in love, as does the young lord of the manor. Confusion ensues, especially as Priscilla and Fritzing have forgotten to agree some of the most basic elements of their story, such as their names.

Von Arnim's style is chatty and discursive, an ever-present authorial voice observing, interpreting and even disapproving. "I shall chronicle," she says, "and not comment. I shall try to, that is, for comments are very dear to me." And she embarks on a fresh paragraph of moralising. Later she says, "And now I come to a part of my story that I would much rather not write." Priscilla is the erring child of her heart.

My borrowed, 1905 copy of Princess Priscilla came from the deepest vaults of the library service, it seemed, a first edition purchased in 1949 as part of a gift to commemorate the end of the war, since when it has been loaned out a total of 12 times. It's in good condition for a book more than 100 years old, and it seems rather sad that it probably hasn't seen daylight for more of the last 50 (someone did borrow it in 2009). I'm amazed that it hasn't gone the way of most of the older books in the library system, and can only suppose that it's because its a bequest that saved it. It's exactly the sort of thing I pounced on in my local library when I was growing up, and I'm sorry that it's so obviously a casualty of the compulsion to restock the shelves regularly with chick lit and thrillers and only emerges when someone takes the trouble to trawl the catalogue looking for antiques. Because it's worth reading, and not only as a curiosity - it's witty and diverting and has something to say - lightly, charmingly - about impossible quests and the follies of youth and age. Ardent princesses and old men in ivory towers take note!

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From gutenberg.org:

Her Grand Ducal Highness the Princess Priscilla of Lothen-Kunitz was up to the age of twenty-one a most promising young lady. She was not only poetic in appearance beyond the habit of princesses but she was also of graceful and appropriate behaviour. She did what she was told; or, more valuable, she did what was expected of her without being told. Her father, in his youth and middle age a fiery man, now an irritable old gentleman who liked good food and insisted on strictest etiquette, was proud of her on those occasions when she happened to cross his mind. Her mother, by birth an English princess of an originality uncomfortable and unexpected in a royal lady that continued to the end of her life to crop up at disconcerting moments, died when Priscilla was sixteen. Her sisters, one older and one younger than herself, were both far less pleasing to look upon than she was, and much more difficult to manage; yet each married a suitable prince and each became a credit to her House, while as for Priscilla, - well, as for Priscilla, I propose to describe her dreadful conduct.

But first her appearance. She was well above the average height of woman; a desirable thing in a princess, who, before everything, must impress the public with her dignity. She had a long pointed chin, and a sweet mouth with full lips that looked most kind. Her nose was not quite straight, one side of it being the least bit different from the other, - a slight crookedness that gave her face a charm absolutely beyond the reach of those whose features are what is known as chiselled. Her skin was of that fairness that freckles readily in hot summers or on winter days when the sun shines brightly on the snow, a delicate soft skin that is seen sometimes with golden eyelashes and eyebrows, and hair that is more red than gold. Priscilla had these eyelashes and eyebrows and this hair, and she had besides beautiful grey-blue eyes - calm pools of thought, the court poet called them, when her having a birthday compelled him to official raptures; and because everybody felt sure they were not really anything of the kind the poet's utterance was received with acclamations. Indeed, a princess who should possess such pools would be most undesirable - in Lothen-Kunitz nothing short of a calamity; for had they not had one already? It was what had been the matter with the deceased Grand Duchess; she would think, and no one could stop her, and her life in consequence was a burden to herself and to everybody else at her court. Priscilla, however, was very silent. She had never expressed an opinion, and the inference was that she had no opinion to express. She had not criticized, she had not argued, she had been tractable, obedient, meek. Yet her sisters, who had often criticized and argued, and who had rarely been obedient and never meek, became as I have said the wives of appropriate princes, while Priscilla, - well, he who runs may read what it was that Priscilla became.

But first as to where she lived. The Grand Duchy of Lothen-Kunitz lies in the south of Europe; that smiling region of fruitful plains, forest-clothed hills, and broad rivers. It is one of the first places Spring stops at on her way up from Italy; and Autumn, coming down from the north sunburnt, fruit-laden, and blest, goes slowly when she reaches it, lingering there with her serenity and ripeness, her calm skies and her windless days long after the Saxons and Prussians have lit their stoves and got out their furs. There figs can be eaten off the trees in one's garden, and vineyards glow on the hillsides. There the people are Catholics, and the Protestant pastor casts no shadow of a black gown across life. There as you walk along the white roads, you pass the image of the dead Christ by the wayside; mute reminder to those who would otherwise forget of the beauty of pitifulness and love. And there, so near is Kunitz to the soul of things, you may any morning get into the train after breakfast and in the afternoon find yourself drinking coffee in the cool colonnades of the Piazza San Marco at Venice.

Kunitz is the capital of the duchy, and the palace is built on a hill. It is one of those piled-up buildings of many windows and turrets and battlements on which the tourist gazes from below as at the realization of a childhood's dream. A branch of the river Loth winds round the base of the hill, separating the ducal family from the red-roofed town along its other bank. Kunitz stretches right round the hill, lying clasped about its castle like a necklet of ancient stones. At the foot of the castle walls the ducal orchards and kitchen gardens begin, continuing down to the water's edge and clothing the base of the hill in a garment of blossom and fruit. No fairer sight is to be seen than the glimpse of these grey walls and turrets rising out of a cloud of blossom to be had by him who shall stand in the market place of Kunitz and look eastward up the narrow street on a May morning; and if he who gazes is a dreamer he could easily imagine that where the setting of life is so lovely its days must of necessity be each like a jewel, of perfect brightness and beauty.

The Princess Priscilla, however, knew better. To her unfortunately the life within the walls seemed of a quite blatant vulgarity; pervaded by lacqueys, by officials of every kind and degree, by too much food, too many clothes, by waste, by a feverish frittering away of time, by a hideous want of privacy, by a dreariness unutterable. To her it was a perpetual behaving according to the ideas officials had formed as to the conduct to be expected of princesses, a perpetual pretending not to see that the service offered was sheerest lip-service, a perpetual shutting of the eyes to hypocrisy and grasping selfishness. Conceive, you tourist full of illusions standing free down there in the market place, the frightfulness of never being alone a moment from the time you get out of bed to the time you get into it again. Conceive the deadly patience needed to stand passive and be talked to, amused, taken care of, all day long for years. Conceive the intolerableness, if you are at all sensitive, of being watched by eyes so sharp and prying, so eager to note the least change of expression and to use the conclusions drawn for personal ends that nothing, absolutely nothing, escapes them. Priscilla's sisters took all these things as a matter of course, did not care in the least how keenly they were watched and talked over, never wanted to be alone, liked being fussed over by their ladies-in-waiting. They, happy girls, had thick skins. But Priscilla was a dreamer of dreams, a poet who never wrote poems, but whose soul though inarticulate was none the less saturated with the desires and loves from which poems are born. She, like her sisters, had actually known no other states; but then she dreamed of them continuously, she desired them continuously, she read of them continuously; and though there was only one person who knew she did these things I suppose one person is enough in the way of encouragement if your mind is bent on rebellion. This old person, cause of all the mischief that followed, for without his help I do not see what Priscilla could have done, was the ducal librarian - Hofbibliothekar, head, and practically master of the wonderful collection of books and manuscripts whose mere catalogue made learned mouths in distant parts of Europe water and learned lungs sigh in hopeless envy. He too had officials under him, but they were unlike the others: meek youths, studious and short-sighted, whose business as far as Priscilla could see was to bow themselves out silently whenever she and her lady-in-waiting came in. The librarian's name was Fritzing; plain Herr Fritzing originally, but gradually by various stages at last arrived at the dignity and sonorousness of Herr Geheimarchivrath Fritzing. The Grand Duke indeed had proposed to ennoble him after he had successfully taught Priscilla English grammar, but Fritzing, whose spirit dwelt among the Greeks, could not be brought to see any desirability in such a step. Priscilla called him Fritzi when her lady-in-waiting dozed; dearest Fritzi sometimes even, in the heat of protest or persuasion. But afterwards, leaving the room as solemnly as she had come in, followed by her wide-awake attendant, she would nod a formally gracious "Good afternoon, Herr Geheimrath," for all the world as though she had been talking that way the whole time. The Countess (her lady-in-waiting was the Countess Irmgard von Disthal, an ample slow lady, the unmarried daughter of a noble house, about fifty at this time, and luckily - or unluckily - for Priscilla, a great lover of much food and its resultant deep slumbers) would bow in her turn in as stately a manner as her bulk permitted, and with a frigidity so pronounced that in any one less skilled in shades of deportment it would have resembled with a singular completeness a sniff of scorn. Her frigidity was perfectly justified. Was she not a hochgeboren, a member of an ancient house, of luminous pedigree as far back as one could possibly see? And was he not the son of an obscure Westphalian farmer, a person who in his youth had sat barefoot watching pigs? It is true he had learning, and culture, and a big head with plenty of brains in it, and the Countess Disthal had a small head, hardly any brains, no soul to speak of, and no education. This, I say, is true; but it is also neither here nor there. The Countess was the Countess, and Fritzing was a nobody, and the condescension she showed him was far more grand ducal than anything in that way that Priscilla could or ever did produce.

Fritzing, unusually gifted, and enterprising from the first - which explains the gulf between pig-watching and Hofbibliothekar - had spent ten years in Paris and twenty in England in various capacities, but always climbing higher in the world of intellect, and had come during this climbing to speak English quite as well as most Englishmen, if in a statelier, Johnsonian manner. At fifty he began his career in Kunitz, and being a lover of children took over the English education of the three princesses; and now that they had long since learned all they cared to know, and in Priscilla's case all of grammar at least that he had to teach, he invented a talent for drawing in Priscilla, who could not draw a straight line, much less a curved one, so that she should still be able to come to the library as often as she chose on the pretext of taking a drawing-lesson. The Grand Duke's idea about his daughters was that they should know a little of everything and nothing too well; and if Priscilla had said she wanted to study Shakespeare with the librarian he would have angrily forbidden it. Had she not had ten years for studying Shakespeare? To go on longer than that would mean that she was eager, and the Grand Duke loathed an eager woman.

But he had nothing to say against a little drawing; and it was during the drawing-lessons of the summer Priscilla was twenty-one that the Countess Disthal slept so peacefully. The summer was hot, and the vast room cool and quiet. The time was three o'clock - immediately, that is, after luncheon. Through the narrow open windows sweet airs and scents came in from the bright world outside. Sometimes a bee would wander up from the fruit-gardens below, and lazily drone round shady corners. Sometimes a flock of pigeons rose swiftly in front of the windows, with a flash of shining wings. Every quarter of an hour the cathedral clock down in the town sent up its slow chime. Voices of people boating on the river floated up too, softened to melodiousness. Down at the foot of the hill the red roofs of the town glistened in the sun. Beyond them lay the sweltering cornfields. Beyond them forests and villages. Beyond them a blue line of hills. Beyond them, said Priscilla to herself, freedom. She sat in her white dress at a table in one of the deep windows, her head on its long slender neck, where the little rings of red-gold hair curled so prettily, bent over the drawing-board, her voice murmuring ceaselessly, for time was short and she had a great many things to say. At her side sat Fritzing, listening and answering. Far away in the coolest, shadiest corner of the room slumbered the Countess. She was lulled by the murmured talk as sweetly as by the drone of the bee.

"Your Grand Ducal Highness receives many criticisms and much advice on the subject of drawing from the Herr Geheimrath?" she said one day, after a lesson during which she had been drowsily aware of much talk.

"The Herr Geheimrath is most conscientious," said Priscilla in the stately, it-has-nothing-to-do-with-you sort of tone she found most effectual with the Countess; but she added a request under her breath that the lieber Gott might forgive her, for she knew she had told a fib.

Indeed, the last thing that Fritzing was at this convulsed period of his life was what his master would have called conscientious. Was he not encouraging the strangest, wickedest, wildest ideas in the Princess? Strange and wicked and wild that is from the grand ducal point of view, for to Priscilla they seemed all sweetness and light. Fritzing had a perfect horror of the Grand Duke. He was everything that Fritzing, lean man of learning, most detested. The pleasantest fashion of describing the Grand Duke will be simply to say that he was in all things, both of mind and body, the exact opposite of Fritzing. Fritzing was a man who spent his time ignoring his body and digging away at his mind. You know the bony aspect of such men. Hardly ever is there much flesh on them; and though they are often ugly enough, their spirit blazes at you out of wonderful eyes. I call him old Fritzing, for he was sixty. To me he seemed old; to Priscilla at twenty he seemed coeval with pyramids and kindred hoarinesses; while to all those persons who were sixty-one he did not seem old at all. Only two things could have kept this restless soul chained to the service of the Grand Duke, and those two things were the unique library and Priscilla. For the rest, his life at Kunitz revolted him. He loathed the etiquette and the fuss and the intrigues of the castle. He loathed each separate lady-in-waiting, and every one of the male officials. He loathed the vulgar abundance and inordinate length and frequency of the meals, when down in the town he knew there were people a-hungered. He loathed the lacqueys with a quite peculiar loathing, scowling at them from under angry eyebrows as he passed from his apartment to the library; yet such is the power of an independent and scornful spirit that though they had heard all about Westphalia and the pig-days never once had they, who made insolence their study, dared be rude to him.

Priscilla wanted to run away. This, I believe, is considered an awful thing to do even if you are only a housemaid or somebody's wife. If it were not considered awful, placed by the world high up on its list of Utter Unforgivablenesses, there is, I suppose, not a woman who would not at some time or other have run. She might come back, but she would surely have gone. So bad is it held to be that even a housemaid who runs is unfailingly pursued by maledictions more or less definite according to the education of those she has run from; and a wife who runs is pursued by social ruin, it being taken for granted that she did not run alone. I know at least two wives who did run alone. Far from wanting yet another burden added to them by adding to their lives yet another man, they were anxiously endeavouring to get as far as might be from the man they had got already. The world, foul hag with the downcast eyes and lascivious lips, could not believe it possible, and was quick to draw its dark mantle of disgrace over their shrinking heads. One of them, unable to bear this, asked her husband's pardon. She was a weak spirit, and now lives prostrate days, crushed beneath the unchanging horror of a husband's free forgiveness. The other took a cottage and laughed at the world. Was she not happy at last, and happy in the right way? I go to see her sometimes, and we eat the cabbages she has grown herself. Strange how the disillusioned find their peace in cabbages.

Priscilla, then, wanted to run away. What is awful in a housemaid and in anybody's wife became in her case stupendous. The spirit that could resolve it, decide to do it without being dragged to it by such things as love or passion, calmly looking the risks and losses in the face, and daring everything to free itself, was, it must be conceded, at least worthy of respect. Fritzing thought it worthy of adoration; the divinest spirit that had ever burned within a woman. He did not say so. On the contrary, he was frightened, and tried angrily, passionately, to dissuade. Yet he knew that if she wavered he would never forgive her; she would drop at once from her high estate into those depths in his opinion where the dull average of both sexes sprawled for ever in indiscriminate heaps. Priscilla never dreamed of wavering. She, most poetic of princesses, made apparently of ivory and amber, outwardly so cool and serene and gentle, was inwardly on fire. The fire, I should add, burnt with a very white flame. Nothing in the shape of a young man had ever had the stoking of it. It was that whitest of flames that leaps highest at the thought of abstractions - freedom, beauty of life, simplicity, and the rest. This, I would remark, is a most rare light to find burning in a woman's breast. What she was, however, Fritzing had made her. True the material had been extraordinarily good, and for ten years he had done as he liked with it. Beginning with the simpler poems of Wordsworth - he detested them, but they were better than soiling her soul with Longfellow and Mrs. Hemans - those lessons in English literature, meant by the authorities to be as innocuous to her as to her sisters, had opened her eyes in a way nothing else could have done to the width of the world and the littleness of Kunitz. With that good teacher, as eager to lead as she to follow, she wandered down the splendid walks of culture, met there the best people of all ages, communed with mighty souls, heard how they talked, saw how they lived, and none, not one, lived and talked as they lived and talked at Kunitz.

Imagine a girl influenced for ten years, ten of her softest most wax-like years, by a Fritzing, taught to love freedom, to see the beauty of plain things, of quietness, of the things appertaining to the spirit, taught to see how ignoble it is, how intensely, hopelessly vulgar to spend on one's own bodily comforts more than is exactly necessary, taught to see a vision of happiness possible only to those who look to their minds for their joys and not to their bodies, imagine how such a girl, hearing these things every afternoon almost of her life, would be likely to regard the palace mornings and evenings, the ceremonies and publicity, all those hours spent as though she were a celebrated picture, forced everlastingly to stand in an attitude considered appropriate and smile while she was being looked at.

"No one," she said one day to Fritzing, "who hasn't himself been a princess can have the least idea of what it is like."

"Ma'am, it would be more correct to say herself in place of himself."

"Well, they can't," said Priscilla.

"Ma'am, to begin a sentence with the singular and continue it with the plural is an infraction of all known rules."

"But the sentiments, Fritzi - what do you think of the sentiments?"

"Alas, ma'am, they too are an infraction of rules."

"What is not in this place, I should like to know?" sighed Priscilla, her chin on her hand, her eyes on that distant line of hills beyond which, she told herself, lay freedom.

She had long ago left off saying it only to herself. I think she must have been about eighteen when she took to saying it aloud to Fritzing. At first, before he realized to what extent she was sick for freedom, he had painted in glowing colours the delights that lay on the other side of the hills, or for that matter on this side of them if you were alone and not a princess. Especially had he dwelt on the glories of life in England, glories attainable indeed only by the obscure such as he himself had been, and for ever impossible to those whom Fate obliges to travel in state carriages and special trains. Then he had come to scent danger and had grown wary; trying to put her off with generalities, such as the inability of human beings to fly from their own selves, and irrelevancies such as the amount of poverty and wretchedness to be observed in the east of London; refusing to discuss France, which she was always getting to as the first step towards England, except in as far as it was a rebellious country that didn't like kings; pointing out with no little temper that she had already seen England; and finishing by inquiring very snappily when her Grand Ducal Highness intended to go on with her drawing.

Now what Priscilla had seen of England had been the insides of Buckingham Palace and Windsor Castle; of all insides surely the most august. To and from these she had been conveyed in closed carriages and royal trains, and there was so close a family likeness between them and Kunitz that to her extreme discomfort she had felt herself completely at home. Even the presence of the Countess Disthal had not been wanting. She therefore regarded this as not seeing England at all, and said so. Fritzing remarked tartly that it was a way of seeing it most English people would envy her; and she was so unable to believe him that she said Nonsense.

But lately her desires had taken definite shape so rapidly that he had come to dread the very word hill and turn cold at the name of England. He was being torn in different directions; for he was, you see, still trying to do what other people had decided was his duty, and till a man gives up doing that he will certainly be torn. How great would be the temptation to pause here and consider the mangled state of such a man, the wounds and weakness he will suffer from, and how his soul will have to limp through life, if it were not that I must get on with Priscilla.

One day, after many weeks of edging nearer to it, of going all round it yet never quite touching it, she took a deep breath and told him she had determined to run away. She added an order that he was to help her. With her most grand ducal air she merely informed, ordered, and forbade. What she forbade, of course, was the betrayal of her plans. "You may choose," she said, "between the Grand Duke and myself. If you tell him, I have done with you for ever."

Of course he chose Priscilla.

His agonies now were very great. Those last lacerations of conscience were terrific. Then, after nights spent striding, a sudden calm fell upon him. At length he could feel what he had always seen, that there could not be two duties for a man, that no man can serve two masters, that a man's one clear duty is to be in the possession of his soul and live the life it approves: in other and shorter words, instead of leading Priscilla, Priscilla was now leading him.

She did more than lead him; she drove him. The soul he had so carefully tended and helped to grow was now grown stronger than his own; for there was added to its natural strength the tremendous daring of absolute inexperience. What can be more inexperienced than a carefully guarded young princess? Priscilla's ignorance of the outside world was pathetic. He groaned over her plans - for it was she who planned and he who listened - and yet he loved them. She was a divine woman, he said to himself; the sweetest and noblest, he was certain, that the world would ever see.

Her plans were these:

First, that having had twenty-one years of life at the top of the social ladder she was now going to get down and spend the next twenty-one at the bottom of it. (Here she gave her reasons, and I will not stop to describe Fritzing's writhings as his own past teachings grinned at him through every word she said.)

Secondly, that the only way to get to the bottom being to run away from Kunitz, she was going to run.

Thirdly, that the best and nicest place for living at the bottom would be England. (Here she explained her conviction that beautiful things grow quite naturally round the bottom of ladders that cannot easily reach the top; flowers of self-sacrifice and love, of temperance, charity, godliness - delicate things, with roots that find their nourishment in common soil. You could not, said Priscilla, expect soil at the top of ladders, could you? And as she felt that she too had roots full of potentialities, she must take them down to where their natural sustenance lay waiting.)

Fourthly, they were to live somewhere in the country in England, in the humblest way.

Fifthly, she was to be his daughter.

"Daughter?" cried Fritzing, bounding in his chair. "Your Grand Ducal Highness forgets I have friends in England, every one of whom is aware that I never had a wife."

"Niece, then," said Priscilla.

He gazed at her in silence, trying to imagine her his niece. He had two sisters, and they had stopped exactly at the point they were at when they helped him, barefoot, to watch Westphalian pigs. I do not mean that they had not ultimately left the little farm, gone into stockings, and married. It is their minds I am thinking of, and these had never budged. They were like their father, a doomed dullard; while Fritzing's mother, whom he resembled, had been a rather extraordinary woman in a rough and barbarous way. He found himself wholly unable to imagine either of his sisters the mother of this exquisite young lady.

These, then, baldly, were Priscilla's plans. The carrying of them out was left, she informed him, altogether to Fritzing. After having spent several anxious days, she told him, considering whether she ought to dye her hair black in order to escape recognition, or stay her own colour but disguise herself as a man and buy a golden beard, she had decided that these were questions Fritzing would settle better than she could. "I'd dye my hair at once," she said, "but what about my wretched eyelashes? Can one dye eyelashes?"

Fritzing thought not, and anyhow was decidedly of opinion that her eyelashes should not be tampered with; I think I have said that they were very lovely. He also entirely discouraged the idea of dressing as a man. "Your Grand Ducal Highness would only look like an extremely conspicuous boy," he assured her.

"I could wear a beard," said Priscilla.

But Fritzing was absolutely opposed to the beard.

As for the money part, she never thought of it. Money was a thing she never did think about. It also, then, was to be Fritzing's business. Possibly things might have gone on much longer as they were, with a great deal of planning and talking, and no doing, if an exceedingly desirable prince had not signified his intention of marrying Priscilla. This had been done before by quite a number of princes. They had, that is, not signified, but implored. On their knees would they have implored if their knees could have helped them. They were however all poor, and Priscilla and her sisters were rich; and how foolish, said the Grand Duke, to marry poor men unless you are poor yourself. The Grand Duke, therefore, took these young men aside and crushed them, while Priscilla, indifferent, went on with her drawing. But now came this one who was so eminently desirable that he had no need to do more than merely signify. There had been much trouble and a great deal of delay in finding him a wife, for he had insisted on having a princess who should be both pretty and not his cousin. Europe did not seem to contain such a thing. Everybody was his cousin, except two or three young women whom he was rude enough to call ugly. The Kunitz princesses had been considered in their turn and set aside, for they too were cousins; and it seemed as if one of the most splendid thrones in Europe would either have to go queen-less or be sat upon by somebody plain, when fate brought the Prince to a great public ceremony in Kunitz, and he saw Priscilla and fell so violently in love with her that if she had been fifty times his cousin he would still have married her.

That same evening he signified his intention to the delighted Grand Duke, who immediately fell to an irrelevant praising of God.

"Bosh," said the Prince, in the nearest equivalent his mother-tongue provided.

This was very bad. Not, I mean, that the Prince should have said Bosh, for he was so great that there was not a Grand Duke in Europe to whom he might not have said it if he wanted to; but that Priscilla should have been in imminent danger of marriage. Among Fritzing's many preachings there had been one, often repeated in the strongest possible language, that of all existing contemptibilities the very most contemptible was for a woman to marry any one she did not love; and the peroration, also extremely forcible, had been an announcement that the prince did not exist who was fit to tie her shoestrings. This Priscilla took to be an exaggeration, for she had no very great notion of her shoestrings; but she did agree with the rest. The subject however was an indifferent one, her father never yet having asked her to marry anybody; and so long as he did not do so she need not, she thought, waste time thinking about it. Now the peril was upon her, suddenly, most unexpectedly, very menacingly. She knew there was no hope from the moment she saw her father's face quite distorted by delight. He took her hand and kissed it. To him she was already a queen. As usual she gave him the impression of behaving exactly as he could have wished. She certainly said very little, for she had long ago learned the art of being silent; but her very silences were somehow exquisite, and the Grand Duke thought her perfect. She gave him to understand almost without words that it was a great surprise, an immense honour, a huge compliment, but so sudden that she would be grateful to both himself and the Prince if nothing more need be said about it for a week or two - nothing, at least, till formal negotiations had been opened. "I saw him yesterday for the first time," she pleaded, "so naturally I am rather overwhelmed."

Privately she had thought, his eyes, which he had never taken off her, kind and pleasant; and if she had known of his having said Bosh who knows but that he might have had a chance? As it was, the moment she was alone she sent flying for Fritzing. "What," she said, "do you say to my marrying this man?"

"If you do, ma'am," said Fritzing, and his face seemed one blaze of white conviction, "you will undoubtedly be eternally lost."

Case Study No. 0803: Unnamed Female Librarian (Just For Laughs Gags)

Silent Library Fail
1:23
http://gags.justforlaughs.com At a silent library, victims are asked to insert a book into a shelf. Easy enough. Unfortunately, everything goes to hell as soon as they try to fit the book in! Shelves fall all over the place, books fly away, people shoot disapproving looks, someone cries "Oh the humanity!"

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Tags: silent library book fall fail noise noisy jfl just for laughs gags funny video funniest justforlaughs jflgags hidden camera prank practical joke laughing candid camera just for laughs humor comedy jokes silly fun trick gag humour justforlaughstv show comic hilarious stupid trap
Added: 7 months ago
From: JustForLaughsTV
Views: 385,383

[scene opens with a young female librarian (blonde hair, glasses, dress suit) shevling a book on a bookcase marked "K-M" ... except that the bookcase falls over and knocks the other ones down dominoes-style (as the librarian puts her hands over her mouth and stares at the camera with a "shocked" expression)]
[cut to an elderly female patron walking into the "library" (which looks more like a warehouse with some bookcases) and walking over to the librarian (who's now seated at a desk) ... she points to the "K-M" bookcase, then cut to a female stagehand who pulls a rope attached to the top of the bookcase (which will cause it to tip over)]
[cut to an African American female patron placing the book on the shelf, then trying desperately to grab the bookcase as it tip over (but she is unable to stop it as it falls over and knocks down the other bookcases)]
[cut back to the elderly female patron as she places the book on the shelf, then cut to the stagehand as she pulls down the bookcase (the patron, who obviously can't see what the stagehand is doing, puts her hands on her head in shock as she assumes that she's the one who's caused all of the bookcases to fall over)]
[cut to reaction shots of several other patrons after they have seemingly knocked over the bookcase]
[cut to another African American female patron trying to reshelve the book, only to have the bookcase tip over and take out the other ones (as the librarian looks on in "shock")]
[cut to another female patron with a horrified look on her face, as she watches the bookcases tumble over one after the other]
[cut to another female patron reacting to the damage caused, when the female librarian points to the hidden camera and laughs (bringing a look of relief to the patron's face)]
[cut to more reaction shots of the librarian revealing the prank to the patrons]

---

From wikipedia.org:

Just for Laughs: Gags (JFL Gags) is a silent comedy/hidden camera reality television show that is under the Just for Laughs brand. In 2000, JFL Gags began airing on French Canadian network Tele Quebec. In the following years, the show was picked up by TVA, CBC and The Comedy Network in Canada, BBC1 in the UK, TF1 in France, ABC and Telemundo in the United States.

This series' format is the typical hidden camera comedy show, playing silly pranks on "unsuspecting subjects" (played by actors) while "hidden" cameras capture the people's response. This show plays music in the background, but does not contain any sound or dialogue other than brief sound effects and laughter. It is mostly filmed in Downtown Montreal and rural Quebec although some segments have been filmed in Mexico. British and Asian versions have been produced in the UK and Singapore respectively. In 2011, the show also spawned a spinoff called Just Kidding which consists exclusively of kids playing pranks on adults.

With its silent format and no translation required, Just for Laughs Gags has been purchased for use in over 100 countries throughout the world as well as in airports and airlines.