Monday, September 24, 2012

Case Study No. 0542: Colin Wexler, Eddie, and Library Manager

Spellbind
35:03
Just for kicks, I thought I'd post my student film, "Spellbind". The film was produced in 1985 at NYU's Tisch School of the Arts film program. The film stars Lou Brockway, Deborah Leyner, and Ron Brice. For many years I've been trying to launch a TV series called "The Adventures Of Colin Wexler", based on the lead character from the film. Some variation of this character appears in most of my movies and scripts now.

This film was produced MANY years before the TV movie "The Librarian" starring Noah Wylie. I have no idea if the creators of that film ever saw this, but the similarities are striking.
Tags: Spellbind Colin Wexler Thunder Levin Lou Brockway Deborah Leyner Ron Brice David Bourla.
Added: 4 months ago
From: thunderlevin
Views: 96

New York University presents
a Thunder & Lightning Ltd. production
a Thunder Levin film
Spellbind

[scene opens in a darkened hallway, as an unseen woman screams and a reptilian hand reaches in from off camera and tears at a black cloth]
[cut to outside the "Mid Manhattan Library"]
COLIN: [from off camera] I'm sure that's in the card catalog. Could you let me see the call number again, please? Okay, now lemmee check that for you.
[cut to inside the library, as a male librarian (his face out of camera range) opens a drawer in the catalog and flips through some cards]
COLIN: Hmmm ...
[he pulls one card out]
COLIN: Aha! I thought as much ... Here's a misprint. Try OB stack under--
[he pulls a pencil out from behind his ear (his face still obscured) and writes something down in a notepad]
COLIN: Wait, lemmee write this down for you.
[he takes the piece of paper, hands it to an unseen patron, then puts the pencil in his pocket]
[cut to a young female patron approaching the librarian]
FEMALE PATRON 1: You think you could help me?
[the librarian (his face still out of camera range) takes the pencil back out of his pocket]
FEMALE PATRON 1: "Studies in Semiotics and Dyslexia" ...
COLIN: TR Twenty Seven Fifty Four ...
[he writes it down and hands her the piece of paper]
COLIN: Downstairs.
[she takes it and leaves, then a young male patron leans in over the card catalog]
MALE PATRON 1: Excuse me ... "I Hate Sand?"
COLIN: By Herbert?
MALE PATRON 1: Yeah.
COLIN: Third floor. AB Ninety Seven Sixty Seven ... Point Two!
MALE PATRON 1: Thank you!
[he leaves, then a nerdy-looking male patron approaches]
MALE PATRON 2: Librarian!
[Colin turns (his face still out of camera range)]
MALE PATRON 2: I've been looking everywhere. I doubt if you'll even know what I'm talking about, but I've gotta try.
[he takes the pencil out from behind his ear again]
COLIN: What're you looking for?
MALE PATRON 2: "The Role of Aborigine Priests in Predicting Sunspots and Tidal Waves" ...
COLIN: Mainland or island tribes?
[the patron looks surprised, so the librarian chuckles and begins writing down in his notepad]
COLIN: Take both ... DV Fifty Nine Twenty One Point Oh Two Four and Oh Two Five.
[cut to a young woman standing near the card catalog and staring at the librarian, then back to the patron as he scrunches his nose and takes the paper]
MALE PATRON 2: Thanks ...
[he leaves, then the librarian turns to (finally) reveal his face, as he puts the pencil between his teeth as triumphant music plays in the background]
[cut to another male patron talking to an young African American male librarian at the returns desk]
MALE PATRON 3: I-I know it's late, but I had this doctor's appointment ...
[the librarian closes the book and gives him a condescending look]
EDDIE: So you were sick?
MALE PATRON 3: Well, I had this problem--
[the librarian slowly gets out of his chair]
EDDIE: Y'know, it's people like you who ruin our nice little system!
MALE PATRON 3: Well, I ... I had to go to the hospital--
EDDIE: Criminals, just like you, who don't care enough to bring their books in on time!
MALE PATRON 3: Well, I had this kidney transplant, and I was in the hospital for a week--
[the librarian sighs and slumps back into his chair, then looks over at the female librarian sitting next to him (who just shakes her head and smiles)]
MALE PATRON 3: And there were just tubes in me, and I ... I couldn't--
[cut to an older male librarian (smoking a pipe) who is watching the proceedings, then back to the stuttering patron]
MALE PATRON 3: I couldn't ... I just couldn't turn it in, and--
EDDIE: Now how much money you got?
[the patron reaches into his pocket, but the librarian just waves him away]
EDDIE: Get outta here!
[the patron leaves, as the older librarian approaches]
LIBRARY MANAGER: Eddie, why isn't Colin at the desk?
EDDIE: Got me.
LIBRARY MANAGER: Why don't you go over there and help those people out til he gets back?
[cut to a shot of a long line forming at the front desk (as ominous music plays), while Eddie shakes his head]
EDDIE: Oh no, oh no, this is not my life! This is only a part-time job!
LIBRARY MANAGER: Might not be for long ...
EDDIE: Fine, fine ...
[he turns and leaves, then cut to Eddie sitting at the front desk as another male patron approaches]
MALE PATRON 4: "Maru Civilization and Architecture?"
[he looks around nervously]
EDDIE: That's a very good question, now if you could wait just a moment until ...
[he starts typing on the computer, when Colin enters the scene]
COLIN: Good morning professor, I checked it for you. Uh, the BS stack. SQ Three Seventy Three Two. Fourth floor.
[he leaves, and a young female patron approaches]
FEMALE PATRON 2: I can't find the transcripts on the McLothian speeches, there's no listing.
[Eddie begins frantically typing]
COLIN: They've been transferred to the third floor. Try FF Three Five--
EDDIE: Three!
COLIN: Five One Nine.
[Eddie again tries to casually repeat the numbers (as if he knew them the whole time)]
EDDIE: Five One Nine ...
COLIN: Yes.
[the young woman leaves, and another male patron approaches]
MALE PATRON 5: "Trilogy of the Archbishops?"
COLIN: First edition, RF Two Sixty Three Fifty Four ... Reference.
[as the patron leaves, Eddie shoots Colin a dirty look]
EDDIE: Did someone write those down for you or what?
[he sighs and sits down]
COLIN: Laura asked me to a movie tonight.
EDDIE: I know.
COLIN: Did you arrange that?
EDDIE: Well, you know she likes you, so I asked her to ask you out!
[he shakes his head and slams his pencil down on the desk]
COLIN: God, how many times do we go through this?
EDDIE: Don't be so uptight!
COLIN: I'm not uptight!
EDDIE: Listen Colin, you've got it all wrong ... You better get all your lovin' now, because soon - before you know it - you're gonna grow old, and you're gonna die!
COLIN: I assure you, that's the last thing I intend to do.
[another nerdy-looking male patron approaches the desk]
MALE PATRON 6: Excuse me ... Uh, do you know where I could find "The Joy of Sex?"
[Colin shakes his head, and Eddie smiles]
EDDIE: I do!
[Colin turns his head away, and the patron simply shrugs and slowly walks away]
[cut to an exterior shot of "The New York Public Library" at night, as Eddie is pushing a bookcart through the stacks while nervously humming to himself]
EDDIE: Okay, big favor!
[he turns the corner, where Colin is reshelving some books]
EDDIE: Don't disappear like that! You know I hate working alone ... It's freaky in here!
[Colin chuckles to himself]
EDDIE: Dark, too ...
COLIN: You know, it really amazes me how you can terrorize so many people during the day, and still be afraid of the dark.
EDDIE: Well, I'm not too happy about it myself, y'know!
[Colin laughs]
COLIN: It's only books, Eddie ...
[Eddie looks around nervously]
EDDIE: Yeah, books.
COLIN: Yeah, and all these are fifth floor, too.
[he picks up a stack of books and smiles at Eddie]
COLIN: Back in a minute.
[he walks off camera]
EDDIE: [quietly] Promise?
[cut to Colin shelving books by himself, when the same woman who was staring at him earlier suddenly appears behind him]
CHRISTABEL: Excuse me.
[he nearly drops the books in surprise]
COLIN: Uh, how did ... how did you get in here? We're closed.
CHRISTABEL: I'm looking for a book ... Can you help me?
COLIN: L-Library hours are eight-thirty to six ... You'll have to come back tomorrow.
[he tries to continue shelving books, but is still obviously flustered]
CHRISTABEL: Suppose I was wrong ...
COLIN: Uh, yes. Yes you were.
CHRISTABEL: About you.
COLIN: Me?
CHRISTABEL: When I saw you this morning, I thought you could help. I thought you were smart.
[she starts to run her finger seductively over the books spines, but Colin grabs her by the wrist]
COLIN: I'm calling security.
[he turns to leave, then turns back and finds that the woman has disappeared ... until she re-appears behind him]
CHRISTABEL: You don't have a very good selection ... Do you?
[he crosses his arms and leans against the bookshelf]
COLIN: Okay. Let's just say I find what you wanted. Then you'll explain how you got in here, right?
[she shrugs]
CHRISTABEL: Maybe.
[he stares at her]
CHRISTABEL: Demonology.
COLIN: You're in the wrong section.
[he turns and leads her to another bookshelf, then grabs a book]
COLIN: Malo--
[he turns and nearly runs into her because she's gotten so close]
COLIN: "Malorum Magicka."
CHRISTABEL: Horace?
COLIN: No, Gotemburg.
[she shakes her head]
CHRISTABEL: Too general.
[he puts it back, then points to another book]
COLIN: Ah ... "Demonum Alestidae".
CHRISTABEL: Too specific.
[he gives her an annoyed look, then keeps searching]
COLIN: Alright, how about "Nambroth the Enslaver?"
CHRISTABEL: I took that out this morning.
COLIN: Look, what exactly is it you wanna know about demons?
CHRISTABEL: [pause] Naming them.
COLIN: Have any as pets?
[she smiles]
CHRISTABEL: Not exactly.
[he continues looking through the shelf]
COLIN: Uh ... "Quatro Inerto Mallum."
CHRISTABEL: The twelve volume set?
COLIN: Mm hmm.
CHRISTABEL: I've tried that.
COLIN: Yes, but there's an appendix.
[she gives a hopeful look, as Colin searches for the book]
COLIN: But ... it's missing.
[he scratches his head]
COLIN: Now, I could find it for you, if you'd just explain to me how you got in here!
CHRISTABEL: That's simple ...
[she moves in close]
CHRISTABEL: [whispers] I'm a witch.
[she goes in for a kiss, but pulls back before their lips touch (as Colin closes his eyes in anticipation)]
EDDIE: [from off camera] Good news!
[Colin, startled, turns to find Eddie walking towards him with a stack of books]
EDDIE: All these are fifth floor, too.
[he turns back around, only to find that the woman has disappeared]
COLIN: Hold it!
[he looks around, trying to find her]
COLIN: Did ... Did you see anyone?
[Eddie looks around nervously, then gets a suspicious look on his face]
EDDIE: Are you trying to scare me?
[a clap of thunder can be heard outside, as Colin looks at the stack of books and grabs a thick red one with "Appendix" written on the spine]
COLIN: That's it! It's here!
[an even louder clap of thunder can be heard, as Eddie looks around nervously]
[cut to the woman entering a darkened apartment, when she stops and smiles]
CHRISTABEL: How did you find me?
[Colin appears from out of the shadows next to the door]
COLIN: The book you took out this morning. It's on the computer. Miss Christabel Sabin, am I right?
CHRISTABEL: Why are you staring at me?
COLIN: Because you're not wet.
[she playfully holds up an umbrella, as Colin smiles at himself for actually believing that she might have used magical powers to "dance between the raindrops"]
CHRISTABEL: Why don't you come in? Dry up.
[cut to Christabel opening a door to another room, as Colin follows]
CHRISTABEL: I'm sorry you had to wait. I've been out looking all night.
[he slowly looks around at all of the burning candles and other occult paraphernalia in the room]
CHRISTABEL: But I couldn't find that appendix in any of the other libraries, either.
[she stops and stares at him]
CHRISTABEL: Why did you come?
COLIN: Well, I feel like you owe me some answers.
CHRISTABEL: Oh really? Why's that?
[he reaches into his coat and pulls out the appendix]
COLIN: I have your book ... I checked with security, Miss Sabin. No one came in or left the library tonight.
[she turns away]
COLIN: Assuming they're not lying to me, and assuming you didn't just pop in out of thin air, and you didn't fly through the window ... then how did you get in?
[she enters another room and crouches down to pet a cat]
CHRISTABEL: I thought I told you.
COLIN: In case you didn't know, Miss Sabin, breaking and entering is illegal. So you'll have to do better than that.
CHRISTABEL: And you're much too educated to be fooled so easily ...
COLIN: That's right.
[she picks up the cat and begins walking back towards Colin ... only her appearance suddenly changes (her curly red hair becomes long and black, and the orange tabby turns into a black cat)]
COLIN: Your hair ... How did you--
[she smiles at him]
COLIN: Oh my god ...
CHRISTABEL: Now Mister Wexler, I've explained as much as I can ... May I have the book?
[she takes the book from him]
COLIN: You are a witch!
CHRISTABEL: That doesn't scare you, does it?
[he slowly backs away, then tries to run out the door ... except it slams shut by itself]
COLIN: I take it it's locked.
CHRISTABEL: Tight ... Now, I need your help.
COLIN: My help?! You don't need my help!
CHRISTABEL: But I do! Y'see, I'm a novice, and that's caused some problems.
COLIN: Problems?
[she lifts her skirt to reveal deep gashes on her leg (claw marks from the reptilian hand that ripped her black skirt in the opening?)]
COLIN: How did that happen?
CHRISTABEL: Don't you see? That's why I needed the book!
[he sits down]
COLIN: Demons!
CHRISTABEL: Demon ... There's only one, and that was an accident.
[he gives her a confused look, as she opens the book and begins reading]
CHRISTABEL: There are so many names here, it could be any of these!
COLIN: "A demon released through the gate arcana, and according to ritual, can only be banished by the finding of its true name" ...
CHRISTABEL: You know the words better than I do ...
COLIN: I've read them.
CHRISTABEL: That's why I chose you! You can help me find its name before it becomes too strong ... Please, I've already waited too long! It's trying to kill me!
[the phone rings]
CHRISTABEL: It's for you.
COLIN: What?
CHRISTABEL: You told someone you were here.
COLIN: Oh ... Eddie, a friend.
[he picks up the phone]
COLIN: Eddie?
EDDIE: [over the phone] How did you know it was ... never mind!
[cut back to the library, as Eddie is hiding under a desk]
EDDIE: Well look, thank you for leaving me down here by myself!
COLIN: [over the phone] Why, what's wrong?
EDDIE: Well, some very scary stuff is going on down here!
COLIN: [over the phone] And you're still there?
[Eddie gasps at something off camera]
COLIN: [over the phone] Eddie? Eddie? Eddie, are you still there? Eddie, what's happening? Eddie?!
[Eddie looks on terrified at something off camera, then the camera pans over to reveal it's an old man (with green reptilian hands) bathed in a red light and clawing pages out of a book, then dropping them on the floor as they burst into flames]
COLIN: [over the phone] Eddie!
EDDIE: [calmly] You're not gonna believe what just happened ...
[cut back to Colin in Christabel's apartment]
COLIN: Alright, Eddie ... Go home. I'll call you there later.
[he hangs up, then loosens his tie]
COLIN: Your--
[he turns to see that Christabel (now reverted back to her original form) is sitting on the floor]
COLIN: Your demon can change form.
CHRISTABEL: It is at the library?
COLIN: It destroyed one of our books!
CHRISTABEL: It's name must be in that book! If we find it, we can send it back to hell! Colin, it will do anything to get what it wants!
COLIN: Maybe ... but not in my library!
[she smiles]
CHRISTABEL: Where do we go now?
[he takes off his glasses]
COLIN: There's an occult bookstore near my house. I think we can find a copy there, but we'll have to move fast!
[he turns to leave]
CHRISTABEL: Wait ... I think there's something I should show you first.
[she opens a nearby door, as a bright light emanates from inside, then cut to the interior of the room (with a fire burning in the middle of the floor and a chair floating in mid-air)]
COLIN: This is where the demon broke through ...
CHRISTABEL: I was trying to conjure up a friend for my cat, and things got a little out of hand.
COLIN: Well, I'm gonna need a lot more books!
[cut to a taxicab pulling up in front of the "Magickal Childe" bookstore, as Colin and Christabel get out ... he tries to open the door, but it's locked, so she waves her hand and it opens by itself]
COLIN: This is really illegal ...
CHRISTABEL: I hope we didn't set off any alarms.
COLIN: Why?
CHRISTABEL: I don't know how to stop policemen.
COLIN: Oh, that's comforting.
[he looks at a piece of paper]
COLIN: I was right ... "The Enchanter's Chronicles" is on this list!
CHRISTABEL: I always thought that was pure fiction!
COLIN: Maybe ...
[he turns and sees that she's put on a cheap Halloween-style witch's hat]
COLIN: Now isn't that a bit cliche?
[he takes it off her head, and she smiles coyly]
CHRISTABEL: Maybe ...
[she turns and starts looking through some jars on display, as he wanders off]
COLIN: It should be here somewhere ...
CHRISTABEL: This place is great! I could never find this stuff at the supermarket!
COLIN: [from off camera] Maybe if you'd known about this place sooner, none of this would've happened.
[cut to Colin kneeling in front of a bookshelf and leafing through one of the books]
COLIN: "Brendlesage the Demons' Bane" ... I think this makes sense!
CHRISTABEL: Who was he?
COLIN: A very powerful wizard ... A real demon killer, you'd like him!
[she comes over and kneels next to him]
COLIN: Here, listen ... "Into the abyss, the Demons' Bane sent spirit unto flesh of ridden corpse, revealing truth by its fatal flaw encased in human root. For no complete change could this demon hold, unlike the true changers as older wizards told."
CHRISTABEL: That's terrible poetry ...
COLIN: Yes, but this is your demon!
CHRISTABEL: It's pure fiction!
COLIN: Well, obviously not ... From what I read, form-changers only make complete changes.
[she stares at him blankly]
COLIN: Eddie said whatever approached him at the library had a huge claw instead of a hand ... He couldn't make a complete change. Something of its true nature showed through.
CHRISTABEL: Well, is there a name?
[he quickly leafs through the book, then shakes his head]
COLIN: The hardcover. See if the hardcover's on the list, this is abridged.
[he hands her the piece of paper, then gets up to look through the other shelves]
COLIN: [from off camera] It's not here.
CHRISTABEL: It's not on this list.
[cut to Colin staring at the bookshelf]
COLIN: Maybe we should try another store ...
EDDIE: [from off camera] Maybe you should!
COLIN: Eddie?
[he smiles and looks for his friend, but the camera pans over to show that the demon has taken Eddie's form (save for the fact that the left side of his face is horribly disfigured), as it knocks Colin down to the ground]
EDDIE: [growling] Stay out of this, little man!
COLIN: Go to hell!
EDDIE: [growling] You'll have to find my name first ...
COLIN: I'll find it, don't worry!
EDDIE: [growling] No, you won't!
[it lifts its good hand, as Colin "levitates" towards him and gets put in a chokehold]
CHRISTABEL: [from off camera] Put him down!
[it looks up, then cut to Christabel (back in her black outfit) as she raises her hand and produces a circle of white light]
[cut back to the demon, as it lets go of Colin and begins staggering backwards]
EDDIE: [growling] It's only a matter of time, little witch, before I'm strong enough ... Before you die!
[it disappears, as she checks on Colin]
COLIN: Christa, you all right?
[she suddenly faints, and falls into his arms (while also changing back into her regular clothes)]
COLIN: I think I'm taking this really well ...
[cut to inside Colin's apartment (filled to the brim with books), as Christabel - who had been asleep on the couch - wakes up]
CHRISTABEL: Colin?
[she gets up and looks out the window, where she sees Colin shaking an old priest's hand and taking a paper bag from him]
[cut back to inside the aparment, as Christabel goes to sit down, when Colin enters and places the bag in front of her]
COLIN: Feel better?
CHRISTABEL: I'm not so sure now ... Why a priest?
COLIN: Well, because they don't get angry when you wake them at hours like this.
CHRISTABEL: Very funny ... I don't need their help!
[she looks away, embarrassed]
CHRISTABEL: I'm sorry ... I didn't even thank you for taking care of me.
[she strokes the side of his face]
CHRISTABEL: How are you?
COLIN: I'm fine, don't worry ... I think you should get back to sleep.
CHRISTABEL: How long have I been out?
COLIN: About an hour. It'll be dawn soon.
CHRISTABEL: We're running out of time! He's getting stronger, I almost couldn't control it!
COLIN: Don't worry ... I've been reading some more books!
CHRISTABEL: You don't give up, do you?
COLIN: No ... and I think I've found something on your nasty little pet!
[the doorbell rings]
COLIN: Stay here.
[he goes to answer the door, as (the real) Eddie walks in with his arms crossed]
COLIN: Did you find it?
[he holds out another paper bag]
EDDIE: Do you know that I had to go all over town to find this thing? Now, what's this all about, man? I--
[he turns and sees Christabel on the couch]
EDDIE: Colin, ha ha!
[he smiles and turns to Colin]
COLIN: Uh, listen, thanks a lot for bringing this by. I really appreciate it.
EDDIE: Oh, don't mention it!
COLIN: Yeah ...
[they turn and see that Christabel is suddenly wearing a new outfit (pink sweater, blue scarf, blue jeans)]
EDDIE: What the? How'd she change her cl--
COLIN: Um, I ... I can't explain this now, Eddie. I'll talk to you in the morning! Goodbye!
[he shoves him out the door]
EDDIE: Uh, yeah ... tomorrow!
[he shuts the door]
COLIN: I hate it when you do that.
CHRISTABEL: That was your friend?
COLIN: In the flesh.
CHRISTABEL: You said you had something.
COLIN: Uh, well ... Not its name, but it appears your demon has quite a history behind it.
[he sits down, puts on his glasses, and starts reading from a book]
COLIN: In the year ... uh, 1286. It had a run-in with a Welsch monk, who trapped it in a vat of consecrated water until it confessed its - quote - "true and pagan name." Unquote.
CHRISTABEL: Look Colin, you've been very good to me, but books and priests can't solve everything! I better go before both of us get killed.
[she turns to leave, but he grabs her arm]
COLIN: But wait a minute ... I know where we can find the hardcover! It's at the store's shipping warehouse!
CHRISTABEL: Eleven eight-seven Hunterwasser, I know. I saw the list, too ... I'll have to go by myse--
COLIN: We'll have to go!
CHRISTABEL: Believe me, I don't want to be alone any more than I have to!
[he smiles and takes her by the shoulders]
COLIN: You don't have to be alone ... Look, I-I found something I think will give us an edge in this case.
[he picks up one of the paper bags]
COLIN: It's only--
[he turns, but she's disappeared]
[cut to outside the warehouse, as Colin is arguing with a burly man who is smoking a cigar and yelling at a worker off camera]
WAREHOUSE MANAGER: Hold it, pal ... Over here!
[the sound of screeching tires can be heard off camera]
WAREHOUSE MANAGER: Look, take your suit and your tie and go home. I just got up, and I'm in no mood to go searching this place for your girlfriend!
COLIN: Look, I'm sorry to bother you, alright?
[he blows smoke in Colin's face]
COLIN: I'm sure she's inside there! She's looking for a book that "The Magickal Childe" ordered!
[he looks over his clipboard]
WAREHOUSE MANAGER: Yeah, Barnes and Nobles, Magickal Childe, Doubleday ... All of it's leaving on the truck!
[he turns to leave, but Colin grabs him by the arm]
COLIN: Truck?
[he gives Colin a dirty look, so he quickly lets go]
COLIN: Uh ... what truck?
WAREHOUSE MANAGER: Loading bay ninety four.
[he throws his cigar on the ground]
WAREHOUSE MANAGER: Any other questions?
[he turns and leaves, then cut to outside loading bay ninety four, as Colin is looking around when one of the trucks suddenly drives off]
[cut to Colin as he tears his blazer off and starts running after the truck, when the pencil falls out of his pocket, but (after stopping and debating whether to go back and pick it up) he continues the pursuit]
[he eventually catches up to the truck and jumps into the back, where (amongst several crates of books) he finds Christabel]
CHRISTABEL: What're you doing here?
COLIN: What am I doing here?! I was worred to death about you when you disappeared! Why did you leave?
CHRISTABEL: This isn't your line of work ... You're a librarian.
COLIN: Well then, I think I'm doing pretty well, doncha think?
[she looks away]
COLIN: After all, this is only the first demon I've ever had to banish on a few hours notice ... Usually I get a day!
CHRISTABEL: This isn't my fault, you know ...
COLIN: I didn't say it was your fault! I'm just looking for a little sympathy and understanding! Look, I have left the library, broken into a bookstore, met a demon, eaten cigar smoke for breakfast, jumped a truck, and I'm just a little tired, okay?!
CHRISTABEL: Anything else?
COLIN: I'm also not completely disinterested in you ...
[she smiles]
COLIN: Now, do we find this book, or don't we?
[they start looking through the boxes, when Colin pulls out a book]
COLIN: Got it, here we are.
[he opens the book, but it suddenly catches on fire, and he drops it]
COLIN: Why did you do that?!
CHRISTABEL: I didn't do that!
COLIN: I hate to ask this, but ... who's driving this truck?
[the truck suddenly comes to a stop, then they hear footsteps outside]
[cut to the back of the truck opening, as a shadowy figure with glowing red eyes stands before them]
DEMON: [growling] End of the line ...
COLIN: I've got a little surprise for you!
[he reaches into his pocket and pulls out a water pistol]
DEMON: [growling] A water pistol?
COLIN: Holy water!
[he shoots, and the demon recoils in pain]
CHRISTABEL: Holy water in a water pistol? You're full of surprises!
COLIN: Worked, didn't it?
[he helps her out of the truck, then looks down at the pile of flaming goo on the ground that used to be the demon]
COLIN: Dead!
[he takes off his suit vest and throws it over the fire]
CHRISTABEL: He's not dead yet.
COLIN: Waddaya mean, he's not dead?
[an inhuman scream suddenly comes from off camera, as they both make a run for it down a nearby alleyway]
GUARD: [from off camera] Freeze!
COLIN: Officer, there's a ... thing in that truck!
[cut to the security guard pointing his gun at Colin (who's still holding the water pistol)]
GUARD: Drop your weapon!
COLIN: No ... No, this isn't real, this is a--
GUARD: Drop it!
[he throws the "weapon" away, and the security guard motions for them to get against the wall ... they comply, as the guard walks over and smashes the water pistol under his shoe]
COLIN: See, it isn't real.
GUARD: [growling] But still a threat ...
[realizing that it's the demon, Colin sighs]
COLIN: Shit ...
GUARD: [growling] Careless, little man ... Now step aside!
[Christabel tries to raise her hand, but the demon points at her and she falls back against the wall ... Colin then rushes over and punches the demon thrice in the face (to no effect)]
[the demon smiles, then punches Colin in the stomach ... sending him flying back into a pile of garbage]
[cut to the demon pointing its gun at Christabel, but Colin picks up a nearby piece of garbage and throws it, knocking the gun out of its hand ... he then grabs Christabel and they again make a run for it]
[cut to Colin and Christabel trying to run down the alley, but the demon magically appears in front of them ... they turn and try running back the way they came, but the demon again appears before them]
GUARD: No place left to run.
[they start looking around for another means of escape]
GUARD: I suppose you were trying to find a flaw in my appearance ... Well, I tried very hard not to give myself away this time.
[as the demon approaches, they fall backwards into more garbage]
GUARD: [growling] You've lost, little witch! It's time to die!
[Colin pulls Christabel in close]
COLIN: Sorry, Chris ...
[the demon comes closer and reaches out for them, when Colin suddenly stands up with a confident look on his face]
COLIN: Say goodbye to our demon, Chris! He's made a little mistake, and he's going back to hell!
CHRISTABEL: What?
GUARD: [growling] What?
COLIN: Farewell, Captain ... Nomenlaus!
[a cloud of smoke suddenly surrounds the demon, as it screams in agony]
[cut to a closeup of the guard's "face", as it slowly melts away to reveal the demon's face underneath, then disappears entirely in a burst of flame]
CHRISTABEL: How did you know?
[he reaches down and picks up the guard's name tag, which reads "Nomenlaus"]
[she hugs him, then cut to the two walking down the street the next morning while holding hands]
CHRISTABEL: You gonna tell Eddie what happened?
COLIN: He'd have a heart attack! No, I think ... I think we better keep this to ourselves.
CHRISTABEL: But I was gonna write this all down for future reference ... Maybe as a book!
[he pulls her in close]
COLIN: No ... No more books.
[they kiss]

Directed by
Thunder Levin

Written by
David Bourla

Produced by
Jordan Glass

Executive Producer
Thunder Levin

Starring
Lou Brockway
as Colin

Deborah Leyner
as Christabel

and
Ronald Brice
as Eddie

Co-starring
Harold N. Howard
as Library Manager

Peter Spinella
as Guard/Demon in Alley

Featuring
Kate Griffin
Frank Loscalzo
Jim Pharo
Tracy Scottel
John Gonzalez
Art Lorenz
Jim McManus
Andrew Scheinman
John Stile
Leonard Levin

Directory of Photography
Denise Brassard

Film Editors
Alex Bartholomai
Thunder Levin

Art Director
Art Lorenz

Special Visual & Production Effects
David Bourla

Special Make-up Effects
Andrew Benepe
Asst. Trish More

Sound Design
Thunder Levin

Music Composed & Performed by
Georgio

Sound Recordist
Jim Papageorge

Unit Production Mgr
Anne McCabe

Assistant Cameraman
Theo Pingarelli

Additional Camera Operators
Theo Pingarelli
Carmin Romanelli
Jordan Glass

Assistant Editors
Robert LoScalzo
P.K. Bradley

2nd Unit Photography
Robert LoScalzo

TLL Logo Animation
Alexia E. Vasquez

Titles
Dheby Valenta

Makeup
Dheby Valenta

Still Photography
Robert LoScalzo

Assistant to the Director
Dheby Valenta

Production Assistant
Jack Perez

Demon Voice
Ronald Brice

Thanks to
M. David Levin
Gertrude Levin
Leonard Levin
Ms. Leyner
Meryl Glass
Michael Dick
Marymount Manhattan College
Seymour Kiempner
The Magickal Childe
Prof. Indiana Jones

Sponsored by
LevinFolks Entertainment

The persons and events in this film are fictitious. Any similarities to actual persons or events is unintentional.

(c)1986 Thunder Levin

Case Study No. 0541: Lucy Logan

Molly Moon's Incredible Book of Hypnotism
10:49
Book trailer created for my schools english class
Tags: Book Amazing Moon Molly Books Mind trailer Reading
Added: 10 months ago
From: PurpleBearBird
Views: 1,407

["Hardwick House Orphanage, Roll Call" appears on screen, as the headmistress enters and performs roll call]
AGNES: Jinx Eames!
JINX: Here, Miss Adderstone ...
AGNES: Hazel Hackersley!
HAZEL: Here, Miss Adderstone ...
AGNES: Cynthia Redmon!
CYNTHIA: Here, Miss Adderstone ...
AGNES: Craig Redmon!
CRAIG: Here, Miss Adderstone ...
AGNES: Molly! Molly Moon?!
[she looks around, then cut to a young female student running down the hallway]
MOLLY: Rocky, let's go!
[cut to her running outside and into another building, then cut to a young male student exiting the bathroom (as a loud flushing noise can be heard)]
ROCKY: Ahh ...
[he starts running, then cut to both of them running down a hallway in slow motion ... except that Rocky eventually trips and Molly leaves him to run into the room and slams the door behind her]
MOLLY: Here, Miss Adderstone!
[out of breath, she smiles, but the headmistress simply gives her a dirty look]
AGNES: Late again, Molly, as well as Rocky! Molly, you have cleaning duty this week!
[she turns and addresses the other students]
AGNES: Children, dismissed!
["Brieresville Library" appears on screen, then cut to inside a library, as a young female librarian sits down at the information desk before being berated by an unseen male patron]
SIMON: [from off camera] Do you have the book?
LUCY: [nervously] N-No, I'm sorry ...
SIMON: [from off camera] But I need that book, lady! How could you lose it in two days?!
LUCY: [nervously] I'm sure it'll turn up somewhere ...
SIMON: [from off camera] For your sake, it better!
[cut to Molly sitting on the floor, reading a book, when she sees another book on the shelf with "ypnotism" written on the spine (the "h" appears to have been ripped off)]
[cut to Molly placing the book in her bag, then walking out of the library]
[cut to Molly holding up a small daschund dog]
MOLLY: Act like a dog ... so I can hypnotize him!
[the dog starts "growling", then cut to Molly standing outside of a Broadway show]
MOLLY: I knew I was good, but this is just crazy!
[cut to Molly appearing on stage and acting in a play]
MOLLY: Ground control to Major Wilbur, do you read me? Ready for lift-off, over. Ten, nine, eight, seven, six, five, four, three, two, one, zero ... We have lift-off!
["Molly uses her powers to hypnotize her audience" appears on screen, then cut to Molly standing on stage and addressing the audience]
MOLLY: You will be bowled over by the show, it'll be so good! My dancing, my singing, will thrill you to bits! My jokes will give you all giggling fits! My blockbuster debut is destined to be ... the star of the twenty-first century is me!
[the curtain is drawn, then cut to the shadow of a man appearing against a brick wall]
SIMON: [from off camera] I have your dog, and I'll kill her if you don't do what I say! We're gonna rob a bank using your hypnotism, but you may have one partner! Mwah ha ha!
[he starts to cough]
SIMON: [from off camera] Do we have a deal?

---

From wikipedia.org:

"Molly Moon's Incredible Book of Hypnotism" is the first book in the five-book Molly Moon series written by Georgia Byng.

Molly Moon, an orphan at Hardwick House Orphanage in Briersville, England, is living a "boring and plain" life with her best friend Rocky Scarlet, another orphan. She is usually harassed by Ms. Adderstone, the woman in charge of the orphanage, and Hazel, a snobby orphan girl. During a cross-country race at school, Molly and Rocky have a fight and Molly storms away to the town library. As she walks in, she finds a man yelling at the librarian about a book he ordered, but ignores him. While looking in a curious compartment of the restricted section, she finds a book on hypnotism, placed in the wrong section because the "H" was ripped off the spine. Intrigued, she steals it and sneaks out of the library. She takes it to the orphanage to read it.

She fakes to be sick so she can study the book better. Curiously, she finds that chapters 7 and 8 ("Voice-Only Hypnosis" and "Long Distance Hypnosis") are missing. Not long after her discovery of the book, she learns that Rocky has been adopted and taken to America with his new family. Determined to see her friend again, she gains the actual ability to hypnotize from the lessons in her book, first successfully hypnotizing the orphanage dog, Petula. Later on, she is able to hypnotize both Ms. Adderstone and their orphanage chef Edna. Using her ability, Molly wins a large sum of money from a local talent competition, by hypnotizing the crowd into believing that she is a talented singer and dancer. She uses the money to fly to New York City, taking Petula with her. Before leaving, she buys a large gold pendulum, where the mysterious professor from the library learns about her, after he bought some anti-hypnosis glasses.

Soon after arriving, Molly hypnotizes her way onto Broadway, landing the lead in a musical called "Stars on Mars". However, she steals this part from a real child star, named Davina Nuttel, in the process. The show is a roaring success, and catches the attention of a man named Simon Nockman, who has passed himself off as a "professor" of hypnosis, but is truly just a criminal. He theorizes Molly must have obtained the book and learned hypnosis, and formulates a plan. After one performance of "Stars on Mars", Nockman kidnaps Petula, threatening to kill her if Molly does not comply with his orders, and she cannot hypnotize him because he always wears the anti-hypnotic glasses he bought in Briersville. He orders her to use her power of hypnosis to rob some rare jewels from a bank for him.

Having no choice, Molly agrees. All goes as planned with the robbery until she finds Rocky, who much to her surprise has also learned hypnosis. He had previously stolen and learned from the missing chapters of Molly's hypnotism book, "Long Distance Hypnosis" and "Voice-Only Hypnosis". He also reveals that he had intended to take Molly with him when he was adopted, but had not been able to hypnotize his parents. Since then, he left them as they were not much fun. Together, the two pull off the robbery, but later form a plan to return the jewels. Rocky uses his talent to hypnotize Nockman into giving up his life of crime. He then helps Molly return the stolen jewels by placing them in hollow garden gnomes and placing them around the city. However, Molly keeps one diamond, which Petula found in her jacket.

Molly gives her part in "Stars on Mars" back to Davina, and returns home with Rocky. Out of sympathy for the broken man, she takes Nockman with her. Before leaving, they work together to record a commercial, using their hypnotic powers to convince people to be kind to their kids. However, when they return, they find Ms. Adderstone and Edna have disappeared, leaving the orphanage in chaos. With Nockman's help, Molly and Rocky get the orphanage back into a livable condition, and get Ms. Trinklebury, the orphanage maid, to run it along with Nockman. The orphanage is renamed 'Happiness House' and the money that Molly earned in New York is used to buy new things and decorate the orphanage. However, it is implied that Nockman has returned to his old ways as he steals a camera, a lollipop and five pounds from children in the orphanage.

At the end of the book, Molly is mysteriously summoned to the library by the librarian, Lucy Logan. Lucy explains that she is the descendant of Professor Logan, the man who originally wrote the hypnotism book, and is a skilled hypnotist herself. She had purposely hypnotized Molly into finding Professor Logan's hypnotism book and keeping it for a month. Now, Molly must return it.

In an epilogue, it is revealed what happened to Ms. Adderstone and Edna; Ms. Adderstone left to become a pilot, and Edna is now an Italian chef.

---

From wikia.com:

Lucy Logan is the great-granddaughter of Dr. Logan, the hypnotist who wrote the book which Molly discovered. In the first book, she is portrayed as the librarian in Briersville Library and has a major role in leading her daughter to discover her hypnotic talent (using hypnosis herself). It is was revealed in the second book that Lucy Logan had been hypnotized, put in a deep trance and controlled for eleven years by her twin brother, Cornelius Logan. It was also revealed in the third book that Lucy Logan is the mother of Molly and Micky Logan, and her husband is Primo Cell. Primo Cell (who was also hypnotized by Cornelius Logan) is also a hypnotist. A fake Lucy (Cornelius) tried to kill Molly in book 2 because Primo had been de-hypnotized.

Friday, September 21, 2012

Case Study No. 0540: Mr. Peterson and Unnamed Male Librarian

Oh, You!!!
1:11
Through the kindness of librarians, a man's trauma is overcome. Or at least relocated.
Tags: Chad Kaplan Aaron Stielstra animation cartoon library animated cartoons book ambulance hobo homeless man baby short comedy poop pants
Added: 1 year ago
From: Kabukifilms
Views: 440

[scene opens in a public library, as a disheveld balding man walks up to the front desk (sweating profusely) and speaks to the male librarian (long blonde hair, glasses)]
MAN: Excuse me, could I use your bathroom?!
LIBRARIAN: I'm sorry, sir, the restroom's for patrons only ...
MAN: No, you listen to me!
LIBRARIAN: What?
MAN: I'm a chronic late stage alcoholic with severe intestinal damage--
LIBRARIAN: Oh!
MAN: And that includes hemmorhaging!
[the librarian's eyes bulge out]
MAN: And if you do not let me use the bathroom, I will shit my pants!
LIBRARIAN: Oh! That's not necessary, let ... I'll ask my supervisor.
MAN: Too late!
LIBRARIAN: No!
[the man begins straining, and a growing bulge appears in the seat of his pants]
LIBRARIAN: Oh, wh ... Oh, why? Why? Why?!
[he turns around and shouts to the back]
LIBRARIAN: Mister Peterson!
[the man begins laughing uncontrollably, as another librarian (bald with a beard) appears]
PETERSON: What, what's going on here?
[he looks at the man]
PETERSON: Sir? Oh, call 911!
[the surrounding patrons gasp, as the man falls to one knee and clutches his chest]
PETERSON: Call 911!
[Mister Peterson turns to the patrons]
PETERSON: No, nothing to see here! Nothing to see here! Folks, everyone back!
MAN: Uhhh ...
PETERSON: Sir, why did you this?!
[cut to an extreme closeup of the man's bloodshot eyes]
MAN: Ohhhh you!
[he passes out]
LIBRARIAN: [crying] That poor man!
[cut to various shots of the man being loaded into an ambulance, as the credits roll]

Oh, You!!!
Animation by Chad Kaplan
Written & Directed by Aaron Stielstra
Music by Aaron Stielstra
Produced by Spartaco Castelluci

Case Study No. 0539: Agent Codee Books

Agent Codee Books: Student selection of reading materials
2:42
It's vital that students be allowed to choose reading materials of interest to them. This fosters an interest and love of reading. This video is part of a longer video I produced on Classroom Teacher and Librarian collaboration.
Tags: loopy library librarian reading elementary teacher collaboration valentine mckillop parody comedy student read book selection
Added: 2 years ago
From: drloopy
Views: 50

["Agent Codee Books: Library Change Agent" appears on screen, as the scene opens with a man looking through a magnifying glass]
NARRATOR: He's an agent of change.
[cut to Codee Books standing in front of a green screen depicting a world map]
NARRATOR: He's an agent for achievement.
[cut to Codee Books standing in front of a green screen depicting a shelf of old books]
NARRATOR: He brings the very best books to those who need them most.
[cut to a little girl standing in front of a green screen depicting a beach, as the sound effect of a baby crying plays]
NARRATOR: The bored.
[a picture of Codee Books appears, and the little girl is suddenly holding a book entitled "Look Alikes" and smiling]
[cut to another little girl standing in front of a green screen depicting London's Big Ben clock tower]
NARRATOR: The clueless.
[Codee Books suddenly appears and throws a book at her head, ninja throwing star style, then cut to the little girl holding the book and rubbing her head]
GIRL 1: [annoyed] Owww ... Oh.
[she suddenly looks down at the book and smiles]
GIRL 2: Oh my goodness, this is a cool book. Cool, wow.
[cut to another little girl sitting on a bench in front of a green screen depicting the Golden Gate Bridge, as Codee Books reaches under his trenchcoat and pulls out a book]
NARRATOR: The children.
[she takes the book and smiles, then Codee gives a thumbs up before walking off camera]
NARRATOR: He's a force for good. He's ... Agent Codee Books!
[cut to Codee standing in a large room looking at a video montior depicting a man wearing a grey-haired wig and bright pink butterfly-style sunglasses]
CODEE BOOKS: What is it, Chief?
CHIEF: Agent Codee Books, we've found a secret library code embedded deep within the text.
[the monitor shows several scanned pages with various bits of text highlighted with yellow magic marker]
CHIEF: You must dig it out and use it for the good of all students!
[cut to a young woman wearing dark sunglasses and a black hoodie]
NARRATOR: Codee Books is constantly battling the agents of L.E.X.I.L.E. ... "The League to EXterminate Interesting Literary Exploration!"
[cut to a shot of Codee Books striking a heroic pose with his magnifying glass, as "Student choice = Student success" flashes on screen]
NARRATOR: Agent Books believes that if students read materials they are interested in, it will help promote and increase interest in reading overall, and lead to higher achievement.
[cut to the L.E.X.I.L.E. agent sneaking around the library, when she finds one of the young girls reading a book]
LEXILE AGENT: This book is way above your level! Let's look for something easier, and less interesting to you!
[cut to Codee Books looking through his magnifying glass]
CODEE BOOKS: Hmm!
[cut back to the agent and the little girl]
GIRL 2: But I really wanna work on it! I talked to my Mom and she already said she'd help me!
[cut to Agent Books sneaking up behind the agent, then looking at the camera and putting a finger to his lips]
LEXILE AGENT: Sorry kid, not this time!
[she grabs the book out of her hands, then Agent Books reaches in and takes the book from her, before tossing it back to the girl]
CODEE BOOKS: Run! Check it out, quick! I'll take care of this guy!
[the girl runs off]
LEXILE AGENT: So, Agent Codee Books! We meet again!
CODEE BOOKS: That's right. Only this time ...
[he takes an "Arthur" book and opens it, as flames shoot out of the pages]
CODEE BOOKS: Things are gonna be different.

---

From dallasnews.com:

Karen Rose used to be a techno-weenie, anxious about using computers and confounded by PowerPoint.

During her final presentation in an education technology class at the University of Oklahoma, she deleted a key computer file. The professor showed mercy.

"She told me, 'I'll give you credit for the presentation as long as you promise you won't give up on technology,' " Rose recalled.

To say she hung in there is an understatement.

Rose - a third-grade teacher at McKillop Elementary in Melissa - recently went to Denver to collect the International Society for Technology in Education's award for outstanding teacher of 2010.

The group, representing 80 professional associations and more than 100,000 teachers, cited the many ways Rose uses technology in her classroom, including guiding students to create digital portfolios.

Her students do videos, podcasts, PowerPoints, animation and other wizardry. Her classroom Web page lists 50 technology-enhanced projects from last year ranging from "proper nouns" to "poverty."

One video shows her kids doing a Texas version of "The 12 Days of Christmas," with pecan trees, bluebonnets and mockingbirds subbing in for traditional gifts. Students wrote the script and shot and edited all the video.

"My focus is not on them learning a specific software," she said. "It's on them being creative, learning to express themselves and learning to work together."

Rose is on a roll. About to begin her ninth year of teaching, she has been honored by the Texas Computer Education Association (which nominated her for the International Society for Technology in Education award). Her class also won a national competition sponsored by the education technology company eInstruction. That yielded a $30,000 technology makeover for McKillop, in northern Collin County.

She became a technology convert in her first teaching job when a patient mentor teacher and enthusiastic kids helped her realize the advantages.

"I quickly discovered that with the computer, anytime we used it, there was more focus," she said. "All the kids - boys and girls - were very engaged and motivated."

Rose also married well, technologically speaking.

Her husband of seven years, Doug Valentine, is the librarian at McKillop. He has students do video book reviews and lots of computer-assisted research. His own "Dr. Loopy" educational videos have earned him a big following on TeacherTube (she has also played a starring role in several of his videos, portraying characters ranging from The Bionic Librarian to the evil agent of L.E.X.I.L.E.).

For his innovative use of technology, Valentine was named the Association of Texas Professional Educators' special services educator of the year for 2009-10.

"They're a dynamic duo," said Cheryle Gonzales, who recently retired as McKillop's principal. "It's amazing what their kids do, and it's all kids. Karen asks for the kids that have challenges."

Rose and Valentine - employees of the 1,400-student Melissa Independent School District - are recognized enough now that they get e-mails from other educators, asking for advice. And they're always scouting for new technological tools and how those might be applied in the classroom.

"We never unplug," Rose said. "It's constantly a discussion in our house." AT A GLANCE: Tips on teaching with technology

Karen Rose and Doug Valentine from McKillop Elementary in Melissa have been honored for their use of technology in teaching. Here's their advice:

* Remember that what's technology to most adults is just the way things are for kids. They are not afraid to do it wrong.

* Don't be intimidated. Find one new thing to learn, get comfortable with it and keep moving forward.

* Always try out a new tool yourself before using it in class. Read the FAQ sections of websites and see what other educators are saying.

* Never underestimate what young people can do. That goes for technology or anything else you might be teaching. It's amazing to see what they can accomplish if you give them a chance.

* Don't be afraid to learn right along with your students. Discovery is a vital part of learning.

* Find and read blogs and wikis written by teachers and librarians. There is some great information out there by people using technology every day.

* Find out what your kids are interested in and figure out a way to use that in your lessons.

Case Study No. 0538: The GEICO Gecko (Wannabe Librarian)

There's a gecko in the library!
0:31
"Hey. You do know I can hear you, right?"
Tags: gecko library
Added: 3 years ago
From: lizzzzard23
Views: 72

[scene opens with the naturalist sneaking around a library, as the gecko is standing on one of the bookshelves and speaking to a male patron]
GECKO: You can get free rate quotes online, or over the phone ...
PATRON: Mm, so what if I wanna talk to someone at ... three in the morning?
[the naturalist positions himself directly behind the gecko, "hiding" behind the books]
NATURALIST: [whispering and speaking directly to the camera] Today, we find a gecko confronted by man's curiosity!
GECKO: Ah, that's no problem, mate ... Geico's got insurance specialists available twenty four-seven!
NATURALIST: [whispering] Fascinating!
GECKO: You can buy a policy, change your coverage, report a claim ...
NATURALIST: [whispering] Remarkable!
[the gecko turns and addresses the naturalist]
GECKO: Hey ... You do know I can hear you, right?
[looking nervous, the naturalist ducks down]
NARRATOR: Geico. Fifteen minutes could save you fifteen percent or more on car insurance.

---

From wikipedia.org:

The company's ads sometimes focus on its reptilian mascot, The Gecko, an anthropomorphic Day Gecko created by The Martin Agency and most recently a CGI creature generated by Framestore CFC. The gecko first appeared in 1999 during the Screen Actors Guild strike that prevented the use of live actors. The original commercial features the Gecko, voiced by comedian Kelsey Grammer, pleading for people to stop calling him in error as he is a gecko not to be confused with GEICO. Later "wrong number" ads used Dave Kelly as the voice of the gecko. In the subsequent commercials with Jake Wood, (which portray him as a representative of the company), the gecko speaks with a Cockney accent, because it would be unexpected, according to Martin Agency's Steve Bassett.

Thursday, September 20, 2012

Case Study No. 0537: Staff of the Minneapolis Central Library

Man with no Library Card
4:32
Winner of Best Storyline (or Most Original Storyline) and Audience Choice Award (Sun. 1;30-3;00) in the Quiet on the Set short film competition 2009 presented by MELSA. http://melsa.org/quietontheset/index.cfm
Featuring Taylor Gruye as the Man with no Library Card and Preston Palmer as the Card Player.
Written and Directed by Jonathan Craig.
Guitar playing and whistling by Jonathan Craig, Trumpet playing by Daniel Craig.
Tags: MELSA Quiet on the Set short film competition Spaghetti Western
Added: 3 years ago
From: penguinjedi23
Views: 1,400

Taylor Gruye
Jonathan Craig
Preston Palmer

Man With No Library Card

Written and Directed by
Jonathan Craig

Original Music by
Jonathan Craig

Edited by
Jonathan Craig & Daniel Craig

[scene opens with a man (dressed like Clint Eastwood from "A Fistful of Dollars") walking in an open field by himself]
MAN WITH NO LIBRARY CARD: [in voice over] I've travelled long, and I've travelled far. For months, I've been alone ...
[he takes out a chocolate Tootsie Pop, unwraps it, and sticks it in his mouth (making it look like he's smoking a cigarette)]
MAN WITH NO LIBRARY CARD: [in voice over] Without my library card. Long ago, I lost it. And how many roads must I travel before I can find my library card?
[cut to another shot of the man, striking a dramatic pose]
MAN WITH NO LIBRARY CARD: And little did I know, the answer was blowing in the wind ...
[a crumpled piece of paper flies through the air and hits him in the left shoulder, so he picks it up and reads it ("I'm at the Central Library")]
[cut to the man entering the Minneapolis Central Library (as several patron and librarians can be seen milling about), then cut to the man browsing through one of the bookshelves, when another man (with a handkerchief around his neck) suddenly appears behind him]
THIEF: I found your library card.
[he turns in surprise, as the thief hands him his library card with a note attached ("Overdue Fine, $10. Until you pay this, you're like a man with no library card.")]
MAN WITH NO LIBRARY CARD: Overdue fines? But ...
[he looks up, but the thief has disappeared, then cut to the man staring out the window]
MAN WITH NO LIBRARY CARD: [in voice over] At last, I found my library card, but a ten dollar overdue fine is enough to crush any man's spirit ... or ability to check out library books. Until I find that money, I'm still like a man with no library card.
[he sits down, then notices another man (wearing boots and a cowboy hat while chewing on a piece of straw) sitting at a nearby table]
CARD PLAYER: You play?
[he holds up a deck of cards]
CARD PLAYER: I'm the best card player round these parts ...
[the man gets up and walks over]
CARD PLAYER: Tell you what ... If you can beat me in a game, I'll give you all the money in my pocket.
MAN WITH NO LIBRARY CARD: And if I lose?
CARD PLAYER: Heh ...
[the screen turns red and a clap of thunder can be heard, as the card player's voice is modified to sound more "demonic"]
CARD PLAYER: I keep your soul.
MAN WITH NO LIBRARY CARD: [pause] How much money is in your pocket?
CARD PLAYER: Ten dollars.
[the man sits down, then cut to the two men in the middle of a (seemingly) intense game]
CARD PLAYER: Got any three's?
MAN WITH NO LIBRARY CARD: [whispers] Go fish.
[cut to another shot of the men playing cards]
MAN WITH NO LIBRARY CARD: [in voice over] Betting my soul was a heavy risk, but those ten dollars in his pocket was just enough to pay off my fines.
[cut to a closeup of the men's eyes as they stare at each other]
MAN WITH NO LIBRARY CARD: [in voice over] The battle was fierce. This guy was good, but I was good too.
[cut to a closeup of the man putting down his cards]
MAN WITH NO LIBRARY CARD: [in voice over] And in the end ... I prevailed.
[the screen fades to black, then cut to another shot of the man]
MAN WITH NO LIBRARY CARD: Seems you're no longer the best around these parts.
CARD PLAYER: Huh, you just got lucky!
[he hands him a wad of crumpled dollar bills, as the man gets up to leave]
CARD PLAYER: Hey! Be careful out there. I hear there's a man who steals ... library cards.
MAN WITH NO LIBRARY CARD: And keeps them?
CARD PLAYER: No, even worse. He takes your library card, checks out books with it, then a month later, he returns you your library card but he doesn't return you the books. Leaving you with a tremendous amount of overdue fines.
[cut to a closeup of the man's face, superimposed over a shot of the 10-dollar library fine note]
CARD PLAYER: Here, maybe you've seen him ...
[he pulls out a wanted poster ("Wanted, Library Card Thief") with a photo of the man who gave him his library card (except he has a moustache and goatee)]
MAN WITH NO LIBRARY CARD: [in voice over] Now it was obvious, this man had to be stopped.
[cut to the man standing on the roof of the library, as the library card thief stands at the opposite end]
[he holds up the wanted poster, as the thief tries to run, but the man throws his library card like a ninja throwing star and hits him in the back, knocking him down]
MAN WITH NO LIBRARY CARD: [in voice over] And that's when he stole his last library card.
[cut to a shot of the thief on the floor, as the man walks away]
MAN WITH NO LIBRARY CARD: [in voice over] All in a day's work, I suppose ...
[cut to a shot of the man standing in the open field]
MAN WITH NO LIBRARY CARD: [in voice over] I beat the world's best card player, put a thief in prison, and got my library card back. Now that all the fines have been paid off, I'm able to check out books again.
[cut to the man striking a dramatic pose with his back to the camera]
MAN WITH NO LIBRARY CARD: [in voice over] And I am no longer ... the man with no library card.

The End

This film was produced for
Quiet on the Set
short film competition

Presented by MELSA
and in partnership with
Comcast, Channel Z, and IFP films.

Case Study No. 0536: Dorothy Feeney

The Real McCoys 4x06
22:37
The New Librarian
Tags:
Added: 1 month ago
From: chinspinach2
Views: 12

[scene opens with Little Luke walking up to his grandfather at the dinner table]
LITTLE LUKE: Grampa!
AMOS: Yeah, Little Luke?
LITTLE LUKE: Grampa, if you're in town tonight, will you drop off this library book for me?
AMOS: Well, I'm kinda set for right here this evenin', Little Luke.
George McMichael's comin' over to play checkeys with me ...
[there is a knock at the door]
AMOS: And if I'm mistook, that's him right now!
[he laughs and answers the door]
AMOS: Hello there, George, ya old ... Come on in here!
GEORGE: Hi, Amos!
LITTLE LUKE: Hi, Uncle George!
GEORGE: Hi, Little Luke ...
[he tips his hat to the other members of the McCoy family]
GEORGE: Hello, Luke. Hi, Kate.
KATE: Hi, George!
LUKE: Hi, George, how are you?
[Amos opens up his checkerboard, then notices George's fancy suit]
AMOS: Say George, ain't you a bit doodied up for checkeys?
GEORGE: That's what I come over ta tell ya, Amos ... Uh, I can't play checkers tonight.
AMOS: Ya can't?
GEORGE: No, I'm sorry. Uh, I uh ... I got involved in a little business deal.
AMOS: A business deal?
GEORGE: Yeah, that's right ... and I gotta see some folks about it in a few minutes.
AMOS: So ... that's why you're all dressed up like this?
[he flicks at George's tie]
GEORGE: There something wrong?
[Amos laughs]
AMOS: Well George, you--
KATE: Now Grampa, don't you start teasing George!
LUKE: Yeah, don't you pay any attention to Grampa, George ... You look mighty nice overdressed like that!
GEORGE: Well, thank you, Luke.
LUKE: I like that yellow tie!
GEORGE: Oh, well, it ain't much but ... it's special bought! To go along with my yellow pocket handkerchief!
[he pulls up his pants leg]
GEORGE: And they both go along with mah yellow socks!
AMOS: What color underwear you wearin', George?
GEORGE: Amos, there's a lady present ...
[he turns to leave]
GEORGE: Well, I'll be goin'.
AMOS: Say, George, maybe come over tomorrow night and play some checkeys, huh?
GEORGE: Well, depends on how the business deal goes, Amos ... I'll call ya.
[he exits the door]
AMOS: Goodnight, George!
LUKE: Goodnight, George!
GEORGE: [from off camera] Goodnight!
KATE: Goodnight!
GEORGE: [from off camera] Goodnight!
KATE: George sure did look nice, didn't he?
AMOS: [quietly] Yeah, he looked real nice, Kate.
[Amos, obviously disappointed, picks up his hat and puts it on]
AMOS: Well, I think I'll mosey on into town for a spell.
KATE: Oh Grampa, as long as you're going, why don't you take Little Luke's book back to the library for him?
[she hands him a book]
AMOS: Alright ...
LUKE: What're you plannin' on doin' in town tonight, Grampa?
AMOS: Oh, I got a big evenin' all set, Luke! If'n the excitement ain't too much for me, I'm gonna ... watch the folks jay-walkin' across Main Street.
[he sighs, then exits]
AMOS: Well, goodnight ...
KATE: Goodnight, Grampa!
LUKE: Goodnight ...
[cut to inside the public library, as George is nervously trying to act casual when he spies an older female librarian pushing a bookcart]
GEORGE: Well, good evening, Miss Feeney!
DOROTHY: Oh, good evening, Mister McMichael! You're early this evening ...
GEORGE: Uh, Miss Feeney ...
DOROTHY: Yes?
GEORGE: I, uh--
[an old woman (her face buried in a book) walks between them]
GEORGE: You get prettier every day!
DOROTHY: Why, Mister McMichael, what a lovely thing to say ...
GEORGE: Well ...
DOROTHY: Oh, excuse me.
[she smiles and continues pushing her cart, as George looks over and notices that she's heading over to the front desk to deal with a patron (who just happens to be Grampa Amos)]
DOROTHY: May I help you?
AMOS: Yes, ma'am. This book needs returnin'.
DOROTHY: I'll take it.
[George hurriedly grabs a nearby magazine and covers his face with it]
AMOS: Say, you're new around these parts, ain'cha?
DOROTHY: I am indeed, I've only been here a week.
AMOS: Well, welcome to the West End of the San Fernando Valley! The beautiest spot on the face of Southern Californy!
[she laughs]
DOROTHY: Well, thank you!
[he takes off his hat]
AMOS: Amos McCoy at your service, ma'am.
DOROTHY: I'm Dorothy Feeney ... Miss Feeney.
AMOS: My, that's a right pretty name!
[she gives him a funny look]
DOROTHY: "Feeney"?
AMOS: No ... "Miss!"
[she laughs]
AMOS: I'm a widower, myself ... Well, I best get a book. Ain't nothin' like a good book to settle ya for an evenin'!
[she smiles as he walks off towards one of the nearby shelves and grabs a book, then goes to sit down and read ... until he notices that the man standing right next to him (and covering his face with a magazine) is wearing a yellow tie with a yellow pocket handkerchief]
AMOS: Howdy, George!
GEORGE: Well, hello Amos ... Just dropped by to, uh, read up about something in this agricultural journal! Y'know, uh, about that business deal I was tellin' ya about!
AMOS: You don't say ...
[he points at the cover of the magazine]
AMOS: Say, that's a fetchin' picture of that girl in the bathing suit there, isn't it?
[the camera zooms in to show the cover of "Swim Fashions" (with a drawing of a woman wearing a one-piece bathing suit)]
GEORGE: Oh, uh ... That's Miss Crop Rotation of 1960!
[he quickly takes a seat, as Amos follows him]
AMOS: Well, she looks like the type that's been around, alright!
[Miss Feeney walks over carrying a stack of books]
DOROTHY: I see you two know each other!
AMOS: Oh, sure! Uh, me and him's been each other's best friend for years ... Ain't we, George?
GEORGE: Uh, yeah ... Yeah, that's right, Amos.
DOROTHY: How nice! Mister McMichael's been my most loyal customer. Would you believe it, this is the fifth evening in a row he's stopped by?
[Amos gives him a funny look]
GEORGE: Well, business matters take a lotta lookin' into!
[she smiles and walks off, as Amos sits down next to George]
AMOS: Eh, what a nice-lookin' girl, George ...
GEORGE: [pause] Who?
AMOS: Who? You know who as well as I do! And I don't blame ya a bit!
[he casually opens a book and begins looking it over, as George crosses his arms]
GEORGE: Now look here, Amos ... What're you up to? Sittin' here actin' like you can read!
AMOS: Now look, George, me an' you knows I has trouble with readin' and writin' ... but Miss Feeney don't!
GEORGE: Trouble readin' and writin', huh? You can't do it at all!
AMOS: Well, if that ain't havin' trouble with it, what is?
[Miss Feeney walks over again and looks at the cover of Amos' book]
DOROTHY: "The Philosophy of the Early Greeks" by Socrates? My goodness!
AMOS: Well, I thought I'd start off with somethin' light ...
[George puts his hand to his forehead in disbelief]
DOROTHY: That's the edition in the original Greek!
AMOS: Uh, it's Greek alright!
DOROTHY: You mean you actually read Greek?
AMOS: [pause] Well, can't everybody?
[she looks over at George]
DOROTHY: I'm amazed!
GEORGE: Greek ain't any harder for him than English is!
AMOS: George, you oughta try an education book ...
[he points at the magazine in front of him]
AMOS: It'd probably be a whole lot more educatin' than them picture books you're readin' there! Course, it all depends on what kinda education you want!
[Miss Feeney laughs and walks off]
GEORGE: [whispering] I'm warnin' ya, Amos McCoy ... I saw her first!
AMOS: Well, it's a public liberry, ain't it?!
[George stands up]
GEORGE: So what if it is?
[Amos stands up]
AMOS: She's a public liberrian too, ain't she? And accordin' to law, she's mine as much as yours!
GEORGE: Amos McCoy, I've stood all--
[cut to Miss Feeney at the card catalog]
DOROTHY: Shh!
[they both turn, then quickly sit down]
DOROTHY: Would you like to take that book home with you, Mister McCoy?
AMOS: I might just do that, Miss Feeney!
DOROTHY: Fine! You can sign for it on your way out.
AMOS: Ya mean ... sign my name?
DOROTHY: That's right.
AMOS: Well now, I just remembered ... my readin' lamp's been a-sputterin' on me!
DOROTHY: Well, you can stay here and read as long as you like, Mister McCoy.
AMOS: Oh, thank you, Miss Feeney!
[she walks off]
GEORGE: [whispers] Now, you mark my words ... Luck's with ya tonight, but someday Miss Feeney's gonna find out you can't read or write or even sign ya name! And when that day comes, oh, I'll be standin' in the sidelines laughing like a mule!
AMOS: Well now, if you don't mind, I'd like ta get back to mah readin'!
[he grabs another book off the table]
AMOS: I'll start with this one ...
GEORGE: Why, you don't even know what kind of a book that is!
AMOS: I sure do ...
[he stops and looks at the cover]
AMOS: It's blue!

[...]

[George is in the library, presenting Miss Feeney with a bottle of perfume]
GEORGE: I musta whiffed two dozen corks, before mah sniffer picked that one!
DOROTHY: Oh George, it's lovely!
GEORGE: And the clerk said it was real ... "going out" perfume!
[Amos enters]
GEORGE: So maybe, uh, maybe you and me could--
[he looks over and notices Amos]
GEORGE: I might'a known ...
AMOS: Well, that's a nice little bottle ya got there, Miss Feeney!
DOROTHY: Isn't that lovely? George gave it to me.
AMOS: Yeah?
GEORGE: Perfume, Amos. It's called "La Vie da la Fleur." That's French.
AMOS: Well, I'm glad to see your taste is improvin', George!
[he takes out a bigger bottle of the same perfume and hands it to Miss Feeney]
AMOS: Miss Feeney!
DOROTHY: Oh, my goodness! I ... I don't know what to say!
AMOS: Well, you can use the big three-dollar size there to fill the little one, y'see!
DOROTHY: You two dears ... but you really shouldn't have done it!
AMOS: Well George, you ready for your readin' exercise?
GEORGE: Readier than you'll ever be, Amos!
[they both start walking towards the shelves, but George backtracks]
GEORGE: Miss Feeney, I was meanin' to ask ya, maybe--
[Amos quickly returns]
AMOS: Hey, how 'bout me walkin' you home to your boarding house after closing?
[George starts to argue, but Miss Feeney intervenes]
DOROTHY: No really, I have an idea ... Why don't both of you walk me home?
[they give her a funny look]
GEORGE: Both of us?
AMOS: Well, don'cha think the sidewalk will be kind of over-crowded with George along, too?
GEORGE: Now listen, Amos--
DOROTHY: Now now now now ...
[she gets inbetween the two]
DOROTHY: [quietly] Since this is a library, I suggest we do a little reading ... quietly.
[they head back towards the shelves]
AMOS: Well, let's see now. I finished off that "War and Peace" by that Tall-Story fellah last night!
DOROTHY: My, that was fast!
GEORGE: Oh, he reads faster when there ain't no pictures to slow 'im up ...
[Amos begins pulling several books off the shelf]
AMOS: Oh here, I'd like that ... and this one here, and this one. Yeah, now that's the one I want!
[he takes the stack of books over to a nearby table and sits down]
DOROTHY: Amos, are you planning to read all those books this evening?
AMOS: I have got quite a stack of 'em, ain't I?
GEORGE: Amos, uh, why don't ya just take 'em home?
AMOS: Well now, I might just do that little thing, George!
DOROTHY: Fine, I can make out a card and you can sign for them. Just wait.
[Amos feigns concern (since he had his family teach him how to sign his own name the previous night) and plays it up for George]
AMOS: Now what'd I do that fer? Eh, now I'm gonna have to tell her I can't sign mah name!
[George tries to hide his smile, while Amos continues the "sob story" act]
AMOS: Well, I guess I'll just hafta make my "X" and ... and get it over with!
GEORGE: Oh now, Amos. Don't be too ashamed. After all, "X" is part of the alphabet too!
[Miss Feeney returns and hands Amos a card and pencil]
DOROTHY: Here's your card, Amos.
AMOS: Where do I sign?
DOROTHY: Right there.
[Amos signs his name, while George looks away in order to stifle another laugh]
AMOS: There ya are.
[she takes the card and looks over his signature]
DOROTHY: What an unusual signature ...
AMOS: I'm kinda proud of it me-self!
GEORGE: Took real courage, Amos ...
DOROTHY: To sign his name?
[George finally decides to actually look at the card, and is dumbfounded by what he sees, as Miss Feeney gives him a confused look before walking away]
GEORGE: Amos McCoy, when did you learn to sign your name?
AMOS: [pause] Same time I learned to read!
[Miss Feeney returns with Amos' stack of books]
DOROTHY: There, all checked out for you.
AMOS: Oh, thank you ... Dorothy.
[George angrily slams his book shut]
AMOS: Too bad George don't read some'a them good books.
DOROTHY: Oh, I'm sure George enjoys what he reads.
AMOS: Well, I don't think he's so good on the books with the big words in 'em!
GEORGE: Well, at least I read well enough to obey the signs!
AMOS: Wadda ya mean?
GEORGE: Up there ...
[he points at the "No Smoking" sign above the table, then Amos (after hesitating) takes his hat off]
AMOS: Oh ... I never seen it.
[Miss Feeney gives him a confused look, as George busts up laughing]
AMOS: What ya laughin' at, George?
[he justs laugh louder, as Amos looks to Miss Feeney]
AMOS: Guess ol' George is crackin' up!
[Amos gets up and pats George on the shoulder, as he begins laughing himself]
AMOS: Well, at least ya gotta give George credit for one thing! He can laugh at his own short-comins'!

[...]

[Miss Feeney has invited Amos and George to her home for refreshments, as Amos takes a book off her shelf while she and George sit on the couch next to each other]
AMOS: Yep, ol' Teach used to say, rest his soul ... "Amos, if ya don't learn nothing else, learn ta appreciate good readin'."
[George ignores him and scooches a little closer to Miss Feeney]
GEORGE: This is mighty tasty cake, Miss Feeney.
DOROTHY: Thank you, George.
GEORGE: What else did your teacher tell ya, Amos?
AMOS: Well, let's see now--
DOROTHY: George, would you do me a favor?
GEORGE: It would be a pleasure, Miss Feeney!
DOROTHY: Would you go in and heat up some more water for the tea? The kettle's still on the stove.
GEORGE: Oh, sure.
[he gets up to leave]
AMOS: And don't hurry back, George. Y'know the old saying? "Three'a a crowd?"
[George leaves, as Amos hands Miss Feeney the book he was holding]
AMOS: Now there's one'a my fav-rite books!
DOROTHY: Amos ...
AMOS: Uh, must'a read it ten times if I read it once!
[she suddenly notices the book cover ("How to Knit in Ten Easy Lessons" by Evalyn Fowler)]
DOROTHY: Amos, come sit here next to me.
AMOS: Uh, don't mind if I do ...
[he sits down on the couch]
DOROTHY: Amos, you don't have to pretend with me. I'm your friend.
AMOS: Well, maybe only read it three or four times ...
DOROTHY: Amos ...
AMOS: [pause] Twice?
DOROTHY: Dear Amos, it's no disgrace not to be able to read or write.
AMOS: Ya know?
DOROTHY: I know.
AMOS: How'd ya find out?
DOROTHY: Remember that sign in the library?
AMOS: The one I took my hat off to?
[she nods]
DOROTHY: It says ... "No Smoking."
AMOS: Oh, I see. That's what George was laughin' at.
DOROTHY: Oh Amos, don't take it so seriously. It really doesn't matter.
AMOS: [pause] I best be goin' now, Miss Feeney.
[he gets up and heads for the door]
DOROTHY: Amos, please don't go.
AMOS: Oh, I think I bettah ... Three's a crowd, y'know.
DOROTHY: Now Amos ...
AMOS: Uh, them books in mah car, I'll drop 'em off tomorrow for them that can read. And ya might tell George for me, he had the last laugh after all.
[he exits]

[...]

[George visits Amos in the middle of the night to apologize, nearly scaring his family half to death (thinking there might be a chicken thief on their property)]
GEORGE: Amos, I just had ta come over and have a little talk with ya. I haven't slept a wink thinkin' about what I did to ya!
AMOS: Well, you're too late with your thinkin'!
GEORGE: You know all about this, huh?
KATE: Yes George, Grampa told us.
GEORGE: Amos, a woman brings out the beast in a man ... No offense, Kate.
KATE: No, George.
AMOS: Now if you've had yer say, we wanna get back to bed!
GEORGE: Amos, I don't know how I coulda done such a terrible thing to ya! You, m-my best friend ... The devil musta got me!
AMOS: Well, if he's figurin' on bein' a friend'a yours, he better watch his-self!
LUKE: Look Grampa, seein' as how George has apologized to ya, why don't you two just shake hands and start all over again with Miss Feeney?
[George sticks his hand out, but Amos ignores him and points angrily at Luke]
AMOS: Luke, the first thing in the mornin', I'm returnin' dem five books I took out! Then I wanna forgot about liberries, the people what runs liberries, and the people that goes in liberries!
KATE: Maybe they can best work this out alone ... Night!
LUKE: Uh, goodnight, George.
[they head back into the house]
GEORGE: Amos, please, like I said--
AMOS: [shouting] Goodnight, she's all yours!
[he storms back into the house]

[...]

[Amos angrily walks into the library carrying his books, when he overhears George talking to Miss Feeney]
GEORGE: [from off camera] And you can add to that list, being terribly tempered. And ... uh, cowardly.
DOROTHY: [from off camera] Oh, now George!
GEORGE: [from off camera] No, I mean it! And tricky and shiftless, too!
[Amos moves some books on the shelf to spy on them from the other side]
AMOS: [whispering] He ain't run me down enough already?
[cut to a shot of George and Miss Feeney through the bookshelf]
GEORGE: And don't let's forget about being ... full of foul-type language, also!
DOROTHY: I'm sure you're exaggerating.
GEORGE: Oh, if you wanna know the truth, I ain't told ya the half of it! It so happens ... that I'm selfish, and I'm unfeelin'. No, Miss Feeney, I ain't the man for you.
[cut back to Amos, who has a big smile on his face]
GEORGE: [from off camera] Amos McCoy is.
AMOS: [whispering] Why that ol' devil!
[cut back to George and Miss Feeney]
GEORGE: And I'm insincere. And I'm nasty mean!
[cut back to Amos]
AMOS: Don't forget to tell her ya snore in your sleep!
[cut back to George and Miss Feeney]
GEORGE: Thank you ... And I snore in my sleep.
[he stops and looks around, then Amos goes and confronts the pair]
GEORGE: Oh, hello Amos. Uh, what're ya doin' here?
AMOS: Listenin' to some'a the best lyin' I heard in years!
GEORGE: Now wait, Amos, everythin' I said about myself--
AMOS: Now look Miss Feeney, George McMichael is one'a the finest, nicest, most polite-est--
GEORGE: Now hold on, Amos! I-I guess I oughta know more about me than you do, and I say that I'm just--
[Miss Feeney smiles and motions for them to stop]
DOROTHY: Now stop, both of you! Oh, you sweet wonderful men! I just can't wait until Cecil meets you!
AMOS: Cecil?!
DOROTHY: Oh, Cecil Norton. An old friend from Wilkes Barre. He telephoned me long distance late last night and ... of all things, proposed!
AMOS: [pause] Well, that's goin' pretty far, ain't it?
GEORGE: And his name is Ce ... uh, Cecil?
DOROTHY: That's right ... Oh, I'm just sure the three of you--
[a bell rings at the front desk]
DOROTHY: Excuse me a minute.
[she leaves]
GEORGE: Cecil from Wilkes Barre ... Can ya imagine that?
AMOS: George, y'know, it's just a gol-durn shame the way our American girls is a-fallin' for them foreign fellas!

---

From tv.com:

The Real McCoys
"The New Librarian" (Season 4, Episode 6)
Aired Nov 24, 1960

The rivalry between Grampa and George flares up again with the arrival of a pretty librarian.

Richard Crenna
Luke McCoy

Walter Brennan
Grampa Amos McCoy

Lydia Reed
Hassie McCoy

Michael Winkelman
Little Luke (1957-1962)

Tony Martinez
Pepino Garcia

Kathleen Nolan
Kate McCoy (1957-1962)

Sara Seegar
Dorothy